Ergebnis von "Ian Mortimer" in Alle Kategorien

Nicht berühmte Herrscher, grausame Kriege oder denkwürdige Ereignisse sind das Thema des Historikers Ian Mortimer, sondern der Alltag der Menschen im Mittelalter: Wie feierten sie? Worüber lachten sie? Wie liebten sie? Mortimer beschreibt, wie es in den engen Gassen roch, welche Mahlzeiten sich die Bewohner zubereiteten und wie man sich auch ohne Handy und SMS in Windeseile verständigte. Endlich ein Buch, das zeigt, dass Geschichte nicht nur studiert, sondern auf einer Zeitreise erlebt werden kann!

Die Zeit von Shakespeare und Königin Elisabeth I. gilt als »goldenes Zeitalter«. Aber wie war es eigentlich wirklich, im England des 16. Jahrhunderts zu leben? Wir reisen mit Ian Mortimer zurück und spazieren durch die Straßen Londons.

Willkommen im Regency, dem Übergang vom 18. ins 19. Jahrhundert! Ian Mortimer nimmt uns mit in diese kuriose Zeit, die für viele schlichtweg für Übermaß steht. Zwischen der leicht langweilig anmutenden Eleganz des 18. Jahrhunderts und der prüden moralischen Überlegenheit der Frühviktorianer wirkt diese Epoche liederlich, grell, gefährlich, schockierend und anstößig – doch dabei höchst unterhaltsam und anziehend. Es ist das Zeitalter von Jane Austen und den Dichtern der Romantik, der Gemälde von John Constable, der eleganten Kleidung von Beau Brummell und der poetischen Freiheit von Lord Byron.

Welches der vergangenen zehn Jahrhunderte hat die größten Veränderungen erlebt, welches hat die Menschheit am weitesten vorangebracht? Was war das Besondere eines jeden Jahrhunderts? Auf einem Streifzug durch die vergangenen 1000 Jahre führt uns Ian Mortimer zu den großen Zeiten der Erkenntnis und des Wandels. Wir begegnen gottesfürchtigen Forschern, gewitzten Bauern, kühl kalkulierenden Unternehmern und willensstarken Frauen.

Wir neigen dazu, das Mittelalter als eine dunkle, rückständige und konstante Zeit zu sehen, die von Gewalt, Unwissenheit und Aberglaube geprägt war. Im Gegensatz dazu glauben wir, dass Fortschritt auf Wissenschaft und technischer Innovation beruht und dass uns erst die Erfindungen der letzten Jahrhunderte in die Moderne geführt haben. Ian Mortimer räumt mit diesem Narrativ auf. Er skizziert die enormen kulturellen Veränderungen, die sich im Mittelalter vollzogen, und führt uns eine revolutionäre Epoche vor Augen, die von grundlegender Bedeutung für die Entwicklung der westlichen Welt war.

Brought to you by Penguin. In the latest volume of his celebrated series of Time Traveller's Guides - after the Middle Ages, Elizabethan England and Restoration Britain - Ian Mortimer turns to what is arguably the most-loved period in British history: the Regency (aka Georgian England)...

If you could travel back in time, the period from 1660 to 1700 would make one of the most exciting destinations in history. It's the age of Samuel Pepys and the Great Fire of London, bawdy comedy and the libertine court of Charles II, Christopher Wren in architecture, Henry Purcell in music and Isaac Newton in science. In The Time Traveller's Guide to Restoration Britain, Ian Mortimer answers the crucial questions that a prospective traveller to 17th-century Britain would ask.

What was it actually like to live in Elizabethan England? If you could travel to the past and walk the streets of London in the 1590s, where would you stay? What would you eat? What would you wear? Would you really have a sense of it being a glorious age? And if so, how would that glory sit alongside the vagrants, diseases, violence, sexism and famine of the time? In this book Ian Mortimer answers the key questions that a visitor to late 16th-century England would ask.

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

Edward’s life is one of the most extraordinary in all English history. He ordered his uncle to be beheaded, he usurped his father’s throne and he started a war which lasted for more than a hundred years. He took the crown when it was at its lowest point and raised it to new heights, presenting himself as a new King Arthur, victorious across Europe. He was the architect of many English icons - from parliamentary rule to the adoption of English as the official language and even the building of a great clock tower at Westminster. 

In a contest of change, which century from the past millennium would come up trumps? Imagine the Black Death took on the female vote in a pub brawl, or the Industrial Revolution faced the Internet in a medieval joust - whose side would you be on? In this hugely entertaining book, celebrated historian Ian Mortimer takes us on a whirlwind tour of Western history, pitting one century against another in his quest to measure change.

‘Beautifully written and superbly executed’ Times 'A joyous romp around England’s dark past' Suzie Feay, Guardian From the author of the bestselling The Time Traveller's Guide to Restoration Britain, this is a stunningly high-concept historical novel that is both as daring as it is...

King Henry IV survived at least eight plots to dethrone or kill him in the first six years of his reign. However, he had not always been so unpopular. In his youth he had been a great chivalric champion and crusader. In 1399, at the age of 32, he was greeted as the saviour of the realm when he ousted from power the tyrannical King Richard II. But Henry had to contend with men who supported him only as long as they could control him; when they failed, they plotted to kill him. Adversaries also tried to take advantage of his questionable right to the crown. 

Of all the questions that arise from the Shakespeare authorship debate, one is more perplexing than any other. Why does neither camp apply the sort of analysis that professional historians are able to apply to the question? In any other debate about 16th century events, historians would be summoned in droves. But when it comes to Shakespeare, everybody feels he or she is at liberty to proceed without professional historical input. In this speech, Dr. Mortimer applies a professional historical methodological approach to the authorship question.

Brought to you by Penguin. This book tells the story of Mearsdon, the house where Ian Mortimer lives in Moretonhampstead, on the edge of Dartmoor. We very rarely have a continuous account of a particular place over a long stretch of history, but Mortimer has a documentary record of all the...

In this ground-breaking audiobook, Ian Mortimer portrays Henry in the pivotal year of his reign. Recording the dramatic events of 1415, he offers the fullest, most precise and least romanticised view we have of Henry and what he did. At the centre of the narrative is the campaign which culminated in the battle of Agincourt: a slaughter ground intended not to advance England’s interests directly but to demonstrate God’s approval of Henry’s royal authority on both sides of the Channel. 

In these sparkling A to Zs, time-travelling historian Ian Mortimer visits four classic periods of English history: the fourteenth century, the Elizabethan age, the Restoration and the Regency. As he ranges from the Great Plague to the Great Freeze, from Armada to Austen, and from tobacco to toenails, he shines a light into corners of history we never knew were so fascinating -- or so revealing of the whole.

La Guía para viajar en el tiempo a la Inglaterra medieval no es la típica mirada a un periodo histórico. Mortimer da un giro radical a nuestra concepción de la historia: no es solo algo que se estudia, también es algo que se vive, ya sea la vida de un campesino o de un señor. A través de las crónicas diarias, las cartas, los relatos domésticos y los poemas de la época, Mortimer nos transporta al pasado y nos ofrece respuestas a preguntas que los historiadores tradicionales suelen ignorar.

Henry IV is not famous except for the plays that bear his name: He is not even a "much-maligned" king. He is normally overshadowed by his far more famous son, Henry V, despite his many achievements. Shakespeare is partly to blame for Henry's diminution and his son's exaggerated stature but not completely; we just don't know what to make of a man who took the throne from the rightful king.