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This short work is one of the first great classics of self-help literature, and has never been out of print since it was first published in 1902. Allen's main thesis is that thought is not just a vehicle for comprehending and explaining the world, but is also the prime mechanism for creating and changing human experience. While Allen's views may remain controversial, a vast audience has found his work greatly inspiring. A new recording of one of the most revered self-help classics narrated by Denis Daly.

A resourceful miner devises an ingenious scheme to expedite his fishing, but it does not quite go as planned.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

This is the first of Tennyson's poems to be based on Sir Thomas Malory's Morte d'Arthur. The first draft was composed in 1834, and the finished work was published in Poems (1842). Later Tennyson incorporated the poem into the Idylls of the King (1870) under the title of "The Passing of Arthur". The narrative of this poem was drawn from the third, fourth, and fifth chapters of the 21st book of Thomas Malory's romance.

In this short treatise, New Thought author Christian Larson discusses the power of the subconscious mind and the importance of establishing a working relationship with it. In the words of the author: "What is produced in the within will invariably come forth into expression in the personality; therefore, by knowing how to impress the subconscious, man may give his personal self any quality desired, and in any quantity desired."

William Wordsworth belonged to a chosen band of poets for whom poetry was a priesthood, displayed in his unerring devotion to his art. He nourished his unique poetic gift by daily intimacy with Nature. It is Wordworth’s peculiar achievement to reveal the impulses at work behind the outward beauty of Nature, and to manifest its sustaining influence upon the spirit of man.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

Between 1915 and 1921, C. J. Dennis published seven verse novels and two collections of poetry. The first of these was The Songs of a Sentimental Bloke, which features Dennis' characteristic use of a distinctive Australian argot and which became an immediate bestseller.

James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

A prominent focus of the works of New Thought author Christian Larson (1874-1954) was the cultivation of positive mental states for the attainment of success and happiness. In this short treatise, he analyzes some common mental maladies and gives suggestions for their treatment.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant. 

Joseph McCabe's study of papal history is unusual in that he takes a hostile view of the Roman Catholic Church in general, and of the papacy in particular. Raised as a Catholic, McCabe was ordained as a Franciscan priest in 1890, but by 1897 had abandoned both the priesthood and the Catholic faith and was in the process of establishing himself as an ardent secularist. He published over 200 books, many of which were critiques of the history and contemporary activities of the Catholic Church. 

The Boor (sometimes translated as The Bear) is an atypical romantic comedy by Anton Chekhov. A surly landowner visits a widow who is one of his debtors - with unexpected results.

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

Wells had a keen interest in the political and social issues of his day, one of the most significant of which was the outbreak of the First World War. This book, written in 1916, presents the story of Mr Britling, a political commentator, living in comfortable security in his country estate at Matchings Easy, in Essex. He entertains a varied assembly of guests, including Mr Direck, an American journalist, and Herr Heinrich, a German philology student who acts as a family tutor, and the general atmosphere is a hectic social whirl.