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Jane Eyre is a plain orphan girl, unloved and abused by her Aunt Reed, who is sent away to boarding school. Strong of heart and craving independence, Jane embarks upon a life of governess to a young French girl named Adele, the benefactor of the mysterious Mr. Rochester. Life at Thornfield Hall proves just as mysterious as its owner with haunting laughter and a dark secret living in the attic.     

This classic Shakespearean comedy is presented here in a colorful full-cast dramatization, drawn from the complete text and starring Warren Mitchell, Michael Maloney, and Sarah Woodward.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant. 

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

Hedda and George Tesman have just returned from their six-month honeymoon tour of the Tyrol. George, a studious and somewhat dull academic has spent most of the time continuing his research. Hedda, the daughter of the celebrated, aristocratic General Gabler, recently deceased, has been accustomed to the finer things in life. She is already bored in her marriage and diverts herself with her father's pistols and the attentions of family friend, Judge Brack.    

Cutting Room is set in the "Town Welfare Department" of a town in the Midlands, Burtonwood, during public sector cuts. Four characters (David, Lucy, Ian, and an intern, Anne) have to take calls from members of the public complaining about the loss of public services, with the boss Harry coming in occasionally to offer cheerful but often useless encouragement. As the cuts continue, tensions run high, with Ian in particular taking his anger and frustration out on the secretary, Tilly. At the play's conclusion there is a surprising twist.

Victoria Coren Mitchell interviews Dawn French, Olivia Colman, Sarah Millican and Germaine Greer in this new four-part BBC Radio 4 series. Using cars as a 'vehicle' for sharing memories, Victoria and guests take a comic look at life, love, sex, work, childhood, adulthood and adventure. At the heart of the show is an exploration of what cars symbolise to women today, including freedom, power, refuge, novelty and familiarity.

Victoria Coren Mitchell meets some fascinating women to explore the journeys they have made in the cars that they have known - and the sorts of things they shout in traffic. Hear what Dawn wrote on the back of her first car; find out which comedian totalled her beloved Cortina; and discover the advantages of the refrigerated glove compartment. Sarah Millican describes a traffic jam that lead to some desperate measures, Sheila Hancock explains how the trick of getting older is actually to speed up and Jo Brand recounts how her car became an impromptu counselling couch for comedians.