Ergebnis gesprochen von "Liza Ross" in Alle Kategorien

An essential for life. Without it life is impossible. Was it always that way? In this volume of stories, water becomes the landscape and narrative, a character more deadly and perhaps more aware of its power than us mere mortals. We are beguiled by its sight, whether softly breaking waves on a sandy beach or a thunderous storm engulfing the cliff face. But also in other forms; as lakes and lagoons. Water is everywhere, and where there is water is the shadow of menace.

Elizabeth Bell runs a quiet household, with no family and no more than the usual number of servants. She passes her time thinking about crime and working on her biography of a relative. When a young cousin comes to stay, life in the house becomes uncharacteristically lively. First, cousin Judy burns a hole in Miss Bell's desk. Next, they spy a burglar on the staircase - a shadowy figure who vanishes without a trace. And finally, Sarah, the nurse, takes the dogs for a walk and never returns.

I Can Run is not a running book for 'runners' - it's the must-have running book for every woman who has ever experienced a moment of defeatism and had the little voice in their head make the excuse 'I can't run'. In 12 chapters, you will discover that you can. You will dig deep to find your inner athlete. You'll learn how to train smart, recover well, sync your runs to your menstrual cycle and fuel right.

RCMP Constable Danutia Dranchuk is investigating a mysterious death at Sitting Lady Falls. The evidence she gathers points to three separate stories, leaving her with more questions than answers. Is this murder connected to two earlier killings of Aboriginal women? Are all three the work of the same killer? Some of the details are hitting a little too close to home, and Danutia is forced to examine her friendship with forensics head Corporal Surinder Sharma and his family.

Sixteen classic stories from masters of the genre: "The Judge's House", by Bram Stoker; "A Jug of Sirup", by Ambrose Bierce; "The Reconciliation", by Lafcadio Hearn; "The Woman With a Candle" by W. Bourne Cooke; "The Ebony Frame", by E. Nesbit; "On the Northern Ice", by Elia W. Peattie; "The Haunted Doll's House", by M. R. James; "The Old House in Vauxhall Walk", by Charlotte Riddell; "The Underground Ghost", by John Berwick Harwood; "Haunted", by Anon (from Tinsley's Annual); plus five more....

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

Once again on the American side of the Atlantic talent pours forth from the pens of these literary women. Even to choose a mere ten seems to be a choice too difficult to make. Society may hold women back but these writers are equal to the challenge and overcome its boundaries with superbly written stories that are a beacon for all others who follow.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this Century of profound change for women our Atlantic neighbours produced authors of extraordinary ability that dazzled us all with a range of ideas, characters and stories of such magnificence that literature would never be the same again. Genius is written in their names.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. It is difficult to propose a more gifted exponent of the short story than Kate Chopin. Her individual jewels may be brief but are laden with atmosphere and character as they run their enchanted course. Her genius will always endure.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.