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A study of three leading German artists presently exhibited in London at Tate Modern, the British Museum and the Royal Academy. In 2014, a resonant series of anniversaries and commemorations prompted an enhanced awareness in London of the history of the Teutonic world in general, and - specifically - a sense of post-war Germany in terms of three of its most symbolic and emblematic visual artists.

A review of the retrospective exhibition of sculptor Sir Antony Gormley OBE held at the Royal Academy London. Encounters varied works from studies and notebooks to gigantic installations.

The exhibition attempts a revaluation of the pre-Raphaelite movement of the mid 19th century, as Dr Marsh indicates it is not about gender competition. Rather, it's about rebalancing the contribution of partners, models, and studio managers. It is also about creative discourse and the other significant roles undertaken by women associated with individual artists.

Cv/VAR series 104 reviews "David Hockney RA: A Bigger Picture", exhibited at the Royal Academy from January to April 2012. The project of creating monumental landscape paintings was based on a small area near the artist's home at Bridlington in East Yorkshire. Works developed with time-framed films, photographs, iPad studies, drawings, sketchbooks, oils, and watercolors, recording particular motifs and places in the changing seasons.

An in-depth study by Marina Vaizey explores the lives and art of David Hockney and Vanessa Bell, drawing on exhibitions at the Tate and Dulwich Picture Gallery.

An essay by Edward Lucie-Smith explores aspects of the mysterious and private character of the renowned American society artist John Singer Sargent.

The second part of Magdalena's journal recording her life with the Berber community in Khenifra in the Middle Atlas mountains: their homes, social gatherings and her work with their children in the Association Hannan. Get a good wash in hammam, eat boucheyar, drink shiba, meet my friends Mahamed and Ali and go with us to Arougou, wakha?

This book presents a study by Anne Blood of the pioneering artist Kurt Schwitters (b. June 20, 1887, Hannover, d. January 8, 1948 Kendal) which reviews the Kurt Schwitters exhibition in Britain at Tate Britain, January to May 2013. The author focuses on the Merzbarn, a late work created in a barn at Elterwater, Cumbria in 1947, made in the last year of his life. The Merzbarn is a complex internal sculpture integrated into the building used by permission of the owner Harry Pierce.

A review of Anselm Kiefer exhibition at White Cube Bermonday tours room by room, with analytic descriptions of the large scale works on view.

Andrea Palladio is the most influential architect who ever lived - much more so than those heroes of the Modern Movement - Frank Lloyd Wright, Le Corbusier and Mies van der Rohe. It is significant that buildings we call "Palladian" are still being built today - for example, by the British architect Quinlan Terry. Palladio’s ideas were disseminated not only by his buildings, but also, even more effectively, by his writings, most notably by his didactic masterpiece, I Quattro Libri dell’Architettura (The Four Books of Architecture), published in 1570.

This essay considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed.

Tracks guides give information on over 150 professions, such as banking and financial services, catering and hospitality, construction, education, health care, land and sea work, law, government and administration, leisure and tourism, manufacturing crafts, marketing, media, service professions, and sports and fitness.

Cv/VAR series 146 reviews the work of Damien Hirst (b.Bristol 1965), presented in a retrospective exhibition spanning 20 years, held at Tate Modern, April to September 2012. It explores the development of his art - from the controversial animal vitrines and beautiful butterfly composites, to an extensive series of spot paintings, where the artist engaged in a complex invigilation of coded systems that govern daily existence.

Magdalena Wasiura returns to Morocco after a holiday to live and work with the Berber community, sharing their experiences, customs, and way of living. Part One describes the author's first step into the life of her Moroccan family hosts, takes you to the souk and hammam, explains the importance of Fridays for Muslim society, sulks itself in whisky and the problems caused by it. In this part we are introduced to countless opportunists and amiable characters, and we visit a rather lavish circumcision party.

Cv/VAR 124 publishes an interview recorded in 2010 with Mat Collishaw, first published in Interviews-Artists Volume Three, explores the range of his work, from 'zoetropes', animated models exhibited at the Freud Museum and installed at the Victoria and Albert museum, to photo-works and projections, with the artist’s original interventions in the natural world that fuse histories, desires and dreams. This edition includes studies of Nam June Paik and other essays on contemporary art.

A review of Nam June Paik at Tate Modern, explores the exhibition room by room. "When asked about his practice Paik replied "I am aware of Zen, but I am an artist: I react to Zen in the same way I react to the music of Johan Sebastian Bach."

Frieze Masters, London, October 6, 2019. Into the broad arena of the covered awnings of this enormous tented gathering of leading art dealers and the first gallery space is Aquavella, with a variety of exhibits; and come face-to-face with an absolutely spiteful acid green and fluorescent pink abstract by Keith Haring (1958-1990). It’s on canvas dated 1982 and signed lower left. The green is painted in a random ventilated grid over the hyper-intense pink with a bold line of a green stripe on the top edge of the work, which is encased in a glass vitrine.

Review of the exhibition of visionary artist William Blake at Tate Britain, September 2019: The exhibition is arranged in eight rooms of the downstairs gallery spaces of Tate Britain, low-lit, maroon-painted walls, a very comprehensive collection of a highly original and complex visionary creator.

Seven days in Funchal on the Island of Madeira. Journal notes of the settings, locations, and personal stories in diary entries.

A collection of reviews made from January to June 2019 of exhibitions in museums and galleries in London and Oxford. The volume proceeds from Small Histories, published in 1996 then updated in 2011. Contents include: Mantegna/Bellini at the National Gallery, John Ruskin at Temple Place, Elizabethan Miniatures at the National Portrait Gallery, Pierre Bonnard at Tate Modern, Mary Quant at the V&A, Jeff Koons at the Ashmolean Oxford, and Anish Kapoor at the Lisson Gallery London.