The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

Though Vance puts himself in tradition of popular fantasy writers, one might assume that he had also grown up with Ovid and Herodotus, Homer’s Odyssey, Don Quixote, and Candide. The Cugel tales lack some of the scope and pathos of the great adventure yarns, but, in the 21st century, they may be as close as one gets to the celebration of epic human perseverance.

In the interlocking Tales of the Dying Earth Vance explores the world at the end of time when sun is guttering. Light itself is different and Vance’s landscapes —described in language that is lyrical, seductive, and partly self-invented —are wild and surreal, full of opportunity and danger. On the Dying Earth, the rules of physics as we know them have been amended and replaced by magic. The laws of evolution have spun out creatures that are humanoid, hybrid, and often terrifying.

The anthology Songs of the Dying Earth has assembled one of the most distinguished casts of authors ever - including Dan Simmons, Neil Gaiman, George R. R. Martin, Paula Volsky, Mike Resnick, Robert Silverberg, Lucius Shepard, Tad Williams, Tanith Lee, Liz Williams, Glen Cook, and eleven other famous writers - to write stories in honor of the genius of Jack Vance, stories using the bizarre and darkly beautiful far future setting of the Dying Earth, near the very end of Earth's lifespan.