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In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives.

Willa Sibert Cather was born on 7th December, 1873 on her grandmother's farm in the Back Creek Valley near Winchester, Virginia. After several years and moves the family eventually settled in Red Cloud, Nebraska and for the first time Cather could now attend school. In Red Cloud, Cather had her earliest writings published in the local Red Cloud Chief newspaper. Her time in the mid-West created a vivid tranche of experiences for the young woman.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? Ambrose Bierce is an author whose words take us one way and then send us another. These miniature masterpieces all have a central truth and plausibility that seems to vanish in an ending that can be anything from wry, to shocking to hallucinatory.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity's time people couldn't read and texts couldn't be published in any great number.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.

Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, County Durham, the eldest of 12 children. The family's wealth was derived from sugar plantations manned by slaves in Jamaica and enabling them to also purchase a 500-acre estate in Herefordshire. This wealth allowed her to publish poems from an early age. However by age 20 the family’s fortunes were to decline, but never below comfortable, after losing a lawsuit over their plantations.

In this volume we listen to the world through the eyes and words of the English Romantics. This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

William Butler Yeats was born in Sandymount in County Dublin, Ireland, on 13th June 1865. Yeats is perhaps best described as Ireland’s national poet in addition to being one of the major twentieth-century literary figures of the English tongue. He represents the ‘Romantic poet of modernism,’ with an extraordinary style created from the outward emphasis on the expression of emotions and the extensive use of symbolism, imagery and allusions.

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. ‘Rapaccinni’s Daughter’ is a classic piece of literature from his pen. Set in Italy, it is an unsettling story of romance destroyed by science.

Alexander Pope was born on May 21st, 1688 into a Catholic family in London. Over the years and centuries since his death, Pope’s work has been in and out of favour, but with this distance he is now truly recognised as one of England’s greatest poets. This volume comes to you from Portable Poetry, a specialised imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.

Keats. A short life but a legacy of works that few, if any, can rival. And of course his end was to be tragically Romantic. Keats was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said, ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. And so it was that tuberculosis took its slow, devastating hold.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide.

November - the 11th month of the year in the Gregorian calendar, when the land becomes bleaker, harsher but no less beautiful for that. For our poets, including Hood, Arnold, Melville, Alford, and Hardy, there is much to write and comment on.

Aleksander Głowacki, who wrote under the nom de plume Boleslaw Prus, was born on 20th August 1847 at Hrubieszów in the Kingdom of Poland, at that time, controlled by the Russian Empire. It seems he had doubts as to the scale of his talents and early on adopted the name ‘Boleslaw Prus’, for both his journalistic and literary offerings. His work as a short-story writer met with much acclaim. He wrote several dozen of them, originally published in newspapers and ranging in length from micro-story to novella. His keen observation of everyday life and sense of humor are evident in them.

This collection of short stories contains several gothic tales to bear macabre and chilling witness to writers as diverse as Rudyard Kipling, Guy De Maupassant, Edgar Allan Poe, Arnold Bennett, Daniel Defoe, Edith Nesbit and M.R. James. These tales are designed to unsettle you, just a little, while you sit back, and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own. Our stories include "My Own True Ghost Story" by Rudyard Kipling, "The Horla" by Guy De Maupassant, and more.