The Lady of the Rivers

They ruled England before the Tudors, and now internationally best-selling author Philippa Gregory brings the Plantagenets to life through the dramatic and intimate stories of the secret players: the indomitable women.

Ein kurzer Blick in die Augen von Katharina von Aragón genügt, und Margaret Tudor weiß: Auf ewig werden sie verbunden sein - der Aufstieg der einen bedeutet immer das Unglück der anderen. Als Katharina, Königin von England, die Leiche von Margarets Mann, dem schottischen König, als Trophäe vom Schlachtfeld präsentiert, werden sie zu Feindinnen. Und die Liebe scheint nur Margarets Schwester finden zu dürfen: Mary, Königin von Frankreich.

1553. Hannah Green, the young daughter of a Jewish bookseller, is forced out of Spain by the Inquisition, and becomes an unlikely player at the fractious Tudor Court. Her gifts of foresight mean that she is given, as a Holy Fool to the newly crowned Mary I. But as Mary’s grip on the throne loosens, threatened by the ambitions of her sister, Elizabeth, Hannah is trapped in the deadly rivalry between the daughters of Henry VIII.  

Kateryn Parr, a 30-year-old widow in a secret affair with a new lover, has no choice when a man old enough to be her father who has buried four wives - King Henry VIII - commands her to marry him.

The haunting story of the mother of the Tudors, Elizabeth of York, wife to Henry VII. Beautiful eldest daughter of Edward IV and Elizabeth Woodville - the White Queen - the young princess Elizabeth faces a conflict of loyalties between the red rose and the white. Forced into marriage with Henry VII, she must reconcile her slowly growing love for him with her loyalty to the House of York, and choose between her mother's rebellion and her husband's tyranny. Then she has to meet the Pretender, whose claim denies the House of Tudor itself.

Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches. In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard. Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism. Then, lacking any formal education, Tara began to educate herself. Her quest for knowledge transformed her.

Fresh from the cultivated hothouse of Renaissance France, Anne draws attention at the English court. A nobleman, a poet and a king vie for her love. She has a spirit worthy of a crown - and a crown is what she seeks. It is a more powerful aphrodisiac than love. And so she embarks on her perilous course, which will plunge a kingdom into turmoil. Blood will flow on her account. Her only protection is the King's great love.

England, 1346. Der junge Steinmetz Thomas Blackstone wird vor die Wahl gestellt: Entweder der Tod durch den Strick - für einen Mord, den er nicht begangen hat. Oder er schließt sich der englischen Armee an, für die König Edward dringend weitere Bogenschützen sucht. Die Entscheidung fällt ihm nicht schwer. Doch in der Normandie lernt Thomas die bittere Realität des Krieges kennen. Ritterlichkeit ist ein Kodex für bessere Zeiten. Gnade gibt es nicht - schon gar nicht in der Schlacht von Crécy, dem blutigen Kessel des Hundertjährigen Krieges.

The thrilling first instalment in the Wars of the Roses series - set at the beginnings of this turbulent period of English history which saw the throne change hands six times in 30 years. The Swan sees Henry VI crowned King of England, and married to the young French noblewoman, Margaret of Anjou - and so begins the extraordinary story of how England became a divided nation, where brother took up arms against brother. This was the war which defined the England we know today.

A posthumous recipient of the World Fantasy Award for Lifetime Achievement, Marion Zimmer Bradley reinvented - and rejuvenated - the King Arthur mythos with her extraordinary Mists of Avalon series. In this epic work, Bradley follows the arc of the timeless tale from the perspective of its previously marginalized female characters: Celtic priestess Morgaine, Gwenhwyfar, and High Priestess Viviane.