The Stranger Diaries

When she's not digging up bones or other ancient objects, Ruth Galloway lectures at the University of North Norfolk. She lives happily alone in a remote place called Saltmarsh overlooking the North Sea and, for company; she has her cats Flint and Sparky, and Radio 4. When a child's bones are found in the marshes near an ancient site that Ruth worked on ten years earlier, Ruth is asked to date them.

One night, Annie went missing. Disappeared from her own bed. There were searches, appeals. Everyone thought the worst. And then, miraculously, after 48 hours, she came back. Though she couldn't, or wouldn't, say what had happened to her. But something happened to my sister. I can't explain what. I just know that when she came back, she wasn't the same. She wasn't my Annie. I didn't want to admit, even to myself, that sometimes I was scared to death of my own little sister.

Crimebusting duo DI Jackman and DS Evans are back, solving another crime that will make your skin crawl. Twenty years ago: a farmer and his wife are cut to pieces by a ruthless serial killer. Now: a woman is viciously stabbed to death in the upmarket kitchen of her beautiful house on the edge of the marshes. Then a man called Daniel Kinder walks into Saltern police station and confesses to the murder. But DI Rowan Jackman and DS Marie Evans of the Fenland Constabulary soon discover that there is a lot more to Daniel than meets the eye.

Brighton, 1950: When the body of a girl is found, cut into three, Detective Inspector Edgar Stephens is reminded of a magic trick: the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old friend of Edgar's. They served together in the war as part of a shadowy unit called the Magic Men. Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers, and dancing girls.

When a woman's body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It's clear the pair are connected, but how? The trail leads Lottie to St Angela's, a former children's home, with a dark connection to her own family history. Suddenly the case just got personal.

'Somebody's going to be murdered at the ball tonight. It won't appear to be a murder, and so the murderer won't be caught. Rectify that injustice and I'll show you the way out.' It is meant to be a celebration, but it ends in tragedy. As fireworks explode overhead, Evelyn Hardcastle, the young and beautiful daughter of the house, is killed. But Evelyn will not die just once. Until Aiden - one of the guests summoned to Blackheath for the party - can solve her murder, the day will repeat itself over and over again.

Christmas 1953. Max Mephisto and his daughter, Ruby, are headlining Brighton Hippodrome, an achievement only slightly marred by the less-than-savoury support act: a tableau show of naked 'living statues'. This might appear to have nothing in common with DI Edgar Stephens' investigation into the death of a quiet flower seller, but if there's one thing the old comrades have learned it's that in Brighton, the line between art and life - and death - is all too easily blurred....

Every murder case starts with a suspect. What if the suspect is your daughter? Would you believe her, or the evidence against her? The father believes his daughter has been framed.The mother believes she is hiding something. The daughter believes they have no idea what she’s truly capable of.... There are three sides to the story. And the truth will shatter this family to pieces.

Stephen Berry is about to jump off a bridge until suicide prevention counsellor Damien Maclure stops him. One week later, Stephen Berry is found dead at the bottom of a cliff. But did he take his own life...or was he pushed? A spate of murders sweeps across Edinburgh, and to make matters worse for DI Luc Callanach and DCI Ava Turner, the victims seem random and entirely unconnected. With no clear method for how the killer chooses their victims, Callanach and Turner are under more pressure than ever to identify the killer before it’s too late.

Death stalked the Vale. In every corner, every whisper. They just didn't know it yet. Six neighbours, six secrets, six reasons to want Olive Collins dead. In the exclusive gated community of Withered Vale, people's lives appear as perfect as their beautifully manicured lawns. Money, success, privilege - the residents have it all. Life is good. There's just one problem. Olive Collins' dead body has been rotting inside number four for the last three months. Her neighbours say they're shocked at the discovery, but nobody thought to check on her when she vanished from sight. 

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

Five figures gather 'round a shallow grave. They had all taken turns to dig. An adult-sized hole would have taken longer. An innocent life had been taken, but the pact had been made. Their secrets would be buried, bound in blood. Years later a headmistress is found brutally strangled, the first in a spate of gruesome murders that shock the Black Country.

The New York Times best-selling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues.

From the moment Lucy met her husband's mother, Diana, she was kept at arm's length. Diana was exquisitely polite and perfectly friendly, but Lucy knew that she was not what Diana envisioned. Even so, Lucy wanted so much to please her new mother-in-law. That was five years ago. Now, Diana has been found dead, a suicide note near her body. Diana claims that she no longer wanted to live because of a battle with cancer. But the autopsy finds no cancer. 

When editor Susan Ryeland is given the tattered manuscript of Alan Conway's latest novel, she has little idea it will change her life. She's worked with the revered crime writer for years, and his detective, Atticus Pund, is renowned for solving crimes in the sleepy English villages of the 1950s. As Susan knows only too well, vintage crime sells handsomely. It's just a shame that it means dealing with an author like Alan Conway.... But Conway's latest tale of murder at Pye Hall is not quite what it seems.