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The Girl Who Takes an Eye for an Eye

continuing Stieg Larsson's globally bestselling MILLENIUM series

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The Girl Who Takes an Eye for an Eye

Von: David Lagercrantz, George Goulding - translator
Gesprochen von: Saul Reichlin
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THE GIRL WITH THE DRAGON TATTOO LIVES ON. The fifth in the Millennium series that began with The Girl with the Dragon Tattoo - the global publishing phenomenon.

Lisbeth Salander is an unstoppable force: Sentenced to two months in Flodberga women's prison for saving a young boy's life by any means necessary, Salander refuses to say anything in her own defence. She has more important things on her mind.

Mikael Blomkvist makes the long trip to visit every week - and receives a lead to follow for his pains. For him, it looks to be an important expose for Millennium. For her, it could unlock the facts of her childhood.

Even from a corrupt prison system run largely by the inmates, Salander will stand up for what she believes in, whatever the cost. And she will seek the truth that is somehow connected with her childhood memory, of a woman with a blazing birthmark on her neck - that looked as if it had been burned by a dragon's fire . . .

The tension, power and unstoppable force of The Girl Who Takes an Eye for an Eye are inspired by Stieg Larsson's Millennium trilogy, as Salander and Blomkvist continue the fight for justice that has thrilled millions of readers across the world.

Translated from the Swedish by George Goulding

(P)2017 Quercus Editions Limited©2017 David Lagercrantz Europa Hobbydetektive Internationale Krimis Krimis Thriller

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Kritikerstimmen

Some fictional characters prove too popular to die . . . Such is the case with Lisbeth Salander . . . Lagercrantz is doing a wonderful job. It would be hard to imagine a sequel more faithful to its work of origin than this one, which emulates the spirit and the style of the original trilogy.
Expertly told, the plot crackles with life (Geoffrey Wansell)
Lagercrantz's latest Salander novel, is even bolder - if somewhat more fantastical . . . Larsson had grand ambitions for his Millennium series, projecting a total of 10 novels. In Lagercrantz's hands, the series is realizing grand ambitions of another sort . . . The Girl Who Takes an Eye for An Eye intensifies the mythic elements of Larsson's vision. (Maureen Corrigan)
Lagercrantz doesn't falter in the mayhem department . . . Larsson fans certainly won't be disappointed.
Lagercrantz's excellent second contribution to Stieg Larsson's Millennium series . . . twisting plot lines tie together in this complicated, fascinating mystery. As a bonus, readers learn the meaning of the dragon tattoo on Lisbeth's back.
Lagercrantz's compassion for the underdog adds genuine emotion to his baroque plotting. There is much to admire in the way he has grasped a tricky assignment - to continue one of the big­gest hits of recent years. Roll on the next "girl"
Alle Sterne
Am relevantesten
Good storytelling and suspense. Never boring and very atmospheric. A bit too calculated (tear jerky) in places but plausible and interesting.

A good Salander story again.

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das war eher enttäuschend; unnötig verwickelte und in die länge gezogene Geschichte. Sie ist unglaubwürdig und clichehaft

langatmig

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With „The Girl Who Takes an Eye for an Eye” David Lagercrantz gives the story a new direction. This started already with “The Girl in the Spider’s Web”, but it is more distinct now. While Lisbeth Salander was the predominant figure in Stieg Larsson’s Millenium trilogy and her bizarre and nevertheless alluring character made us fall in love with her, she moved backstage in Lagercrantz’s new novel and seems to have grown up and behave more reasonably. This is probably the main reason, why some of the magic of the previous novels got lost. While the prose is still at par with Larrson’s writing, the storyline and plot are somewhat unrealistic and appear to be construed. Regardless of that, the topics of the story are valid and contemporary, the problems of fundamentalist Islam and exposure of the financial markets to computer attacks, but perhaps, there is too much of everything in one novel.

Lisbeth Salander tries to get some final answers as far as her childhood is concerned. While she sits in a high security female prison, she asks some old friends for help in her research. Of course she did not expect to set an avalanche of events and disasters into motion. Unknowingly she endangered her life and the life of her best friends by unraveling step by step the misdeeds of a sinister, pseudoscientific group, known as The Registry. As if this would not be enough, helping and protecting a young Bengali woman will lead to a confrontation with a brutal prison gang and violent Islamists.

There is enough action and it is nice to meet old friends again, but this novel does not have the quality of the first three.

A New Lisbeth Salander is Emerging

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Another perfect follow-up of the previous Millennium series, David Lagercrantz has yet again proven to be Stieg Larsson’s worthy heir. Seldom has switching between story and time lines been so easy to follow; there certainly is no better narrator than Saul Reichlin to give nuanced life to all different characters. I’ll be impatiently longing for the next audiobook echoing the footsteps of Kalle F*** Blomquist, the girl with the dragon tattoo and all their allies!

Brilliant, just brilliant!

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Die Story ist passable. Die Sprecherstimmen sind z.T.völlig unerträglich. Z.B die von Hilda von Kanterbury oder die von Holger Palmgren.

Miserable speaker Voice

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