DI Nikki Galena gets a series of anonymous calls. She is told the place, time, and who will die. But the messages are in a secret language used only by villains. Nikki and her team must decode the riddles and work out where the threats are coming from.

A young woman's body is found in a remote barn on the Fens. Before she was killed, one of her fingers had been cut off. Who is inflicting this violence and why? The young woman in the barn had been kept captive for some time. And the case shows strong similarities to an unsolved murder in Derbyshire. When another woman is found alive with similar injuries, the case grows even more complicated.

The Fens are burning, and Detective Nikki Galena faces a cat-and-mouse battle with a killer arsonist. Someone is lighting fires. First they target homes and businesses, but then a body is found at one of the crime scenes. More fires are lit. And at each one a single person dies. But the victims have led spotless lives, and apparently there's no connection between them. Meanwhile, the town is facing a very peculiar threat from a group of sinister Satanists led by a charismatic businessman. Who is burning with anger, and can Nikki stop them before anyone else dies? 

DI Nikki Galena's close friend Helen Brook is involved in a serious accident where she is trapped in a collapsed cellar. After her hard-won recovery, Helen is still getting flashbacks to a man she says was down there with her and who confessed to a murder. But no trace of this man can be found. Then Helen tells Nikki that someone is watching her. But is all this in her friend's imagination and part of her post-traumatic stress?

Revellers are flocking into Greenborough for the yearly Dark Greenborough Festival, a three-day event celebrating local folklore, superstition, and the darker side of life. What the public doesn't know is that there has been a warning sent to the police, saying that Greenborough will be a very dangerous place this year. The anonymous letter ends with the Latin phrase, Mors certa, hora incerta: Death is certain, the hour uncertain.  

DI Nikki Galena faces her toughest challenge yet. Can she save her team and herself from a cruel and determined adversary who will stop at nothing to harm Nikki and her colleagues? First she must work out who wants revenge against her or one of her detectives. Full of twists and turns, this is a crime novel that will keep listeners riveted until the stunning ending.

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

Detective Nikki Galena's friend and neighbor meets a tragic end, but there's more to his death than meets the eye. And someone terrible from DS Joseph Easter's past is back.

DI Nikki Galena: A police detective with nothing left to lose, she's seen a girl die in her arms, and her daughter will never leave the hospital again. She's gotten tough on the criminals she believes did this to her. Too tough. And now she's been given one final warning: make it work with her new sergeant, DS Joseph Easter, or she's out.

When DI Rowan Jackman and DS Evans are told that the IT boss has disappeared, they soon suspect foul play. Orla Cracken, known as Orac, is no ordinary techie; she was once a field agent traveling abroad undercover, working for the government. Meanwhile DC Robbie Melton discovers that two people, both urban explorers, have mysteriously disappeared whilst out exploring abandoned buildings. One went missing at a disused airfield, but was it a military base, or was it civilian?

In the beautiful gardens of Shelley House a shocking discovery is made. A blackened hand dangles over the side of a wheelbarrow. The horrific scent of burnt flesh lingers in the air. Detectives Nikki Galena and Joseph Easter are called in to investigate.

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

Ruth is in London clearing out her mother's belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: dawn, 1963. Ruth returns to Norfolk determined to solve the mystery, but then COVID rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling. 

Grace Repton, a beautiful older woman, walks into the police station to tell Detective Matt Ballard she has information that could stop a murder. Her fiance, the infamous serial killer Jeremy Reader, has told her that he has a disciple who is going to kill using Reader's horrific methods. Reader murdered five women and was finally brought to justice by Detective Ballard. Reader is safely imprisoned in a high security prison, and claiming to be a reformed man who wants to help the police.   

As the mists roll over the fens and enigmatic lights twinkle in the distance, only the locals know their way along the hidden paths through the mysterious watery terrain of one of England's most beautiful and sometimes dangerous places. Detective Matt Ballard may have retired but there's still plenty going on in the fens to keep him busy. Someone trashes an old lady's garden and daubs her isolated cottage with hateful graffiti. Emilia Swain seems to be totally harmless, so why is she being targeted?