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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Ever since she was a tiny child, Sabriel has lived outside the walls of the Old Kingdom, away from the random power of Free Magic, and away from the Dead who won't stay dead. But now her father, the Mage Abhorsen, is missing, and to find him Sabriel must cross back into that world.

A star-studded cast of readers presents unabridged tales of horror and suspense from master storyteller Stephen King. The Stephen King Amusement Park - an unnerving experience, with rides every which way to hell...and a few to glory. A solitary finger pokes out of a drain. Novelty teeth turn predatory. The Nevada desert swallows a Cadillac. Meanwhile, the legend of Castle Rock returns...and grows on you. What does it all mean? What else could it mean?

Nobody in their right minds would listen to this particular book about the lives of Violet, Klaus, and Sunny Baudelaire on purpose, because each dismal moment of their stay at the village of V.F.D. has been faithfully and dreadfully recorded on this program.

Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In the first two books alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, a lumpy bed, a deadly serpent, a large brass reading lamp, a long knife, and a terrible odor.

A Signature Performance: Tim Curry, the source of our inspiration, returns – this time, he captures the quirky enthusiasm of this goofily visionary adventure.

You are presumably looking here for clues to the shocking conclusion of this terminal audiobook, or the ending of the end. The end of the end is the best place to begin the end, because if you listen to the end from the beginning of the beginning of the end to the end of the end of the end, you will arrive at the end of the end of your rope.

Like a car alarm, bagpipe music, or a doorbell ringing in the middle of the night, hearing this all-new audio edition of The Bad Beginning will only upset you. This unique multi-voice recording brings the first book in Lemony Snicket's alarming A Series of Unfortunate Events to such terrible life that no one should really have to experience it.

Like the previous books in A Series of Unfortunate Events, there is nothing to be heard here but misery, despair, and discomfort, and you still have time to choose something else to listen to.

Before she went to join Sam and Mogget downstairs, Lirael paused for a moment to look at herself in the tall silver mirror that hung on the wall of her room. The image that faced her bore little resemblance to the Second Assistant Librarian of the Clayr. She saw a warlike and grim young woman, dark hair bound back with a silver cord rather than hanging free to disguise her face. She no longer wore her librarian's waistcoat, and she had a long Nehima at her side rather than a library-issue dagger.

Like handshakes or housepets, many things are preferable when not slippery. Unfortunately, in this miserable volume, I am afraid that Violet, Klaus, and Sunny Baudelaire run into more than their fair share of slipperiness during their harrowing journey up, and down, a range of strange and distressing mountains.

This audio is the only one which describes every last detail of the Baudelaire children's miserable stay at Heimlich Hospital, which makes it one of the most dreadful audios in the world.

A Signature Performance: Tim Curry rescues Charles Dickens from the jaws of Disney with his one-of-a-kind performance of the treasured classic. Our listeners loved this version so much that it inspired our whole line of Signature Classics.

Lirael has never felt like a true daughter of the Clayr. Abandoned by her mother, ignorant of her father's identity, Lirael resembles no one else in her large extended family living in the Clayr's glacier. She doesn't even have the Sight, the ability to See into the present and possibly futures, that is the very birthright of the Clayr.

Based on the animated film Despicable Me, from Universal Studios, this vibrant storybook pits aspiring villain Gru against his nemesis, who loves to steal Gru's thunder. Who will claim the title of "Top Villain" in this showdown? Read by the incomparable Tim Curry!

The Witching Hour: Demonstrating once again her gift for spellbinding storytelling, Anne Rice makes real a family of witches - a family given to poetry and incest, to murder and philosophy, a family that is itself haunted by a powerful, dangerous and seductive being. Lasher: Now, Anne Rice brings us again - even more magically - into the midst of the dynasty of witches she introduced in The Witching Hour. Taltos: When Ashlar learns that another Taltos has been seen, he is suddenly propelled into the haunting world of the Mayfair family, the New Orleans dynasty of witches forever besieged by ghosts, spirits, and their own dizzying powers.

Lemony Snicket returns with the last book before the last book of his New York Times best-selling A Series of Unfortunate Events.

Unless you are a slug, a sea anemone, or mildew, you probably prefer not to be damp. You might also prefer not to listen to this audiobook, in which the Baudelaire siblings descend into the depths of despair, underwater. The horrors they encounter are too numerous to list, and include mushrooms, a mechanical monster, a distressing message from a lost friend, and tap dancing.

The word "carnivorous", which appears in the title of this book, means "meat-eating", and once you have read such a bloodthirsty word, there is no reason to read any further. This carnivorous volume contains such a distressing story that consuming any of its contents would be far more stomach-turning than even the most imbalanced meal.

In a sweeping saga of music and vengeance, the acclaimed author of The Vampire Chronicles draws listeners into 18th-century Italy, bringing to life the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius. This is the story of the castrati, the exquisite and otherworldly sopranos whose graceful bodies and glorious voices win the adulation of royal courts and grand opera houses throughout Europe. These men are revered as idols - and, at the same time, scorned for all they are not.