Ergebnis von "Lafcadio Hearn" in Alle Kategorien

Benjamin Lacombe ist schon seit langer Zeit ein großer Fan der Kultur Japans, in der modernste Technik mit der Vorstellung einer von Geistern belebten Natur einhergeht. So war es unausweichlich, dass er irgendwann auf die berühmte Sammlung japanischer Gespenstergeschichten von Lafcadio Hearn stieß. "In Ghostly Japan" erschien erstmals 1899 in Boston. Hearn lebte zu diesem Zeitpunkt bereits seit neun Jahren in Japan, war mittlerweile Professor für englische Literatur an der Kaiserlichen Universität Tokio und mit der Tochter eines Samurai verheiratet.

In Japan war die Welt allenthalben belebt von Naturwesen, die dort yôkai heißen. Solch ein Wesen ist etwa der Hai, den ein Mann auf einer Brücke trifft und der verzweifelt ist, weil er aus dem Palast des Meeresdrachen ausgestoßen wurde. Der Mann hat Mitleid und gewährt dem Haifischmenschen Asyl in seinem Teich. Als sein Retter liebeskrank daniederliegt, weil er den Brautpreis für seine Angebetete nicht zahlen kann, grämt sich der Haifischmensch so sehr, dass er Tränen weint, die sich schließlich zu Saphiren verfestigen.

Die japanische Kultur und die abendländische Kultur Westeuropas trennen Welten. Wenngleich die kulturellen Unterschiede vor hundert Jahren noch deutlich stärker ausgeprägt waren als heute. Ein lebendiger Beleg für die Verschiedenheit beider Weltregionen bezeugt sich in den japanischen Märchenerzählungen in denen Geister einem wichtigen Platz einnehmen. Sie reflektieren den Einfluss fernöstlicher Religionen, die in den hiesigen Märchen überhaupt keine Rolle spielen.

Brought to you by Penguin. This Penguin Classic is performed by Eleanor Matsuura, known for AMC's The Walking Dead and Spooks. This definitive recording includes an Introduction by Paul Murray. In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs...

Japanese culture has fascinated the West ever since the country’s doors opened up in the 1800s. In many ways, Japan has remained elusive, and people have travelled from all around the world to see for themselves how unique this nation remains. Another way of exploring this enigmatic culture is through its literature. The English language succeeds surprisingly well in revealing the Japanese sense of life.

Together, these three volumes form an essential collection for anyone fascinated by mythology, folklore, and the cultural heritage of Japan. Each story in this anthology is not just a tale. It's a window into the ancient soul of Japan, its people, and its enduring legacy.

In Ghostly Japan collects 12 ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.

In this wide-ranging collection our authors look at every facet and detail of theatre life. From the worries and lives of the actors to what can happen when a theatre is the prime location on which the story depends, be it comedy, theft, the bizarre and even murder.

Based on Japanese literature and foldlore, Kwaidan contains 17 stories. The story of Loichi, the blind biwa player who was called to perform for the dead; of Muso, the journeying priest who encountered a man eating goblin; of the samurai who outwitted the ghost of a dead man. All these plus 14 other spooly tales are included in this collection.

Kottō contains 20 Japanese stories, collected from different sources and translated by Lafcadio Hearn. The types of stories in this collection are widespread: There are old ghost stories Hearn is best known for (The Legend of Yurei-Daki), his own observations and musings (Pathological), as well as the translation of 'A Woman's Diary', a touching account of the life of the poorer classes in Tokyo, written at the end of the 19th century. (Summary by Availle)

Greece-born Lafcadio Hearn (1850 - 1904) spent decades of his life in Japan, even marrying a Japanese woman, thus becoming a Japanese citizen by the name of Koizumi Yakumo (小泉 八雲). He wrote many books on Japan, especially about its folklore. In this posthumously published book, he takes a closer look at Japan's religious history: How it developed from ancient beliefs into Shintoism, resisted suppression attempts by both Buddhism and Christianity and how – despite efforts to westernise Japan during the era known as Meiji Restoration – it remained the basis for Japanese society. Even...

Una colección de cuentos y textos breves donde el terror y el intimismo se mezclan de la mano de uno de los maestros del cuento de terror japonés, Lafcadio Hearn. En ella, el autor presenta una serie de historias escalofriantes repletas de leyendas de amor y espectros, desde el canto de una cigarra hasta un detallado estudio de la yobina; a la vez que clama una vez más su amor por su país de adopción.

What happens when an evil queen envies a princess for her beauty? How does the poor son of a farmer become the killer of giants? And what price is too high for a mermaid to become a human?

A wonderful collection of spine-tingling ghost stories and thought-provoking essays on insects. This new version has an introduction "Hearn and Japan", which details the continuing influence of Hearn on contemporary Japan.

Patrick Lafcadio Hearn, was an Irish writer known also by the Japanese name Koizumi Yakumo. His book Kwaidan: Stories and Studies of Strange Things, comprises two parts, the first being the "Kwaidan Proper" and the second, "Insect-Studies", which consists of an essay each on ants, butterflies and mosquitos. According to the author, most of the folk tales and ghost stories in the first part were translated from old Japanese texts. The themes encompass resurrection, sacrifice, magic, and the realm of dreams.

Una nueva colección de relatos fantasmales donde el terror no está reñido con la profunda enseñanza budista. En esta antología, Lafcadio Hearn vuelve a poner toda la maestría de su pluma al servicio de historias de espectros del Japón tradicional, entre quimonos poseídos, espíritus despechados, amantes que regresan de la tumba y espíritus de la naturaleza que nos advierten de los peligros del camino.

Glimpses of Unfamiliar Japan is a collection of essays by Lafcadio Hearn detailing his first impressions of the country he found so fascinating he decided to stay there for the rest of his life. In these essays and recollections he expresses his curiosity, bewilderment, and marvel at Japanese tradition, culture and lifestyle. Lafcadio Hearn is best known as the most notable person to introduce Japan to the West. He produced about thirty works, including translations, retellings of folktales, and travelogues. - Summary by mlcui

This is another of the popular books that Lafcadio Hearn wrote on various Japanese subjects. The first part "Stories From Strange Books" is a collection of Japanese tales about ghosts and strange occurrences. In the second part "Japanese Studies", Hearn discourses on cicadae, girl's names, and Japanese songs. The third part "Fantasies" are stories and essays on various topics written by Hearn himself. - Summary by Availle DPLs for this project were ChuckW and Isana.

Lafcadio Hearn, born 1850 in Greece, went to Japan when he was 40 years old and became a Japanese citizen only 6 years later. His writings about Japan from the beginning of the Meiji era, when the country was just opening to the West, remain among the most important explanations of Japanese culture. This book contains in the first part, "Exotics", his observations of and personal insights into Japan. For example, Fuji no Yama tells about him climbing the highest mountain in Japan; and A Question in the Zen Texts, Literature of the Dead, and Of Moon Desire try to explain Buddhist teachings. In ...

In an introductory paragraph, Lafcadio Hearn declares his intention: "The papers composing this volume treat of the inner rather than of the outer life of Japan, for which reason they have been grouped under the title Kokoro (heart). Written with the above character, this word signifies also mind, in the emotional sense; spirit; courage; resolve; sentiment; affection; and inner meaning, just as we say in English, "the heart of things."" The result is a highly eclectic collection of stories, diary entries, cultural essays, and collected traditional texts that illustrate not only the state of ...