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In the Year 2889 is an 1889 short story published under the name of Jules Verne, but now believed to be mainly the work of his son Michel Verne, based on his father's ideas. Little though they seem to think of it, the people of this twenty-ninth century live continually in fairyland. Surfeited as they are with marvels, they are indifferent in presence of each new marvel.

First published in the Forum in 1889, In the Year 2889 was published in France the next year. A humorous and insightful look into a future society, the novella is now believed to be chiefly if not entirely the work of Jules Verne's son, Michel Verne, albeit continuing the work of Jules Verne by echoing many of his much-visited themes and ideas.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

The Jules Verne Collection includes 8 of Verne's most beloved novels. Read by the award-winning duo of Matthew Lloyd Davies and Jonathan Keeble, this collection is the perfect opportunity to delve into some of Verne's most formative and iconic writings.

This collection includes A Journey to the Center of the Earth, 20,000 Leagues Under the Sea, Around the World in 80 Days, The Mysterious Island, The Master of the World, and In the Year 2889.

In the Year 2889 by Jules Verne is a diary of the observations of Fritz Napoleon Smith, the editor of an influential futuristic newspaper. It is an action-packed tale of technological advances and science fiction scenarios. Some of the predictions were remarkably accurate.

Although published under the name of Jules Verne, “In the Year 2889” is now believed to be chiefly, if not entirely, the work of Jules' son, Michel Verne. In any event, many of the topics in the story echo Verne's ideas. A rather humorous look at the future.

In the Year 2889 by Jules Verne is a diary of the observations of Fritz Napoleon Smith, the editor of an influential futuristic newspaper. It is an action-packed tale of technological advances and science fiction scenarios. Some of the predictions were remarkably accurate.

The perfect escapist listen, for all fans of Cathy Bramley and Scarlett Bailey. A Year at the Star and Sixpence is Holly Hepburn's four Star and Sixpence novellas collected together as a novel for the first time. When sisters Nessie and Sam inherit a little pub in a beautiful country village, they jump at the chance to escape their messy lives and start afresh. But when they arrive at the Star and Sixpence, it's not quite what they imagined - it's pretty much derelict, ruined by debts, and it's going to be a huge job....

The four dauntless comrades in arms from The Three Musketeers and The Man in the Iron Mask are reunited in this extraordinary tale. Dumas brilliantly weaves the story into the tapestry of both French and English history. In Paris the four protect Queen Anne and the young Louis XIV from swelling revolution. In England they take on the ambitious Oliver Cromwell. Once again we are treated to the ring of swords, hearts are won or lost, and revenge is sweet.

Twenty years later, time has weakened the resolve of the Musketeers and dispersed their loyalties. But treasons and stratagems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.

When Twenty Years After opens it is 1648: the Red Sphinx, Cardinal Richelieu, is dead, France is ruled by a regency in the grip of civil war, and across the English Channel the monarchy of King Charles I hangs by a thread. As d’Artagnan will find, these are problems that can’t be solved with a sword thrust. In Twenty Years After, the musketeers confront maturity and face its greatest challenge: sometimes, you fail. It’s in how the four comrades respond to failure, and rise above it, that we begin to see the true characters of Dumas’s great heroes.