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>Born into the violence of South Bronx ghetto life, the comic pioneer of TV’s Good Times fame offers a hilarious and politically charged review of his career as one of television’s first hugely successful Black stars. From opening for the Black Panthers and getting his first Tonight Show spot to becoming the first “Black” TV sitcom star, having comedians David Letterman and Jay Leno writing jokes for him, recording number-one comedy albums, and opening for rock n’ roll bands in 50,000 seat stadiums, Walker’s career hit all the highs.

Created by Blake Edwards (of Pink Panther fame), Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder My Sweet and jumped at the chance to play a suave detective on radio. Richard Diamond was a light-hearted New York-based private eye who enjoyed ribbing the cops and singing songs to his millionairess girlfriend, Helen Asher (played by Virginia Gregg). Its theme “Leave it to Love” was whistled by Powell at the beginning of each episode.

The Whistler was one of radio’s top mystery programs airing from May 16, 1942 until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer’s every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps. The Whistler often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective. 

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista, a set of regular players and characters.

Reminiscent of Humphrey Bogart’s character “Rick Blaine” from the classic film Casablanca, Rocky Jordan was banished by enemies from St. Louis and relocated to Cairo, Egypt. Now living in Northern Africa, Rocky Jordan owns and operates his gin joint (the Café Tambourine) and finds an assortment of mystery and intrigue while unwillingly moonlighting as a crime fighter. Cairo‘s Police Chief, Sam Sabaaya, is an Egyptian Muslim who strictly adheres to the law. Often times, when a crime is committed, Jordan is the prime suspect - forcing him to solve the crime so he can clear his name and save his neck.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy. Department stores open in the evening piped in the broadcasts, so shoppers wouldn't miss an episode.

Based on the book Cloak and Dagger: The Secret Story of the O.S.S. by Corey Ford and Alistair McBain, the radio version of these fascinating true stories kept listeners on the edge of their seats. The combination of Hoskin’s accurate research and Cooper’s lively, fast-paced writing helped make Cloak and Dagger one of the best espionage-adventures ever to hit the airwaves. The Office of Strategic Services - the progenitor of our Central Intelligence Agency - was one of American history’s most colorful and compelling WWII intelligence gathering efforts.

Author Jack Boyle created the modern Robin Hood-like character, Horatio Black, known to friend and foe as Boston Blackie. Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery. Enjoy 12 of the finest detective adventures of Boston Blackie in this thrilling collection!

The Columbia Workshop aired on CBS radio from 1936 until 1947. Created by Irving Reis, it was an experimental platform with no boundaries for what radio had to offer. Broadcast from New York, it featured the biggest stars from stage, screen and radio including Orson Welles, Burgess Meredith, Agnes Moorehead, Art Carney, Charles Laughton, Vincent Price and Laurence Olivier. Stories were by William Shakespeare, Oscar Wilde, Charles Dickens, John Keats, Edgar Allan Poe, Ernest Hemingway, Rudyard Kipling, Mark Twain, Lucille Fletcher, Carl Sandburg and Herman Melville with music by Bernard Herrmann.

Produced by Louis G. Cowan, Command Performance aired between 1942 and 1949 over the Armed Forces Radio Network (AFRS) with a direct shortwave transmission to American troops overseas. Performed before a live audience in Hollywood, the weekly listening military audience was estimated at 95.5 million. Troops sent in requests to hear their favorite celebrities, and they also suggested unusual ideas or situations for them to be put into. Top stars of the day appeared, including Bob Hope, Bing Crosby, Shirley Temple, Frank Sinatra, Clark Gable, Ginger Rogers, Cary Grant, Humphrey Bogart and many more.

"Creepy crawling" was the Manson Family's practice of secretly entering someone's home and, without harming anyone, leaving only a trace of evidence that they had been there, some reminder that the sanctity of the private home had been breached. Now, author Jeffrey Melnick reveals just how much the Family creepy crawled their way through Los Angeles in the sixties and then on through American social, political, and cultural life for close to fifty years, firmly lodging themselves in our minds. 

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

For eleven seasons, Marion Ross was head of one of America's favorite television households. Now meet the lovable real-life woman behind the Happy Days mom. In this warm and candid memoir, filled with loving recollections from the award-winning Happy Days team - from break-out star Henry Winkler to Cunningham "wild child" Erin Moran - Ross shares what it was like to be a starry-eyed young girl with dreams in poor, rural Minnesota, and the resilience, sacrifices, and determination it took to make them come true.

"The Falcon" radio series premiered in 1943, and continued until 1954. The Falcon was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, The Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with. This led into the standard opening, followed by the week's tale of adventure.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947, until September 25, 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by Paul Frees and/or William Conrad: Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you...Escape!

The Adventures of Philip Marlowe was radio's top detective program. Raymond Chandler's celebrated hardboiled private eye, Philip Marlowe, made his radio debut in 1945 on The Lux Radio Theatre with "Murder My Sweet" starring Dick Powell. Two years later, NBC would bring the character to the air in his own weekly series starring Van Heflin in The New Adventures of Philip Marlowe. Being a summer replacement for The Bob Hope Show, the series was short-lived and ended on September 9th, 1947.

Hosted by Norman Rose, "Dimension X" was one of radio's first adult science-fiction series and made its mark by adapting short stories by acknowledged masters in the field, including: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert. A. Heinlein, Clifford D. Simak, Kurt Vonnegut, Jr., and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the stories.

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop which aired from 1936 to 1943. Creator William Froug launched the series with the powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. Enjoy 12 of the greatest episodes from this award-winning drama series.

A Rift in the Earth tells the remarkable story of the ferocious "art war" that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level.

Space Patrol began as a television show in 1950 and was an overnight sensation. The series followed the 30th-century interplanetary exploits of Commander-in-Chief Buzz Corry of the United Planets Space Patrol and his young sidekick Cadet Happy. Together they thwarted evildoers wanting to take over the Universe. The show was targeted to children, but attracted a sizable adult audience. A radio series soon followed with the same cast performing on both the TV and radio shows.