Ergebnis gesprochen von "Dylan Moore" in Alle Kategorien

Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis's billion-dollar business is really nothing more than a game of smoke and mirrors.

Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.

The prestigious annual story anthology, featuring prize-winning stories by Kate DiCamillo, Jess Walter, Dave Eggers, Allegra Goodman, Jai Chakrabarti, Francisco Gonzalez, and more.

Shay Miller wants to find love, but it eludes her. She wants to be fulfilled, but her job is a dead end. She wants to belong, but her life is increasingly lonely. Until Shay meets the Moore sisters. Cassandra and Jane live a life of glamorous perfection, and always get what they desire. When they invite Shay into their circle, everything seems to get better. Shay would die for them to like her. She may have to.

“Without stories, we cannot live well,” shares guest editor Min Jin Lee, describing how storytelling affects and nurtures readers. The Best American Short Stories 2023 features twenty pieces of short fiction that reflect a world full of fractured relationships, but also wondrous hope. A lifelong friendship may become a casualty of the Russia-Ukraine war. Rejected by his lover, a man seeks to reconcile with his family. Twitter users miraculously muster enough empathy to help a lost cat find a forever home.

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid. When Ingrid confides that the Bartholomew is not what it seems, Jules brushes it off as a harmless ghost story...until the next day, when Ingrid disappears.

Lives separated by time and space have collided, and an exiled Englishman, a writer trapped far from home, and a girl destined to die too young, have each glimpsed a world that is not their own. Travelling through the centuries, between colonies on the moon and an ever-changing Earth, together their lives will solve a mystery that will make you question everything you thought you knew to be true.

In the Before, when the government didn't prohibit large public gatherings, Luce Cannon was on top of the world. One of her songs had just taken off and she was on her way to becoming a star. Now, in the After, terror attacks and deadly viruses have led the government to ban concerts, and Luce's connection to the world - her music, her purpose - is closed off forever. She does what she has to do: She performs in illegal concerts to a small but passionate community, always evading the law.

All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation. Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend.

Vincent is the beautiful bartender at the Hotel Caiette, a five-star glass-and cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: ‘Why don’t you swallow broken glass.’ Leon Prevant, a shipping executive for a company called Neptune Avramidis, sees the note from the hotel bar and is shaken to his core.

The year is 1873, and a bison hunter named Samson travels the Kansas plains, full of hope for his new country. The year is 1975, and an adolescent girl named Bea walks those very same plains; pregnant, mute, and raised in extreme seclusion, she lands in an institution, where a well-meaning psychiatrist struggles to decipher the pictures she draws of her past. The year is 2027 and, after a series of devastating storms, a tenacious engineer named Paul has left behind his banal suburban existence to build a floating city above the drowned streets that were once New Orleans.

You probably know someone like Shay Miller. She wants to find love, but it eludes her. She wants to be fulfilled, but her job is a dead end. She wants to belong, but her life is becoming increasingly isolated. You probably don’t know anyone like the Moore sisters. They have an unbreakable circle of friends. They live a life of glamour and perfection. They always get what they desire. Shay thinks she wants their life. But what they really want is hers.

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

Leah Dawson and McKenna Hawkins had a lot in common, but they had never met. They are smart, professional women living in the same neighbourhood in lovely houses with picket fences and beautiful gardens. And they were both married to successful, good-looking men who both seem bent on having ‘the perfect wife’. They don’t—ever—find themselves in the same train carriage or meet accidentally at the gym or in the coffee shop. And they don’t—ever—discuss their problems and find common ground. But they do cross paths. And they see something each recognises in the other.

Luce Cannon is on the road. Success is finally within her grasp: her songs are getting airtime; the venues she's playing are getting larger. But mass shootings, bombings and now a strange contagion are closing America down around her. The gig Luce plays tonight will turn out to be the last-ever rock show as the world's stadiums, arenas and concert halls go dark for good.

Natalie Fanning already loves her newborn son, Oliver, with everything she has. From the moment he was born she knew that she was meant to be his mother, even though she didn’t want that to be all she was. When Oliver refuses to sleep, and her husband Tyler returns to work, Nat is left mostly alone in a new house, in a new neighbourhood, the task of keeping her small son healthy and happy on her shoulders alone. No one else can breastfeed Oliver; no one else will protect him like she can; no one can help her.

Nothing is simple about being a new mom alone in a new house, especially when your baby is collicky. Natalie Fanning loves her son unconditionally, but being a mother was not all she wanted to be. Enter Paul, the neighbor. Paul provides the lifeline she needs in what feels like the most desperate of times. When Paul is helping with Oliver, calmed by his reassuring, steady presence, Nat feels like she can finally rest. But Paul wants something in return.

Allie Lang is a professional ghostwriter and a perpetually broke single mother to a young boy. Years of navigating her own and America’s cultural definitions of motherhood have left her a lapsed idealist. Lana Breban is a powerhouse lawyer, economist, and advocate for women’s rights with designs on elected office. She also has a son. Lana and her staff have decided she needs help softening her public image and that a memoir about her life as a mother will help. When Allie lands the job as Lana’s ghostwriter, it seems as if things will finally go Allie’s way.

1918 - America is at war with Germany, and, for the first time in history, the US Navy has allowed women to join up alongside the men. Ten thousand of them rush to do their part. German-American Marjory Kunwald enlists in the Navy to prove her patriotism. Suffragette Blanche Lawrence to prove that women are the equal of men. And shy preacher’s daughter Viv Weston in a desperate attempt to hide from the police.

Leah and McKenna have never met, though they have parallel lives. They don’t—ever—find themselves in the same train carriage or meet accidentally at the gym or the coffee shop. They don’t—ever—discuss their problems and find common ground. They don’t—ever—acknowledge to each other that although their lives have all the trappings of success, wealth and happiness, they are, in fact, trapped.