Eaters of the Dead

The Ruhar hit us on Columbus Day. There we were, innocently drifting along the cosmos on our little blue marble, like the Native Americans in 1492. Over the horizon came ships of a technologically advanced, aggressive culture, and BAM! There went the good old days, when humans got killed only by each other. So, Columbus Day. It fits. When the morning sky twinkled again, this time with Kristang starships jumping in to hammer the Ruhar, we thought we were saved.

In teeming Victorian London, where lavish wealth and appalling poverty live side by side, Edward Pierce charms the most prominent of the well-to-do as he cunningly orchestrates the crime of the century. Who would suspect that a gentleman of breeding could mastermind the daring theft of a fortune in gold? Who could predict the consequences of making the extraordinary robbery aboard the pride of England's industrial era, the mighty steam locomotive?

Wyoming, 1875: So wie die Erde unter den donnernden Büffelherden des noch wilden Westens bebt, wird die Welt von der Entdeckung einer noch größeren, viel älteren Naturgewalt erschüttert. Fossile Funde belegen: Einst müssen riesige Urzeitwesen die Erde bevölkert haben - die Dinosaurier. Damit rückt ein wenig beachteter, aber revolutionärer Wissenschaftszweig, die Paläontologie, ins Licht der Öffentlichkeit. Der Roman "Dragon Teeth" aus dem Nachlass von Michael Crichton, entstanden 1974, darf als erster Wissenschaftsthriller dieses Ausnahmeautors und Schöpfers von "Jurassic Park" gelten.

Audie Award, Science Fiction, 2016. An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind's most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them - for a price.

Deep in the African rain forest, near the legendary ruins of the Lost City of Zinj, an expedition of eight American geologists are mysteriously and brutally killed in a matter of minutes. Ten thousand miles away, Karen Ross, the Congo Project Supervisor, watches a gruesome video transmission of the aftermath: a camp destroyed, tents crushed and torn, equipment scattered in the mud alongside dead bodies - all motionless except for one moving image - a grainy, dark, man-shaped blur.