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When Dr. Watson returns to London from a weekend seminar, he finds hat Sherlock Holmes has been arrested. Inspector Lestrade refers Watson to a questionable psychiatric hospital where Holmes is jailed for mental incapacity.

"The Facts in the Case of M. Valdemar" is a short story by American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also, to a certain degree, a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account. Poe toyed with this for a while before admitting it was a work of pure fiction in his marginalia.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

A short story by Edgar Allen Poe about a mesmerist who puts a man, M. Valdemar, in a hypnotic state at the moment of death. M. Valdimar remains in the state for seven months. When the mesmerist removes M. Valdemar from this state, it resembles opening the door of a freezer that has been unplugged for months, the turkey inside.

A doctor desires to attempt something that has never been done before, to hypnotize someone as they die. He does. And, frightful consequences ensue.

The Facts in the Case of M. Valdemar tells the tale of a mesmerist who puts a man in a suspended hypnotic state at the moment of death to see if he can communicate with him after he is dead. While a tale of suspense and horror, it was also, at the time of its publication, a bit of a hoax since it was published without claiming to be fictional, and many took it to be a factual. Poe toyed with this for a while before admitting it was a work of pure fiction.

A classic tale of terror from beyond the shroud of death, Poe's tale of mesmerism gives us a glimpse into the pallid mind of madness. A dying man enlists the aid of a hypnotist to have himself put into a trance before dying in order to ease his suffering. After passing gently away, his corpse stiff and cold, the man shocks all by speaking. Worse, the trance is holding him in a terrible living-dead trance from which he seeks release - but could the release be even more horrible?

On the brink of death, the friend of a notable mesmerist commits to an experiment of hypnosis prior to imminent death. As the tale progresses, the mesmerist describes keeping his friend in a fully mesmerized state without a pulse or breath. When Valdemar asks from his trancelike state to either be awakened or let go, the narrator tries to wake him from the grips of death - with dire consequences.

The narrator is interested in mesmerism, a pseudoscience involving bringing a patient into a hypnagogic state by the influence of magnetism, a process that later developed into hypnotism. He points out that, as far as he knows, no one has ever been mesmerized at the point of death, and he is curious to see what effects mesmerism would have on a dying person. He considers experimenting on his friend Ernest Valdemar, an author whom he had previously mesmerized and who has recently been diagnosed with phthisis (tuberculosis).

Inspired by an account in the Broadway Journal of a surgeon putting a patient into a magnetic sleep, "The Facts in the Case of M. Valdemar" is a suspenseful tale concerning the forestallment of death by hypnosis. Originally published without a clear indication of its fictionality, the story was assumed to be a true account by some of its original readers.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

“El extraño caso del señor Valdemar” (The facts in the case of M. Valdemar) 1845. Es un cuento de terror, en el cual Poe narra la historia de un médico que sabe mesmerismo (magnetismo animal) y quiere experimentar cómo será hipnotizar a alguien que esté agonizante. El señor Valdemar tiene 24 horas de vida y accede al experimento. Un cuento que con final impactante.

American poet, critic, and short-story writer Edgar Allan Poe is universally recognized for his cultivation of the macabre in fiction. His stories are characterized by an original kind of supernatural horror, often using the awareness of death as a catalyzing force in its own right. His tales and poems brim with psychological depth and intense imagery, made vivid through his musical language and hypnotic rhythms, which are especially captivating when heard aloud.

The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares - premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Edgar Allan Poe is considered the greatest of all writers of macabre stories, was born in Boston, Massachesetts, in 1809. His father, an Irish-American actor, died the following year, and his mother, an English actress, the year after, in Richmond, Virginia. John Allan, a wealthy Richmond merchant, adopted him. When he was 7, the Allans moved to England, sending him to school at Stoke Newington, at age 12 they moved back to Richmond.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.