Ergebnis von "Alice Miller" in Alle Kategorien

Wie kann sich ein Mensch lieben, der sehr früh lernen mußte, daß er nicht liebenswert sei? Daß er Schläge bekommt, damit er anders wird, als er ist...

Wir könnten uns selbst und andere aufrichtig lieben, wenn wir echte Liebe von den eigenen Eltern erfahren hätten...

This best-selling book examines childhood trauma and the enduring effects it has on an individual's management of repressed anger and pain. Why are many of the most successful people plagued by feelings of emptiness and alienation? This wise and profound audiobook has provided millions of people with an answer—and has helped them to apply it to their own lives.

Das vierte Gebot, getragen von der herkömmlichen Moral, verlangt von uns, unsere Eltern zu ehren und zu lieben, auf dass wir - so die versteckte Drohung - lange leben. Dieses Gebot der Ehr-Furcht beansprucht universelle Gültigkeit. Wer es befolgen will, obwohl er von seinen Eltern einst missachtet, misshandelt, missbraucht wurde, kann dies nur, wenn er seine wahren Emotionen verdrängt. Gegen diese Verleugnung und das Ignorieren von unbewältigten Kindheitstraumata revoltiert indes der Körper häufig mit schweren Erkrankungen.

Never before has world-renowned psychoanalyst Alice Miller examined so persuasively the long-range consequences of childhood abuse on the body. Using the experiences of her patients along with the biographical stories of literary giants such as Virginia Woolf, Franz Kafka, and Marcel Proust, Miller shows how a child's humiliation, impotence, and bottled rage will manifest itself as adult illness - be it cancer, stroke, or other debilitating diseases.

In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets. You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime. You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right. 

Geoffrey Holland stood up and for the second time surveyed the restaurant in search of other members of his party, two fingers in the pocket of his waistcoat, as if they had just relinquished his watch. He was tall enough to be conspicuous and well bred enough to be indifferent to the fact, good looking, in a bronzed, blond clean-shaven way, and branded in the popular imagination as a young and active millionaire.

Lewis Vickers, a young American languishing in South America because he is “wanted” for a crime that was the result of an accident, comes across another American—Hobart Lee who greatly resembles him. That man dies and Vickers, to get back to the United States, decides to impersonate him. He is taken to the family group upon his arrival in New York City and soon finds himself embroiled in a situation he cannot just walk away from—no matter how badly he wants to. Who was this “Bob” Lee and why does his cousin seem to hate him so?

It was a particularly calm spring evening. The river and harbor were already gray; a gray haze hung over the lower part of the city. Above it the tops of the monstrous buildings reflected enough of the sunset in the western sky to blend dimly with the eastern.

When Mr. Burton Crane leases a house in the country, he expects it to be fully staffed. Except—it isn’t. Mr. Crane enlists the help of his friend, Mrs. Falkener, to interview his prospective cook, butler, housemaid, and general helper. She, however, doesn’t like them—but Mr. Crane is especially drawn to the cook and overrules his friend. But was Mrs. Falkener right to be suspicious? Who are these servants, really? Soon the helper, the housemaid, and the butler are dismissed, leaving only the cook—a most improper scenario!