Ergebnis gesprochen von "Tony Robinson" in Alle Kategorien

All is not well within the Unseen University. The endemic politics of the place have ensured that it has finally got what it wished for: the most powerful wizard on the disc - which could mean that the death of all wizardry is at hand. And that the world is going to end, depending on whom you listen to. Unless, of course, one inept wizard can take the University's most precious artefact, the very embodiment of magic itself, and deliver it halfway across the disc to safety.

There's nothing like the issue of evolution to get under the skin of academics. Especially when those same academics are by chance or bad judgement deposited at a critical evolutionary turning point when one wrong move could have catastrophic results for the future. Unfortunately, in the hands of such an inept and cussed group of individuals, the sensitive issue of causality is, sadly, only likely to receive the same scant respect that they show to one another.

To the consternation of the patrician, Lord Vetinari, a new invention has arrived in Ankh-Morpork - a great clanging monster of a machine that harnesses the power of all of the elements: earth, air, fire and water. This being Ankh-Morpork, it's soon drawing astonished crowds, some of whom caught the zeitgeist early and arrive armed with notepads and very sensible rainwear.

Time is a resource. Everyone knows it has to be managed. And on Discworld, that is the job of the Monks of History, who store it and pump it from the places where it's wasted (like underwater; how much time does a codfish need?) to places like cities, where there's never enough time. But the construction of the world's first truly accurate clock starts a race against, well, time for Lu Tze and his apprentice, Lobsang Ludd. Because it will stop time. And that will only be the start of everyone's problems.

This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.

Maurice, an amazing cat who has survived four years on the toughest streets in the whole of the Discworld, reckons that rats are dumb - clever, OK, but dumb. Maurice, however, is smart, smart enough to recognize that there's a new kind of rat around: rats who have been eating wizards' rubbish and can now talk. Smart enough to get a pretty amazing idea when he spots a stupid-looking kid playing the flute....Now Maurice has his very own "plague of rats" and his own Pied Piper.

Finding himself alone on a desert island when everything and everyone he knows and loved has been washed away in a huge storm, Mau is the last surviving member of his nation. He's also completely alone - or so he thinks until he finds the ghost girl. She has no toes, wears strange lacy trousers like the grandfather bird, and gives him a stick which can make fire.

It's an offer you can't refuse. Who would not wish to be the man in charge of Ankh-Morpork's Royal Mint and the bank next door? It's a job for life. But, as former con-man Moist von Lipwig is learning, the life is not necessarily for long.

It's the night before Hogswatch. And it's too quiet. It's the night before Hogswatch. There's snow, there are robins, there are trees covered with decorations, but there's a notable lack of the big fat man who delivers the toys. He's gone. Susan the governess has got to find him before morning; otherwise, the sun won't rise. And unfortunately, her only helpers are a raven with an eyeball fixation, the Death of Rats, and an "oh god of hangovers".

Deep in the Chalk, something is stirring. The owls and the foxes can sense it, and Tiffany Aching feels it in her boots. An old enemy is gathering strength. This is a time of endings and beginnings, old friends and new, a blurring of edges and a shifting of power. Now Tiffany stands between the light and the dark, the good and the bad. As the fairy horde prepares for invasion, Tiffany must summon all the witches to stand with her. To protect the land. Her land. There will be a reckoning.

Polly Perks had to become a boy in a hurry. Cutting off her hair and wearing trousers was easy. Learning to fart and belch in public and walk like an ape took more time. And now she's enlisted in the army, and searching for her lost brother. But there's a war on. There's always a war on. And Polly and her fellow recruits are suddenly in the thick of it, without any training, and the enemy is hunting them.

As the mighty alien fleet from the very latest computer game thunders across the computer screen, Johnny prepares to blow them into the usual million pieces. And they send him a message. We surrender. They're not supposed to do that! They're supposed to die. And computer joysticks don't have "Don't Fire" buttons...It's hard enough trying to save Mankind from the Galactic Hordes. It's even harder trying to save the Galactic Hordes from Mankind. But it's only a game, isn't it. Isn't it?

Tiffany Aching is a trainee witch now working for the seriously scary Miss Treason. But when Tiffany witnesses the Dark Dance, the crossover from summer to winter, she does what no one has ever done before: she leaps into the dance. And into the oldest story there is. She draws the attention of the Wintersmith himself....As Tiffany-shaped snowflakes hammer down on the land, can Tiffany deal with the consequences of her actions?

Koom Valley? That was where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls. It was far away. It was a long time ago. But if he doesn't solve the murder of just one dwarf, Commander Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office. With his beloved Watch crumbling around him and war-drums sounding, he must unravel every clue, outwit every assassin, and brave any darkness to find the solution. And darkness is following him.

Sir Tony Robinson is a much-loved actor, presenter and author with a stellar career lasting over 50 years. Now, in his long-awaited autobiography, he reveals how the boy from South Woodford went from child stardom in the first stage production of Oliver!, a pint-size pickpocket desperately bleaching his incipient moustache, to comedy icon Baldrick, the loyal servant and turnip aficionado in Blackadder.

Religion is a controversial business in the Discworld. Everyone has their own opinion, and indeed their own gods - who come in all shapes and sizes. In such a competitive environment, there is a pressing need to make one's presence felt. And it's certainly not remotely helpful to be reduced to be appearing in the form of a tortoise, a manifestation far below god-like status in anyone's book. In such instances, you need an acolyte, and fast - preferably one who won't ask too many questions.

Reality is all very well in small doses. It's a perfectly conventional and convenient way of neutralising the imagination. But sometimes when there's more than one reality at play, imagination just won't be neutralised, and the walls between realities come tumbling down. Unfortunately there's usually a damned good reason for there being walls between them in the first place. To keep things out. Things who want to make mischief and play havoc with the natural order.

Delight in a collection of the most well-known children's stories voiced by our favourite celebrities, from a fantastic edition of The Beauty and the Beast, read by the brilliant comedian, writer and actor Rik Mayall, to the incredibly captivating Rapunzel, told by the renowned Bobby Davro, and many, many more.

A man with no eyes. No eyes at all. Two tunnels in his head . . .It’s not easy being a witch, and it’s certainly not all whizzing about on broomsticks, but Tiffany Aching – teen witch – is doing her best.Until something evil wakes up, something that stirs up all the old stories about nasty old witches, so that just wearing a pointy hat suddenly seems a very bad idea.Worse still, this evil ghost from the past is hunting down one witch in particular.

The much-loved actor, presenter and author, Tony Robinson, joins Gabriel Fleming in the Audible Studios to discuss his autobiography, No Cunning Plan. Sir Tony Robinson is most famous for playing the role of Baldrick in Blackadder and presenting the Channel 4 show, Time Team, for 20 years. However, he began his career at the age of 13 in the original stage version of Oliver!