Ergebnis von "Orlando" in Alle Kategorien

Von den Wänden des Hauses rinnt wieder das Blut. Wieso auch nicht, es ist schließlich September. Als Margaret und ihr Mann Hal das große viktorianische Haus in der Hawthorn Street kaufen, können sie nicht glauben, dass sie endlich ein eigenes Heim besitzen. Doch dann offenbart sich der Spuk. Jedes Jahr im September tropft Blut von den Wänden und die Geister früherer Bewohner tauchen auf. Sie fürchten sich vor etwas, das im Keller lauert. Die meisten Menschen würden fliehen. Doch Margaret ist nicht wie die meisten Menschen. Sie bleibt. Es ist ihr Haus.

Orlando Owen wurde zu dem Mann, der er ist, indem er sich vor Jahren entschloss, die Probleme und emotionellen Treibminen seines Lebens von Innen...

Mitreißend, prägnant und menschlich berührend erzählt Orlando Figes die Geschichte Russlands. Dabei entfaltet er das große Panorama der russischen Seele: von unsterblichen Mythen über die großartigen kulturellen Leistungen bis zur Weltmachtpolitik des 20. Jahrhunderts und unserer Gegenwart. In einer packenden Reise durch die Zeit erzählt Orlando Figes, wie die Russen sich selbst erlebten und wie sie sich im Laufe ihrer Geschichte immer wieder neu erfanden: Er ergründet ihre Anfänge als Jäger und Sammler und schildert das Leben der Bauern Russlands im ersten nachchristlichen Jahrtausend.

Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People’s Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded.

Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.

The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

“Why run from a haunted house when you can stay and ignore the ghosts? Just when you thought you'd seen everything a haunted house novel could do, The September House comes along and delivers an eerie, darkly funny, and emotionally grounded book about the ghosts that haunt houses and marriages...

Der Wiener Hofsekretär Jaromir von Eynhuf will seinem Landesvater Kaiser Franz I. zu dessen 25. Thronjubiläum seine Milchzahnsammlung überreichen. Inzwischen besitzt der Sekretär bereits stolze 24 Zähne, allesamt akkurat auf Samt drapiert. Doch zur Darstellung der Jubiläumszahl fehlt noch ein letzter Zahn und so beginnt eine wilde Jagd nach dem 25. Exemplar. Fritz von Herzmanovsky-Orlando, 1877 in Wien geboren, hat mit »Der Gaulschreck im Rosennetz« der K.-u.-k.-Monarchie ein unvergessliches literarisches Denkmal gesetzt – meisterhaft gelesen von Werner Kreindl.

Beginning in the 18th century with the building of St. Petersburg - a 'window on the West' - and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its character, spiritual essence and destiny. He skillfully interweaves the great works - by Dostoevsky, Stravinsky, and Chagall - with folk embroidery, peasant songs, religious icons and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world.

Heinz Marecek liest eine Collage aus dem Werk des österreichischen Schriftstellers Fritz von Herzmanovsky-Orlando...

Wenn Palermo heute so sicher ist wie andere Großstädte auch, wenn die Mafia zwar nicht besiegt ist, aber doch ihre Macht über die öffentliche Meinung verloren hat, dann ist dies vor allem der Zivilcourage von Leoluca Orlando zu verdanken. Als der Rechtswissenschaftler 1985 zum Bürgermeister von Palermo gewählt wurde, war er der erste Amtsinhaber, der das Schweigen über die Mafia brach und bei öffentlichen Aufträgen nicht mehr mit ihr paktierte. Seitdem steht er unter Polizeischutz.

El siglo XIX europeo, un momento de logros artísticos sin precedentes, fue la primera era de la globalización cultural, una época en que las comunicaciones masivas y los viajes en tren de alta velocidad reunieron a Europa, superando las barreras del nacionalismo y facilitando el surgimiento de un verdadero canon europeo de obras artísticas, musicales y literarias. Llegado 1900, se leían los mismos libros, se reproducían las mismas obras artísticas, se representaban las mismas óperas y se interpretaba la misma música en los hogares.

Orlando Pearson, master narrator of history and Holmestry, has done it again.

Este Original Audible acompanha a atriz Alice Braga e a artista e ativista Daiara Tukano, numa jornada pela história oculta do Brasil. Uma história dividida em 8 episódios, que relata a participação do Governo brasileiro no apagamento de populações indígenas, inclusive por meio de ações de políticas públicas.

Monty and Simon survived the Stormblood, but not without grave consequences. Whatever method York used to complete the ritual opened a door to something ancient, dark, and evil. A Revenant. Now, that Revenant is hunting them. It needs their life force to be completely free. There’s only one way to get it. Eliminate them both. Together, they must face this new threat before it becomes too powerful to stop and destroys them all.

Tristan Montague has had his ability to cast magic broken. When his confrontation with Edith and Verity leave him unable to access his magic, he must seek out another technique to regain his access. He must learn the Restoring Palm. Now, together with Simon and the help of a dark mage, they must seek out someone who knows the technique and is willing to teach it to Tristan.

Attorney Marc Mendes, the estranged son of a prominent Rabbi and a burned-out lawyer with addiction issues, plots his exit from the big city to a more peaceful life in idyllic Napa Valley. But before realizing his dream, the US government summons his Salvadoran life partner Isaac Perez to immigration court, threatening him with deportation.

The power unleashed during the Ascendance, lingers. After defeating the Revenant, Monty realizes Simon’s blood has been poisoned—tainted. Simon is slowly transforming. His body is harnessing dark magic in ways thought unimaginable. Now, Monty is faced with the hardest choice. Let the poison run its course, transforming Simon into a dark immortal, increasing his power, but drawing the attention of those who would want him dead, or allow Simon to take the blood lessons, risking his friend’s life? Can Monty help Simon before he’s too far gone or will Simon become an unstoppable threat?

O pai ta on, dizem 9 a cada 10 jogadores de futebol. Mas o que vemos, quase sempre, é que o pai tá longe. Longe do ideal, e muitas vezes longe, literalmente, dos seus próprios filhos. Os mesmos pais que se dizem "on" se recusam a pagar pensão, quanto mais todo o resto. Mas onde é que está o pai que a gente desejaria pra nós? O patriarcado não presta, mas e a paternidade? O que é que a gente faz com ela? Pra que serve, afinal, um pai? Gregório Duvivier é pai de duas meninas e ainda está tentando entender o que isso significa.

With Mahnes defeated, Monty and Simon must now face the entity behind the attacks. They must face one of the old gods…Chaos.There’s only one slight problem—they aren’t strong enough.