Ergebnis für "Thursday" in Klassiker

Mystery, intrigue and fantasy lead us on a scary adventure.

Chesterton takes us on a merry ride of mystery, intrigue, and above all, fantasy in this tale of anarchism. Sometimes it is referred to as a metaphysical thriller, and Chesterton himself referred to it as "a nightmare".

After two rollicking adventures through Western literature, resourceful literary detective Thursday Next definitely needs some downtime. And what better place for a respite than in the hidden depths of the Well of Lost Plots, where all unpublished books reside? But peace and quiet remain elusive for Thursday, who soon discovers that the Well is a veritable linguistic free-for-all, where grammasites run rampant, plot devices are hawked on the black market, and lousy books—like the one she has taken up residence in—are scrapped for salvage.

In Monterey, on the California Coast, Sweet Thursday is what they call the day after Lousy Wednesday - one of those days that's just bad from the start. But Sweet Thursday is sunny and clear, a day when anything can happen. Returning to the scene of Cannery Row, Steinbeck brilliantly creates its bawdy, high-spirited world of bums, drunks and hookers, telling the story of what happened to everyone after the war.

In Monterey, on the California coast, Sweet Thursday is what they call the day after Lousy Wednesday, which is one of those days that is just naturally bad. Returning to the scene of Cannery Row, the weedy lots and junk heaps and flophouses of Monterey, John Steinbeck once more brings to life the denizens of a netherworld of laughter and tears—from Fauna, new headmistress of the local brothel, to Hazel, a bum whose mother must have wanted a daughter.

Writing in England at the turn of the 20th century, G.K. Chesterton was dubbed the "prince of paradox" for addressing serious questions with his light, whimsical style. In this classic allegory, which has captivated generations since it was first published in 1908, Chesterton tackles such profound concepts as honor, truth, and God with insightful humor and colorful enigma.

This audiobook is wonderfully narrated by British actor Nigel Peever, who brings the story to life. Published by Chesterton Books.

Poet Gabriel Syme believes in the beauty of order and, as such, is recruited by Scotland Yard to an anti-anarchist police corp. While undercover, Syme meets fellow poet Lucian Gregory, a verse writer devoted to disorder, who introduces him to London’s anarchist underworld. Just as Gregory is to be elected to the central council, Syme’s cover is revealed and he is forced to make a decision that sends the cabal into chaos. Is anyone in this underground faction who or what they seem? Syme suddenly realizes he doesn’t have all the answers.

In this two-book combo, you’ll find unnerving thrillers and detective stories which showcase the powerful prose and talent of G. K. Chesterton. With detectives, murders, and conspiracy, these stories have entertained people for generations and have inspired countless others across the thriller genre. With artful prose, paradoxes, and a dose of philosophy, these powerful books cement Chesterton as a literary legend, and are a must-listen for anyone interested in thrillers, classics, and stories that make you think.

The Man Who Was Thursday was written by G. K. Chesterton and follows newly recruited Scotland Yard detective Gabriel Syme as he infiltrates the dangerous underworld of the European anarchist council. Syme is a member of a special antianarchist division of the police and finds his way into the secret group through a poet he befriends, named Lucian Gregory.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

The Man Who Was Thursday: A Nightmare tells the story of an anarchist Lucian Gregory, a poet who met Gabriel Syme, a new recruit to a secret anti-anarchist taskforce at Scotland Yard. Syme meets Gregory at a party and debates with him about the meaning of poetry.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller.

Three BBC Radio performances of works by the great G. K. Chesterton. Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels as well as half a dozen tales from his short story collection

A busy practising barrister who also served as a judge, Cyril Hare also found time to publish nine detective novels and approximately 40 short stories, including Thursday’s Child, which takes the listener to the island of Cara, the west coast of Kintyre in Scotland. When a businessman from London tries to buy the island, the mysterious, lone inhabitant of the island’s interest is immediately piqued.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.