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Arek hadn’t thought much about what would happen after he completed the prophecy that said he was destined to save the Kingdom of Ere from its evil ruler. So now that he’s finally managed to (somewhat clumsily) behead the evil king (turns out magical swords yanked from bogs don’t come pre-sharpened), he and his rag-tag group of quest companions are at a bit of a loss for what to do next. As a temporary safeguard, Arek’s best friend and mage, Matt, convinces him to assume the throne until the true heir can be rescued from her tower. Except that she’s dead. 

All Systems Red is the tense first science fiction adventure novella in Martha Wells' series The Murderbot Diaries. For fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or Iain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans.

Sci-fi's favorite antisocial AI is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good. Martha Wells' Rogue Protocol is the third in the Murderbot Diaries series, starring a humanlike android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?). Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

April May and the Carls are back in the much-anticipated sequel to Hank Green's number-one New York Times best-selling debut novel, An Absolutely Remarkable Thing. The Carls disappeared the same way they appeared, in an instant. While they were on Earth, they caused confusion and destruction without ever lifting a finger. Months later, the world is as confused as ever. Andy has picked up April’s mantle of fame; Maya, ravaged by grief, begins to follow a string of mysteries that she is convinced will lead her to April; and Miranda infiltrates a scientific operation.

Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah - its former owner (protector? friend?) - submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who's going to believe a SecUnit gone rogue? And what will become of it when it's caught?

It has a dark past - one in which a number of humans were killed. A past that caused it to christen itself "Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don't want to know what the "A" stands for), Murderbot heads to the mining facility where it went rogue.

You know that feeling when you’re at work and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you're a sentient murder machine programmed for destruction? Congratulations, you're Murderbot. Come for the pew-pew space battles, stay for the most relatable AI you’ll listen to this century.

After more than three decades as the essential guide to borderline personality disorder (BPD), the third edition of I Hate You - Don’t Leave Me now reflects the most up-to-date research that has opened doors to the neurobiological, genetic, and developmental roots of the disorder, as well as connections between BPD and substance abuse, sexual abuse, post-traumatic stress syndrome, ADHD, and eating disorders.

Edison Rooker isn’t sure what to expect when he enters the office of Antonia Hex, the powerful sorceress who runs a call center for magical emergencies. He doesn’t have much experience with hexes or curses. Heck, he doesn’t even have magic. But he does have a plan—to regain the access to the magical world he lost when his grandmother passed. Antonia is…intimidating, but she gives him a job and a new name—Rook—both of which he’s happy to accept. Now all Rook has to do is keep his Spell Binder, an illegal magical detection device, hidden from the Magical Consortium.

Modern knowledge workers communicate constantly. Their days are defined by a relentless barrage of incoming messages and back-and-forth digital conversations - a state of constant, anxious chatter in which nobody can disconnect, and so nobody has the cognitive bandwidth to perform substantive work. There was a time when tools like email felt cutting edge, but a thorough review of current evidence reveals that the "hyperactive hive mind" workflow they helped create has become a productivity disaster, reducing profitability and perhaps even slowing overall economic growth.

The statues disappeared in an instant. While they were on Earth, they caused confusion and destruction without ever lifting a finger. They also contributed to the untimely death of April May: a young woman who stumbled into their path, naming them the Carls and gaining viral fame in an avalanche of conspiracy theories. When April's friends try to carry on with their lives, a series of clues arrive - mysterious books that seem to predict the future - and which also seem to suggest April may be very much alive...But there's a bigger mystery to solve. 

Never Never, a novella series. Book one of three. Best friends since they could walk. In love since the age of 14. Complete strangers since this morning. He'll do anything to remember. She'll do anything to forget. This novella is recommended for people age 16+ due to mild language and sexual content.

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery.  

Jason Grant doesn't have much, aside from a beat-up old guitar and knack for getting kicked out of foster homes. His latest placement is set to be just another in a long line of failures. Then he meets Caesar Hubbard, a handsome guy who lives down the hall. For the first time in his life, Jason wants to stay, which means learning to be part of a family, and not letting his feelings - or his actions - ruin his first real chance of falling in love.

Prince Tal has long awaited his coming-of-age tour. After spending most of his life cloistered behind palace walls as he learns to keep his forbidden magic secret, he can finally see his family’s kingdom for the first time. His first taste of adventure comes just two days into the journey, when their crew discovers a mysterious prisoner on a burning derelict vessel. Tasked with watching over the prisoner, Tal is surprised to feel an intense connection with the roguish Athlen. 

Wyn and Remy Gastineau were perfect together. Until, without warning, Remy walks out on their life, love, and marriage. Wyn is blindsided and heartbroken. It takes her years to get over the loss of Remy. Sometime later, their children call a family meeting, and Remy is acting strange. Wyn refuses to hope. Remy has moved on. She must do the same. But she’s wrong. Remy wants her back, and he’s pulling no punches. He’s determined to do the work to piece together the marriage he shattered. Forced by circumstances to tell Wyn things he never wanted her to know, Remy reveals his tragic secrets.

The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language. 

In 1985, Anthony Ray Hinton was arrested and charged with two counts of capital murder in Alabama. Stunned, confused, and only 29 years old, Hinton knew that it was a case of mistaken identity and believed that the truth would prove his innocence and ultimately set him free. But with an incompetent defense attorney and a different system of justice for a poor black man in the South, Hinton was sentenced to death by electrocution. He spent his first three years on Death Row at Holman State Prison in despairing silence.

In 1981, Jack Welch took over General Electric and quickly rose to fame as the first celebrity CEO. He golfed with presidents, mingled with movie stars, and was idolized for growing GE into the most valuable company in the world. But Welch’s achievements didn’t stem from some greater intelligence or business prowess. Rather, they were the result of a sustained effort to push GE’s stock price ever higher, often at the expense of workers, consumers, and innovation. In this book, David Gelles argues that Welch single-handedly ushered in a cutthroat new era of American capitalism.