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Idealist, atheist, outcast, political radical and, of course, poet - Percy Bysshe Shelley was, in many ways, the epitome of the Romantic artist. His poetry was an outlet for his passionately held and highly unpopular beliefs, beliefs which resulted in social exclusion, exile, and possibly even his premature death at the age of 29. His work is a monument to his convictions and to the power of the human spirit, and today it is recognized as a key contribution to Romantic literature.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

In this volume we listen to the world through the eyes and words of the English Romantics. This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

Ozymandias is a pithy sonnet by Percy Bysshe Shelley. It was first published in 1818, and explores the impermanence of humans, their empires, and legacies, as well as the futility of their snobbery and excessive gravitas. A sage and contemplative piece from a poetic maestro.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

Would Julia of Strobazzo‚s heart was reeking on my dagger!‚ From the breathless tension of its opening abduction scene to the darkly triumphant exit of the villain, who departs with a wild convulsive laugh of exulting revenge,‚ this first Gothic novelette by Shelley weaves together the threads of his youthful literary influences while hinting at deeper, more complex themes. It explores the ego-driven quest for passionate extremes, including revenge, which ultimately isolates characters like Zastrozzi and the murderous Matilda, leading to their self-destruction as well as social ruin. The...

The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

Step into the shoes of renowned English Romantic authors Mary Shelley and Percy Bysshe Shelley in History of a Six Weeks Tour. The narrative chronicles two captivating journeys - a grand tour of Europe in 1814 and a serene trip to Lake Geneva in 1816. Mary, Percy, and Marys stepsister, Claire Clairmont, weave a vivid tapestry of their experiences. The book is divided into three engaging sections, featuring a journal, four descriptive letters, and Percy Shelleys enthralling poem Mont Blanc. Primarily penned and compiled by Mary Shelley, this journal isnt just a travelogue; its a window into the...

Als Rachel in der neuen High School in einen Streich verwickelt wird, der furchtbar daneben geht, hat sie plötzlich mehr Feinde als Freunde. Zu ihrer Überraschung erregt sie jedoch die Aufmerksamkeit eines geheimen Schülerclubs. Der Mary-Shelley-Club, benannt nach der Autorin von Frankenstein, hat nur ein Ziel: mit gruseligen Aktionen echte Angst zu verbreiten. Schon bald eskaliert das Spiel und wird immer gnadenloser – und Rachel muss das echte Monster aufspüren. Es ist an der Zeit, den ultimativen Streich zu spielen ...

LibriVox volunteers bring you eight recordings of "To A Skylark." This is the Fortnightly Poetry for August 8, 2014.To A Skylark was completed by Shelley in late June 1820. It was inspired by an evening walk in the country near Livorno, Italy, with his wife Mary Shelley, and describes the appearance and song of a skylark they come upon. (summary from Wikipedia)

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

The Necessity of Atheism was first published by Shelley in 1811. In 1813 he printed a revised and expanded version of it as one of the notes to his poem Queen Mab. Shelley evinced a searing contempt for organized religion but maintained a belief in a benevolent non-sectarian World Spirit.

Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. In this collection Shelley’s words are alive with intent, meaning and emotion. A true poet for all our ages.