Ergebnis von "Orlando Figes" in Alle Kategorien

At a glittering society party in St Petersburg in 1805, conversations are dominated by the prospect of war. Terror swiftly engulfs the country as Napoleon's army marches on Russia and the lives of three young people are changed forever. The stories of quixotic Pierre, cynical Andrey and impetuous Natasha interweave with a huge cast, from aristocrats and peasants, to soldiers and Napoleon himself.

Mitreißend, prägnant und menschlich berührend erzählt Orlando Figes die Geschichte Russlands. Dabei entfaltet er das große Panorama der russischen Seele: von unsterblichen Mythen über die großartigen kulturellen Leistungen bis zur Weltmachtpolitik des 20. Jahrhunderts und unserer Gegenwart. In einer packenden Reise durch die Zeit erzählt Orlando Figes, wie die Russen sich selbst erlebten und wie sie sich im Laufe ihrer Geschichte immer wieder neu erfanden: Er ergründet ihre Anfänge als Jäger und Sammler und schildert das Leben der Bauern Russlands im ersten nachchristlichen Jahrtausend.

No other country has been so divided over its own past as Russia. None has changed its story so often. How the Russians came to tell their story, and to reinvent it as they went along, is a vital aspect of their history, their culture and beliefs. To understand what Russia’s future holds—to grasp what Putin’s regime means for Russia and the world—we need to unravel the ideas and meanings of that history. In The Story of Russia, Orlando Figes brings into sharp relief the vibrant characters that comprise Russia’s rich history.

Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People’s Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded.

The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

Beginning in the 18th century with the building of St. Petersburg - a 'window on the West' - and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its character, spiritual essence and destiny. He skillfully interweaves the great works - by Dostoevsky, Stravinsky, and Chagall - with folk embroidery, peasant songs, religious icons and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world.

Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.

El siglo XIX europeo, un momento de logros artísticos sin precedentes, fue la primera era de la globalización cultural, una época en que las comunicaciones masivas y los viajes en tren de alta velocidad reunieron a Europa, superando las barreras del nacionalismo y facilitando el surgimiento de un verdadero canon europeo de obras artísticas, musicales y literarias. Llegado 1900, se leían los mismos libros, se reproducían las mismas obras artísticas, se representaban las mismas óperas y se interpretaba la misma música en los hogares.

La historia de Rusia se ha visto marcada como pocas por el empleo de mitos con fines políticos. Ningún otro país ha reinventado su propio relato con tanta frecuencia, en un esfuerzo perpetuo por adaptarse a los cambios de las ideologías dominantes, y esa tendencia es precisamente un aspecto vital de su cultura. Para comprender lo que depara el futuro del país—y lo que significa el régimen de Putin para Rusia y para el resto del mundo—debemos desentrañar las ideas y los significados de esa historia.

In 1946, after five years as a prisoner - first as a Soviet POW in Nazi concentration camps, then as a deportee in the Arctic Gulag - 29-year-old Lev Mishchenko unexpectedly received a letter from Sveta, the sweetheart he had hardly dared hope was still alive. Amazingly, over the next eight years, the lovers managed to exchange more than 1,500 messages and even to smuggle Sveta herself into the camp for secret meetings. Their recently discovered correspondence is the only known real-time record of life in Stalin's Gulag.