Longlisted – Baileys Women’s Prize 2014
They said I must die. They said that I stole the breaths from men, and now they must steal mine. I imagine, then, that we are all candle flames, greasy-bright, fluttering in the darkness and the howl of the wind, and in the stillness of the room I hear footsteps, awful coming footsteps, coming to blow me out and send my life up away from me in a grey wreath of smoke.
In northern Iceland, 1829, Agnes Magnúsdóttir is condemned to death for her part in the brutal murder of her lover. Agnes is sent to wait out her final months on the farm of district office Jón Jónsson, his wife and their two daughters. Horrified to have a convicted murderer in their midst, the family avoid contact with Agnes. Only Tóti, the young assistant priest appointed Agnes’ spiritual guardian, is compelled to try to understand her. As the year progresses and the hardships of rural life force the household to work side by side, Agnes’ story begins to emerge and with it the family’s terrible realization that all is not as they had assumed.
Based on actual events, Burial Rites is an astonishing and moving novel about the truths we claim to know and the ways in which we interpret what we’re told. In beautiful, cut-glass prose, Hannah Kent portrays Iceland’s formidable landscape, in which every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?
“Beautifully written, this is a novel that will draw you in and touch your heart. Agnes will stay with you long after the last page has been turned.” ( Daily Express)
”This is a tormented tale of love and betrayal and divided loyalties recounted with heartfelt honesty… An exceptional debut.” ( Sunday Express)
”The true story at the heart of Hannah Kent’s acclaimed debut couldn’t fail to be compelling, but what impresses most about this novel is the skill and power with which Kent conveys the bite of poverty, hunger and loneliness and the oppressive, sinister weight of the portents and nightmares that convincingly plague those who dwell in the harsh Icelandic landscape. Startling and disconcerting details abound… bringing the past vividly to life even while underscoring its distance from the present. Resurfacing once the last page is turned is an effort.” ( Daily Mail)
”This is a truly powerful novel, beautifully written, which proves the phrase that ‘life is nasty, brutish and short.’ Desolate but brilliant.” (Book of the Week, The Lady)
“This is a golden age both of historical fiction and of crime writing. A rare novel that combines both, this is one of the most gripping, intriguing and unique books that I’ve read this year.” (Kate Mosse, Metro)
"an announcement of a writer to watch" ( Guardian)