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Nach einem Schicksalsschlag braucht Jane dringend einen Neuanfang. Daher überlegt sie nicht lange, als sie die Möglichkeit erhält, in ein hochmodernes Haus in London zu ziehen. Trotz der strengen Regeln - keine eigenen Möbel, ein Computer überwacht, was sie anzieht und was sie isst - ist sie fasziniert. Genauso wie von Edward, dem Besitzer und Architekten des Hauses. Doch bald erkennt Jane, dass sie ihrer verstorbenen Vormieterin Emma erschreckend ähnlich sieht.

Nach einem Schicksalsschlag braucht Jane dringend einen Neuanfang. Daher überlegt sie nicht lange, als sie die Möglichkeit erhält, in ein hochmodernes Haus in London zu ziehen. Trotz der strengen Regeln - keine eigenen Möbel, ein Computer überwacht, was sie anzieht und was sie isst - ist sie fasziniert. Genauso wie von Edward, dem Besitzer und Architekten des Hauses. Doch bald erkennt Jane, dass sie ihrer verstorbenen Vormieterin Emma erschreckend ähnlich sieht.

Jane stumbles on the rental opportunity of a lifetime: the chance to live in a beautiful ultraminimalist house designed by an enigmatic architect, on condition she abides by a long list of exacting rules. After moving in she discovers that a previous tenant, Emma, met a mysterious death there - and starts to wonder if her own story will be a rerun of the girl before. As twist after twist catches the listener off guard, Emma's past and Jane's present become inexorably entwined in this tense portrayal of psychological obsession.

The book Before War will change how its listeners look at the world by exposing the female roots of Western civilization. It draws on the evidence from anthropology, archaeology, linguistics, primatology, and the shocking new genetics data, to tell the story of Western civilization. For listeners of Sapiens and The Dawn of Everything, this is about another way that our European ancestors lived, without violence, sexual shame, or social inequality. Its the story of a story that was buried and re-discovered again and again, and is once again being told, thanks to the new science of genetics.

She's the girl next door. He's the guy who's loved her from afar. They're in for an unexpected tumble into love. For Stella Allesandro, chaos is good. She's a rising star at a leading sports publicity firm. She's known throughout the industry as the jock whisperer - the one who can tame the baddest of the bad boys in professional sports without losing her signature smile. But Cal Hartshorn is an entirely different kind of chaos.

Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara's fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents.

The year is 2172. Climate change and nuclear disasters have rendered much of earth unlivable. Only the lucky ones have escaped to space colonies in the sky. In a war-torn Nigeria, battles are fought using flying, deadly mechs, and soldiers are outfitted with bionic limbs and artificial organs meant to protect them from the harsh, radiation-heavy climate. Across the nation, as the years-long civil war wages on, survival becomes the only way of life. Two sisters, Onyii and Ify, dream of more.

Die Highschool ist geschafft, aber Noras Zukunft sieht düster aus: Ihr gewalttätiger Stiefvater Raymond wurde aus der Haft entlassen und hat sie jetzt im Visier. Darum ist Nora fest entschlossen, ihren (vielleicht letzten) Sommer zu genießen. Sie plant eine mehrtägige Rucksacktour durch ein einsames Waldgebiet, zusammen mit Iris und Wes. Zwar klinkt sich spontan Wes' Freundin mit ein, doch Amanda ist cool, also ist es keine große Sache–bis sie auf der Wanderung entführt wird. Besser gesagt, bis sie mit Nora verwechselt wird.

World War II continues, and Ada and her brother, Jamie, are living with their loving legal guardian, Susan, in a borrowed cottage on the estate of the formidable Lady Thorton - along with Lady Thorton herself and her daughter. Life in the crowded cottage is tense enough, and then, quite suddenly, Ruth, a Jewish girl from Germany, moves in. A German? The occupants of the house are horrified. But other impacts of the war become far more frightening. As death creeps closer to their door, life and morality during wartime grow more complex.

Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does.

Zagreb, 1991. Ana Jurić is a carefree 10-year-old, living with her family in a small apartment in Croatia's capital. But that year, civil war breaks out across Yugoslavia, splintering Ana's idyllic childhood. Daily life is altered by food rations and air raid drills, and soccer matches are replaced by sniper fire. Neighbors grow suspicious of one another, and Ana's sense of safety starts to fray. When the war arrives at her doorstep, Ana must find her way in a dangerous world.

Nine-year-old Ada has never left her one-room apartment. Her mother is too humiliated by Ada's twisted foot to let her outside. So when her little brother Jamie is shipped out of London to escape the war, Ada doesn't waste a minute - she sneaks out to join him. So begins a new adventure of Ada, and for Susan Smith, the woman who is forced to take the two kids in. As Ada teaches herself to ride a pony, learns to read, and watches for German spies, she begins to trust Susan.

After the thrilling conclusion of The Girls I've Been, Nora is delighted just to be alive, but she knows her stepfather, Raymond, still really, really wants revenge. She, Wes, and Iris plan a backpacking trip through the mountains before Iris starts her two-week internship at a fire watchtower. Joined by Wes's new girlfriend, Amanda, they set off for a two-week journey. Three days into their backpacking trip, Amanda disappears - as in 'gets taken' - or rather, 'gets mis-taken'. For Nora, that is. That's right: her stepfather has tracked them down in the middle of the wilderness...

Life is good at Frogmorton Farm. Yes, Jenny and Russell are still broke. Yes, the roof still leaks. And yes, the Checklands are about to become the long-suffering owners of a battalion of trouble-seeking Patagonian Attack Chickens. But life is still quite wonderful for someone who used to be called the Nothing Girl.

What was my sister doing standing over Florence’s cot in the middle of the night?I trust my sister, Carrie, with my daughter’s life. But then she’s accused of a terrible crime. Carrie lives under our roof, she pushes my daughter on the swings, she takes her out for ice cream. You might ask, why do I let her? Why would I risk my darling baby? How could I let my sister stay? Because I have a dangerous secret too. One that only Carrie knows about. And if that secret gets out, I could lose my little girl....