Als der Australier Lindsay mit falschen Papieren in Bombay strandet, hat er einen spektakulären Ausbruch aus einem Hochsicherheitsgefängnis hinter sich und ist auf der Flucht vor Interpol. Ohne Sprachkenntnisse und Kontakte ist das Überleben in der chaotischen Metropole jedoch schwer. Zu seinem Glück begegnet Lindsay dem jungen Inder Prabaker, der in den Slums lebt und ihn unter seine Fittiche nimmt.

"Shantaram" ist zurück! "Shantaram" hat Millionen Menschen auf der ganzen Welt berührt. Die Geschichte des Australiers Lin, der aus dem Gefängnis ausbrach, in Mumbai untertauchte, als Arzt im Slum arbeitete und um die Liebe seines Lebens kämpfte, geht weiter. Zwei Jahre sind seitdem vergangen. Lin hat einen wichtigen Menschen verloren, den Mafiaboss Khaderbai, den er verehrte wie einen Vater. Seitdem bekämpfen sich die verschiedenen Gangs immer unerbittlicher, und die Gewalt eskaliert.

England, late 1930s, and Alice Wright - restless, stifled - makes an impulsive decision to marry wealthy American Bennett Van Cleve and leave her home and family behind. But stuffy, disapproving Baileyville, Kentucky, where her husband favours work over his wife and is dominated by his overbearing father, is not the adventure - or the escape - that she hoped for. That is, until she meets Margery O'Hare, a troublesome woman - and daughter of a notorious felon - the town wishes to forget. 

Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family - their lonely, lovely mother; their beloved uncle Chacko (pickle baron, radical Marxist and bottom pincher); and their avowed enemy, Baby Kochamma (ex-nun and incumbent grand-aunt).

Edward Snowden, the man who risked everything to expose the US government’s system of mass surveillance, reveals for the first time the story of his life, including how he helped to build that system and what motivated him to try to bring it down.

In a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’ parents and load him into a black SUV. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did. In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts.

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance.

How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to each other that isn't true? While tackling these questions, Malcolm Gladwell was not solely writing a book for the page. He was also producing for the ear. In the audiobook version of Talking to Strangers, you’ll hear the voices of people he interviewed - scientists, criminologists, military psychologists.

A Gentleman in Moscow immerses us in an elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel's doors.

Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches. In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard. Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism. Then, lacking any formal education, Tara began to educate herself. Her quest for knowledge transformed her.

Aged 13, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to one thing that reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld.

Escape to the Scottish Highlands where a tiny bookshop perches on the edge of a loch. Zoe is a single mother, sinking beneath the waves trying to cope by herself in London. Hari, her gorgeous little boy, is perfect in every way - except for the fact that he just doesn't speak at all. When her landlord raises the rent on her flat, Zoe doesn't know where to turn. Then Hari's aunt suggests Zoe could move to Scotland to help run a bookshop. Going from the lonely city to a small village in the Highlands could be the change Zoe and Hari desperately need.

One day, Lori Gottlieb is a therapist who helps patients in her Los Angeles practice. The next, a crisis causes her world to come crashing down. Enter Wendell, the quirky but seasoned therapist in whose of­fice she suddenly lands. With his balding head, cardigan, and khakis, he seems to have come straight from Therapist Central Casting. Yet he will turn out to be anything but.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.