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"The Perishing of the Pendragons" by G.K. Chesterton is a Father Brown story where Father Brown is invited on a boat trip around the Cornish coast, where he encounters a family called the Pendragons, who are plagued by a mysterious curse tied to a local legend about a Spanish prisoner and a treacherous coastline.

Von Kempelen and his Discovery (1849). First published in The Flag of Our Union, April 14, 1849. Created as a hoax during the California Gold Rush. After the very minute and elaborate paper by Arago, to say nothing of the summary in 'Silliman's Journal,' with the detailed statement just published by Lieutenant Maury, it will not be supposed, of course, that in offering a few hurried remarks in reference to Von Kempelen's discovery, I have any design to look at the subject in a scientific point of view.

"William Wilson" is a short story by American writer Edgar Allan Poe, first published in 1839 in The Gift, with a setting inspired by Poe's formative years on the outskirts of London. The tale features a doppelgänger. The story follows a man of "a noble descent" named William Wilson. Although denouncing his profligate past, he does not accept full blame for his actions and says that "man was never thus ... tempted before".

"The Cask of Amontillado" is a short story by the American writer Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at Carnival time, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative follows a person being buried alive – in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective.

The Mistake of the Machine is a short story by Gilbert Keith Chesterton: Flambeau and his friend the priest were sitting in the Temple Gardens about sunset; and their neighbourhood or some such accidental influence had turned their talk to matters of legal process. From the problem of the licence in cross-examination, their talk strayed to Roman and mediaeval torture, to the examining magistrate in France and the Third Degree in America.

"The Sign of the Broken Sword" is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. In the centre of a story is a mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals to us the mystery of General St. Clare.

"The Pit and the Pendulum" is a short story by American writer Edgar Allan Poe and a work of horror fiction. It was first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, and is set very loosely during the Peninsular War between Spain and Napoleonic France (1808–1814), although it invokes the feared Inquisition of earlier centuries. The narrator of the story describes his experience of being tortured.

Mr. Edward Nutt, the industrious editor of The Daily Reformer, sat at his desk, opening letters and marking proofs to the merry tune of a typewriter, worked by a vigorous young lady. He was a stoutish, fair man, in his shirt-sleeves; his movements were resolute, his mouth firm and his tones final; but his round, rather babyish blue eyes had a bewildered and even wistful look that rather contradicted all this. Nor indeed was the expression altogether misleading.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

"A Tale of the Ragged Mountains" is a fantastical short story written by Edgar Allan Poe. Set near Charlottesville, Virginia, it is the only story the author set in the state. It was first published in Godey's Lady's Book in April 1844. It was anthologized the following year in Tales, published in New York by Wiley and Putnam. In late November 1827, the unnamed narrator meets Augustus Bedloe. Because of ongoing problems with neuralgia, Bedloe has retained the exclusive services of a 70-year-old physician, Dr. Templeton, a practitioner of mesmerism.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple of murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

During a pedestrian tour last summer through one or two of the river counties of New York, the narrator finds himself lost as day declines, the land undulating remarkably and his path winding confusedly through valleys in effort to keep in them. A smoky mist, resembling that of Indian summer, enveloped all things and added to his uncertainty. Not caring much about the matter, he remained unconcerned, prepared to bivouac in the open air with his knapsack for a pillow and his hound as a sentry.

Both by calling and conviction Father Brown knew better than most of us that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

The Head of Caesar is a short story by Gilbert Keith Chesterton: There is somewhere in Brompton or Kensington an interminable avenue of tall houses, rich but largely empty, that looks like a terrace of tombs. The very steps up to the dark front doors seem as steep as the side of pyramids; one would hesitate to knock at the door, lest it should be opened by a mummy. But a yet more depressing feature in the grey facade is its telescopic length and changeless continuity.

The situation of American literature is anomalous. It has no centre, or, if it have, it is like that of the sphere of Hermes. It is divided into many systems, each revolving round its several suns, and often presenting to the rest only the faint glimmer of a milk-and-water way. Our capital city, unlike London or Paris, is not a great central heart from which life and vigor radiate to the extremities, but resembles more an isolated umbilicus stuck down as near as may be to the centre of the land, and seeming rather to tell a legend of former usefulness than to serve any present need.

"The Spectacles" is a short story by Edgar Allan Poe, first published in March 1844 in the Philadelphia Dollar Newspaper. It is one of Poe's comedy tales. The narrator, 22-year-old Napoleon Buonaparte Froissart, changes his last name to "Simpson" as a requirement to inherit a large sum from a distant cousin, Adolphus Simpson. At the opera he sees a beautiful woman in the audience and falls in love instantly. He describes her beauty at length, despite not being able to see her well; he requires spectacles but, in his vanity, "resolutely refused to employ them".

From his cradle to his grave a gale of prosperity bore my friend Ellison along. Nor do I use the word prosperity in its mere worldly sense. I mean it as synonymous with happiness. The person of whom I speak seemed born for the purpose of foreshadowing the doctrines of Turgot, Price, Priestley and Condorcet — of exemplifying by individual instance what has been deemed the chimera of the perfectionists.

The Duel of Dr. Hirsch is a short story by Gilbert Keith Chesterton: M. Maurice Brun and M. Armand Armagnac were crossing the sunlit Champs Élysées with a kind of vivacious respectability. They were both short, brisk and bold. They both had black beards that did not seem to belong to their faces, after the strange French fashion which makes real hair look like artificial. They were both young. They were both atheists, with a depressing fixity of outlook but great mobility of exposition.

"Morella" is a short story in the Gothic horror genre by 19th-century American author and critic Edgar Allan Poe. An unnamed narrator, deeply affected by his friend Morella, marries her despite not feeling romantic love, drawn instead by an indefinable, intense connection. Morella, a reclusive and profoundly erudite woman, immerses him in her mystical studies, particularly German metaphysical texts on identity, pantheism, and reincarnation. Over time, the narrator grows disturbed by her eerie presence, her cold touch, and her otherworldly voice, which shift his joy into horror.

The Absence of Mr Glass: "But What about the two voices?" asked Maggie, staring. - "Have you never heard a ventriloquist?" asked Father Brown. "Don't you know they speak first in their natural voice, and then answer themselves in just that shrill, squeaky, unnatural voice that you heard?" - There was a long silence, and Dr Hood regarded the little man who had spoken with a dark and attentive smile. "You are certainly a very ingenious person," he said; "it could not have been done better in a book.