Ergebnis für "zweiter weltkrieg" in Kunst & Unterhaltung

In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

This collection of William L. Shirer’s radio broadcasts tells the vivid story of WWII and brings the suspense of the times to life for today’s audience. As the first journalist hired by CBS to cover the war in Europe, Shirer compiled two and a half years’ worth of wartime broadcasts including Hitler’s invasion of Austria, the armistice between France and Nazi forces in June of 1940, daily roundups of news from Paris, Vienna, Berlin, London and Rome, documenting the conditions of these countries under invasion.

The Gutmanns, as they were known, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a magnificent, world-class art collection that included works by Degas, Renoir, Botticelli, Guardi, and many, many others. But the Nazi regime snatched from them everything they had worked to build: their remarkable art, their immense wealth, their prominent social standing, and their very lives.

Als aus Österreich geflohener Jude und Sozialist arbeitete Autor Robert Lucas bei der BBC London als Teil des German Service. Für seine Arbeit verfasste er regelmäßig politisch-satirische Kommentare, die von der BBC während des Krieges gesendet wurde. Doch nicht nur die Menschen in England hörten zu. Auch im den von Deutschland besetzten Gebieten und sogar im Dritten Reich hörten Millionen von Menschen heimlich mit. Diese Kommentare werden hier von Johannes Kibranz zum Leben erweckt und dadurch dem Höhrer näher gebracht.

On December 15, 1944, Maj. Alton Glenn Miller, commanding officer of the Army Air Force Band (Special), boarded a plane in England bound for France with Lt. Col. Norman Francis Baessell. Somewhere over the English Channel the plane vanished. No trace of the aircraft or its occupants has ever been found. To this day Miller, Baessell, and the pilot, John Robert Stuart Morgan, are classified as missing in action. Weaving together cultural and military history, Glenn Miller Declassified tells the story of the musical legend Miller and his military career.

Svizzera, 2010. Cornelius Gurlitt, cittadino tedesco di 79 anni, sta viaggiando su un treno diretto a Monaco quando viene fermato per un controllo di routine. Agli occhi degli agenti l'uomo non è che un innocuo vecchietto, ma un'ispezione rivela che, cuciti nel risvolto della sua giacca, ci sono ben novemila euro in contanti. Una cifra importante per un pensionato, che porta la polizia ad approfondire le indagini.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?

When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli.

The British Broadcasting Corporation is a British institution, and its story during the Second World War is also our story. This was a period of remarkable voices: Churchill’s speeches, de Gaulle’s broadcasts from exile, Richard Dimbleby and Vera Lynn. Radio offered an incomparable tool for propaganda while at the same time eyewitness testimonies gave a voice to everyone, securing the BBC’s reputation as a purveyor of truth.

September 1940. As the skies split apart and bombs rain down on London, it's all the staff at the famed Buckingham Hotel can do to keep their guests in the luxury they're accustomed to, and evoke the magic of the Grand ballroom for them each night. Home on leave and still reeling from the tragic events at Dunkirk, the dashing Raymond de Guise struggles to define his role in this new world, and to do his duty both to his country, and his beloved wife Nancy- who needs him now more than ever.

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders.

Las modistas de Auschwitz cuenta la historia de las veinticinco mujeres y adolescentes, la mayoría judías, que en medio del horror absoluto del campo de exterminio de Auschwitz-Birkenau fueron seleccionadas para confeccionar ropa a medida para las damas de la alta sociedad nazi. Sus habilidades se convirtieron en su única esperanza de salvarse de una muerte segura en las cámaras de gas.

With war clouds gathering and harassment increasing, the stars of Continental opera, many of whom are Jewish, face dark futures under the boot heel of the Nazis. What can two middle-aged British spinsters do about such matters? They can form a secret cabal right under Hitler’s nose and get to work saving lives. The sisters conspire to bring together worldwide opera aficionados and insiders in an international operation to rescue Jews in the opera from the horrific fate that everyone intuits is coming.

When he was 17 years old, Audie Murphy falsified his birth records so that he could enlist in the army and help defeat the Nazis. When he was 19, he single-handedly turned back the German army at the Battle of Colmar Pocket by climbing on top of a tank with a machine gun, a moment immortalized in the classic film To Hell and Back, starring Audie himself.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

Of all the celebrities who served their country during World War II - and they were legion - Jimmy Stewart was unique. On December 7, when the attack on Pearl Harbor woke so many others to the reality of war, Stewart was already in uniform - as a private on guard duty south of San Francisco at the Army Air Corps Moffet Field. Seeing war on the horizon, Jimmy Stewart, at the height of his fame after Mr. Smith Goes to Washington and his Oscar-winning turn in The Philadelphia Story in 1940, had enlisted several months earlier.