Ergebnis von "Rebecca Solnit" in Alle Kategorien

In Men Explain Things to Me, Rebecca Solnit takes on the conversations between men who wrongly assume they know things and wrongly assume women don't. The ultimate problem, she shows in her comic, scathing essay, is female self-doubt and the silencing of women. Rebecca Solnit is the author of fourteen books about civil society, popular power, uprisings, art, environment, place, pleasure, politics, hope, and memory, most recently The Faraway Nearby, a book on empathy and storytelling.

Rebecca Solnit ist eine der wichtigsten feministischen Denkerinnen unserer Zeit. Ihr Essay "Wenn Männer mir die Welt erklären" hat weltweit für Furore gesorgt: Scharfsinnig analysiert Solnit männliche Arroganz, die die Kommunikation zwischen Männern und Frauen erschwert. Voller Biss, Komik und stilistischer Eleganz widmet sie sich in ihren Essays dem augenblicklichen Zustand der Geschlechterverhältnisse. Ein Mann, der mit seinem Wissen prahlt, in der Annahme, dass seine Gesprächspartnerin ohnehin keine Ahnung hat - jede Frau hat diese Situation schon einmal erlebt.

Drawing together many histories - of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores - Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers.

A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.

A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of what society could become - one that is less authoritarian and fearful, more collaborative and local.

An energizing case for hope about the climate comes from Rebecca Solnit, called “the voice of the resistance” by the New York Times, and climate activist Thelma Young Lutunatabua, along with a chorus of voices calling on us to rise to the moment. Not Too Late is the book for anyone who is despondent, defeatist, or unsure about climate change and seeking answers. As the contributors to this volume make clear, the future will be decided by whether we act in the present—and we must act to counter institutional inertia, fossil fuel interests, and political obduracy. T

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In...

In this powerful and wide-ranging collection of essays, Rebecca Solnit turns her attention to the war at home. This is a war, she says, "[W]ith so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later."

Un fascinante retrato de la infinita gama de posibilidades que se presentan a pie. Analizando temas que van desde la evolución anatómica hasta el diseño de las ciudades, pasando por las cintas de correr, los clubes de senderismo y las costumbres sexuales, Solnit sostiene que las diferentes variantes del desplazamiento pedestre—incluido caminar por placer—suponen una acción política, estética y de gran significado social.

In this exquisitely written new audiobook by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories - of her mother and her decline from memory loss, of a trip to Iceland, of an illness - Solnit revisits fairytales and entertains other stories.

NEW YORK TIMES EDITORS’ CHOICE A “lyrical” (Chicago Tribune) final work of nonfiction from the National Book Award–winning author of Arctic Dreams and Horizon, a literary icon whose writing, fieldwork, and mentorship inspired generations of writers and activists. “Mesmerizing...

In 1981, Rebecca Solnit rented a studio apartment in San Francisco that would be her home for the next twenty-five years. There, she began to come to terms with the epidemic of violence against women around her, the street harassment that unsettled her, and the authority figures that routinely disbelieved her. That violence weighed on her as she faced the task of having a voice in a society that preferred women to shut up or go away.

Rebecca Solnit nos propone con este audiolibro una exploración estimulante del deambular, sobre perderse y abrazar lo desconocido. Creado a modo de serie de ensayos autobiográficos, Solnit se basa en momentos y relaciones destacados en su vida para explorar temas como la incertidumbre, la...

En este conjunto de ensayos mordaces y oportunos sobre la persistente desigualdad entre mujeres y hombres y la violencia basada en el género, Solnit cita su experiencia personal y otros ejemplos reales de cómo los hombres muestran una autoridad que no se han ganado, mientras que las mujeres...

Inspirada observadora y apasionada de la historia, Solnit es una de las críticas culturales más creativas, penetrantes y elocuentes que escriben hoy en día. En Esperanza en la oscuridad, su crítica más personal hasta la fecha, reflexiona sobre los logros cruciales, a menudo subestimados, de los activistas de base.

In this acclaimed exploration of the culture of others, Rebecca Solnit travels through Ireland, the land of her long-forgotten maternal ancestors. A Book of Migrations portrays in microcosm a history made of great human tides of invasion, colonization, emigration, nomadism, and tourism. Enriched by cross-cultural comparisons with the history of the American West, A Book of Migrations carves a new route through Ireland’s history, literature, and landscape.

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography “An exhilarating romp through Orwell’s life and times and also through the life and times of roses.” —Margaret Atwood “A captivating account of Orwell as...

En 1981, una jovencísima Rebecca Solnit se mudaba a su primer apartamento en un barrio marginal de San Francisco. En él pasaría los siguientes veinticinco años, librando feroces batallas para llevar a cabo la difícil tarea de construir su identidad y tomar la palabra en una sociedad que agrede y silencia a las mujeres.

Después de un desastre, sea provocado por el hombre o por la naturaleza, ¿la gente se vuelve más altruista, ingeniosa y valiente? ¿A qué deben él ánimo las nuevas comunidades que surgen entre las ruinas y en momentos de crisis, con sus nuevos propósitos? ¿Qué revela su alegría sobre la posibilidad y el deseo de cambio social, normalmente insatisfecho? Solnit explora este fenómeno a través de algunas calamidades como el terremoto de 1906 en San Francisco, la explosión que casi acabó con Halifax en 1917, el terremoto de Ciudad de México de 1985, el 11-S en Nueva York y el huracán Katrina, que arrasó Nueva Orleans.

Un nuevo libro de la autora de Los hombres me explican cosas y Wanderlust, que ilumina, entre otras cosas, la manera en que se entretejen la historia del silencio y la historia de las mujeres. Solnit nos ofrece un nuevo e indispensable repertorio de ensayos que analizan diferentes cuestiones, como por qué la historia del silencio está indisolublemente ligada a la historia de la mujer, o por qué a los niños de cinco años no les justan los juguetes de color rosa. También escribe sobre hombres que son feministas y hombres que son violadores, rehuyendo el estereotipo.