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Audie Award Finalist, Fiction, 2016

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality: the black Chinese restaurant.

Born in the "agrarian ghetto" of Dickens - on the southern outskirts of Los Angeles - the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since the '68 quake."

Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident - the last surviving Little Rascal, Hominy Jenkins - he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

©2015 Paul Beatty (P)2015 Audible, Inc.

Kritikerstimmen

  • Winner, The Man Booker Prize, 2016

  • 2015 National Book Critics Circle Award Winner, Fiction
"Narrator Prentice Onayemi embodies Bonbon, along with the novel's many unique characters: a former 'Our Gang' understudy, a former girlfriend who is now a city bus driver, the denizens of the neighborhood, and the white surfer dudes whom Bonbon regularly confuses at the beach. There's even a small part for Justice Clarence Thomas, which Onayemi does in style, and street Spanish, which, when required, flows perfectly." ( AudioFile magazine)

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