Ergebnis für "Bernard" in Antike, Klassik & Mittelalter

Eight of George Bernard Shaw's most memorable plays in one splendid collection: Mrs. Warren’s Profession, Arms and the Man, Candida, The Devil’s Disciple, Major Barbara, The Doctor’s Dilemma, Misalliance, and Pygmalion.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.

This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

Pygmalion remains one of the most popular stories, but mainly in the medium of the musical; the evergreen My Fair Lady. But much of the charm and wit comes from the words and timing in Shaw's original play. Here are the characters of Professor Higgins, his friend Colonel Pickering, and their charge, Eliza Doolittle.

Barbara is a major in the Salvation Army - but she's also the daughter of Andrew Undershaft, a man who's made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can!

The Emporor of Rome and the Queen of the Nile as only Shaw could have imagined them! He is a self-doubting cynic who is experiencing a mid-life crisis and she is an imperious and impertinent child on the threshold of womanhood. This recording also includes Shaw's alternate Prologue and his post-text notes.

For years, the Greeks have lain siege to the walls of Troy, the final act in the greatest war the ancient world has ever seen. Rivers of blood have been shed in the fight, but it takes one man to end the conflict: the brilliant strategist Ulysses, who defeats the Trojans with a simple trick - a wooden horse with an army inside. Victorious, Ulysses and his men prepare to make the long trip home to Ithaca. It will be an odyssey to remember.

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

Composed during the 14th century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve.

Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights. Shaw's play has been adapted numerous times, most notably as the 1938 film Pygmalion, the 1956 musical My Fair Lady and its 1964 film version.

A Cockney flower girl is transformed into a charming woman of the world by a professor of phonetics. This is the play that was later to be adapted as the musical, My Fair Lady.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

The play begins on a summer evening at Covent Garden in London. Suddenly, pouring torrential rain, takes pedestrians by surprise, forcing them to take refuge under the portal of the Cathedral of St. Paul. Among them are phonetics professor Henry Higgins and a researcher of Indian dialects, Colonel Pickering, who came specially from India to see the professor. The encounter delights them both.

Join "The Knave" and Sir Walter on a wild tale of mistaken identity, kidnapping, bowling, and a rug that, in faith, really tied the room together - in a sidesplitting Shakespearean comedy of errors and ninepins, told in five glorious acts of iambic pentameter and impeccable period prose.

A first person epic poem of Odysseus' life and journey. This poem has all the twists and turns that one might expect from the teller of the tale...which is in this case Odysseus himself. The poem starts with Odysseus chiding his unnamed summoner, thus narrating his life, starting with his childhood and ending with his ultimate triumph at the death of the suitors. However, Odysseus has an agenda of his own and attempts to turn the tables on his foe.

"Le plaisir de rompre" (1897) est une comédie en un acte de Jules Renard, à portée autobiographique, et souvent jouée avec une pièce ultérieure de l'auteur, "Le pain de ménage" (1898). Maurice rend visite à Blanche, femme mûre qui est sa maîtresse, qu'il quitte alors qu'il prépare son mariage avec une jeune fille fortunée de sa génération. Cette visite de rupture leur permet d'évoquer les sentiments toujours forts qui les unissent. Extraits.