Gorgeous War Titelbild

Gorgeous War

The Branding War Between the Third Reich and the United States

Reinhören
Dieses Angebot sichern 0,00 € - kostenlos hören
Angebot endet am 1.12.2025 um 23:59 Uhr. Es gelten die Audible Nutzungsbedingungen.
Prime Logo Bist du Amazon Prime-Mitglied?
Audible 60 Tage kostenlos testen
Für die ersten drei Monate erhältst du die Audible Premium Mitgliedshaft für nur 0,99 € pro Monat. Dazu erhältst du ein Bonusguthaben von 15 € für Audible.de. Du wirst per Mail benachrichtigt.
Pro Monat bekommst du ein Guthaben für einen beliebigen Titel aus unserem gesamten Premium-Angebot. Dieser bleibt für immer in deiner Bibliothek.
Höre tausende enthaltene Hörbücher, Audible-Originale, Podcasts und vieles mehr.
Pausiere oder kündige dein Abo monatlich.
Aktiviere das kostenlose Probeabo mit der Option, monatlich flexibel zu pausieren oder zu kündigen.
Nach dem Probemonat bekommst du eine vielfältige Auswahl an Hörbüchern, Kinderhörspielen und Original Podcasts für 9,95 € pro Monat.
Wähle monatlich einen Titel aus dem Gesamtkatalog und behalte ihn.

Gorgeous War

Von: Tim Blackmore
Gesprochen von: Simon Curwen
Dieses Angebot sichern 0,00 € - kostenlos hören

9,95 €/Monat nach 3 Monaten. Angebot endet am 1.12.2025 um 23:59 Uhr. Monatlich kündbar.

9,95 € pro Monat nach 30 Tagen. Monatlich kündbar.

Für 19,95 € kaufen

Für 19,95 € kaufen

ZEITLICH BEGRENZTES ANGEBOT. Nur 0,99 € pro Monat für die ersten 3 Monate + 15 € Audible-Guthaben. Danach 9,95 €/Monat. Bedingungen gelten. Jetzt starten.

Über diesen Titel

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

Using numerous examples of US and Nazi military heraldry, Gorgeous War compares the way the American and German militaries developed their graphic and textile design in the interwar period. The book shows how social and cultural design movements like modernism altered and were altered by both militaries. It also explores how nascent corporate culture and war production united to turn national brands like IBM, Coca-Cola and Disney into multinational corporations that had learned lessons on propaganda and branding that were being tested during the Second World War.

What is the legacy of apparently toxic signs like the swastika?

The answer may not be what we hoped. Inheritors of the post-Second World War world increasingly struggle to find an escape from an intensely branded environment - to find a place in their lives that is free of advertising and propaganda. This book suggests that we look again at how it is our culture makes that struggle into an appealing gorgeous war.

©2019 Wilfrid Laurier University Press (P)2021 Wilfrid Laurier University Press
Medienwissenschaften Militär Nord-, Mittel- & Südamerika Sozialwissenschaften

Kritikerstimmen

"For readers in cultural or media studies and those with advertising or marketing backgrounds, Gorgeous War will serve as a well-written text that should prompt questions about the motives of the advertising industry, specifically regarding the origins and uses of branding as a means of consumer enticement." (Megan Moore Burns, Quill & Quire)

"Gorgeous War is a tour de force through the worlds of design and propaganda - both military and corporate - in the United States and Germany. Filled with fascinating details, the book makes creative connections between worlds that were (and are) more closely connected than they first appear." (Alexander L. Fattal, Journalism & Mass Communication Quarterly, 2020)

Gorgeous War, a highly readable book, shows that the US of Walt Disney and the Third Reich of Goebbels were two variants not just of modernity but of hypermodernity, no matter how glaringly different their surface ‘styles’ and their human consequences. It shows we cannot afford to demonize and ‘other’ Nazism too hastily because there is greater affinity between Nazi Germany and aspects of modern America than we might like to admit to ourselves.” (Roger Griffin, Oxford Brookes University)

Noch keine Rezensionen vorhanden