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Reign Harrow was the princess of rock until she randomly disappeared six months ago, taking her secrets and her fame with her. Now she's back, and she seems more determined than ever to be the best. To earn the awards and the titles others only dream of… and maybe even a little revenge along the way. To show everyone who wronged her just what she is made of.

Warum wir Freundschaft neu denken müssen. Freundschaft und Sex passen nicht zusammen. So behaupten es zahllose Beziehungsratgeber, romantische Filme und oft auch das eigene Umfeld. Dennoch suchen immer mehr Menschen nach friends with benefits. Traditionelle Familienbilder und das Ideal der einen großen Liebe scheinen mit Erwartungen und Ansprüchen völlig überfrachtet.

Contre toute attente, Katniss a survécu une seconde fois aux Hunger Games. Mais le Capitole crie vengeance.

Das vierte Gebot, getragen von der herkömmlichen Moral, verlangt von uns, unsere Eltern zu ehren und zu lieben, auf dass wir - so die versteckte Drohung - lange leben. Dieses Gebot der Ehr-Furcht beansprucht universelle Gültigkeit. Wer es befolgen will, obwohl er von seinen Eltern einst missachtet, misshandelt, missbraucht wurde, kann dies nur, wenn er seine wahren Emotionen verdrängt. Gegen diese Verleugnung und das Ignorieren von unbewältigten Kindheitstraumata revoltiert indes der Körper häufig mit schweren Erkrankungen.

In this challenging work, Christopher Lasch makes an accessible critique of what is wrong with the values and beliefs of America's professional and managerial elites. The distinguished historian argues that democracy today is threatened not by the masses, as Jose Ortega y Gasset ( The Revolt of the Masses) had said, but by the elites. These elites - mobile and increasingly global in outlook - refuse to accept limits or ties to nation and place.

Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt's expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia.

"Sa robe caresse le sol. À cet instant, nous sommes comme les pierres des voûtes, immobiles et sans souffle. Mais ce qui raidit mes frères, ce n'est pas l'indifférence, car ils sont habitués à ne pas être regardés ; ni non plus la solennité de l'entretien - tout ce qui touche à Aliénor est solennel. Non, ce qui nous fige, à cet instant-là, c'est sa voix. Car c'est d'une voix douce, pleine de menaces, que ma mère ordonne d'aller renverser notre père." Aliénor d'Aquitaine racontée par son fils Richard Cœur de Lion.

Originally published in 2014, this updated edition of The Revolt of the Public includes an extensive analysis of Donald Trump's improbable rise to the presidency and the electoral triumphs of Brexit and concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.

Strategic nonviolent action has reasserted itself as a potent force in shaping public debate and forcing political change. Whether it is an explosive surge of protest calling for racial justice in the United States or a demand for democratic reform in Hong Kong or Mexico, when mass movements erupt onto our television screens, the media portrays them as being as spontaneous and unpredictable.

Die wirkmächtigste politische Fabel der Literaturgeschichte - gelesen von Christoph Maria Herbst. Die Tiere auf dem Hof des Säufers Mr. Jones leiden unter seinem gewalttätigen Regiment. Aber genug ist genug! Die intelligenten Schweine arbeiten ein Programm für die Befreiung vom menschlichen Unterdrücker aus. Die Rebellion ist erfolgreich. Doch selbst die, die sich aus der Unterdrückung befreien, können zu Unterdrückern werden - und bald schon leiden die Tiere unter der Diktatur der Schweine.

Revolt is an eloquent and provocative challenge to the prevailing wisdom about the rise of nationalism and populism. With a vibrant and informed voice, Nadav Eyal illustrates how modern globalization is not sustainable. He contends that the collapse of the current world order is not so much about the imbalance between technological achievement and social progress or the breakdown of liberal democracy as it is about a passion to upend and destroy power structures that have become hollow, corrupt or simply unresponsive to urgent needs.

First published as articles in El Sol in 1929, the essays in The Revolt of the Masses serve as a prescient analysis of a 20th-century creature - the "mass man" - and the mass society that he makes up. With strains of Jamesian pragmatism and the sociology of Gustave Le Bon, Ortega shows how technological and political changes reduced Western civilization to the lowest common denominator and made it susceptible to the pressures of statism.

With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt Against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being.

"Deux siècles de révolte, métaphysique ou historique, s'offrent justement à notre réflexion. Un historien, seul, pourrait prétendre à exposer en détail les doctrines et les mouvements qui s'y succèdent. Du moins, il doit être possible d'y chercher un fil conducteur. Les pages qui suivent proposent seulement quelques repères historiques et une hypothèse de lecture. Cette hypothèse n'est pas la seule possible ; elle est loin, d'ailleurs, de tout éclairer. Mais elle explique, en partie, la direction et, presque entièrement, la démesure de notre temps."

An den Grenzen der bekannten Galaxie geht es rau zu: Seit Jahrzehnten beuten die Konzerne der Kernwelten-Union die Randwelten aus. Eine Revolte auf der Bergbaukolonie Higgins' Moon ist der Funke, der das Pulverfass entzündet... und ein einziges Wort entfaltet seine verheerende Sprengkraft: Bürgerkrieg! Mittendrin: John Donovan, Frontiersman - einer jener furchtlosen Frachterkapitäne, die ihren nicht immer ganz legalen Geschäften dort nachgehen, wo der Weltraum noch frei und wild ist.

In what is considered one of Heinlein's most hair-raising, thought-provoking, and outrageous adventures, the master of modern science fiction tells the strange story of an even stranger world. It is 21st-century Luna, a harsh penal colony where a revolt is plotted between a bashful computer and a ragtag collection of maverick humans, a revolt that goes beautifully until the inevitable happens. But that's the problem with the inevitable: it always happens.

It was the 1960s - a time of economic boom and social strife. Young women poured into the workplace, but the “Help Wanted” ads were segregated by gender and the “Mad Men” office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek, renowned for its cutting-edge coverage of civil rights and the “Swinging Sixties.” Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job - for a girl - at an exciting place. But it was a dead end.

From Silicon Valley boardrooms to rural communes to academic philosophy departments, a seemingly inconceivable idea is being seriously discussed: that the end of humanity’s reign on earth is imminent, and that we should welcome it. Anthropocene antihumanism has been inspired by revulsion at humanity’s destruction of the natural environment, and transhumanism, by contrast, glorifies some of the very things that antihumanism decries—scientific and technological progress, the supremacy of reason.

Revolt is an eloquent and provocative challenge to the prevailing wisdom about the rise of nationalism and populism. With a vibrant and informed voice, Nadav Eyal illustrates how modern globalization is not sustainable. He contends that the collapse of the current world order is not so much about the imbalance between technological achievement and social progress or the breakdown of liberal democracy as it is about a passion to upend and destroy power structures that have become hollow, corrupt, or simply unresponsive to urgent needs.

Das Jahr 2049: In einer schier aussichtslosen Lage sehen sich Menschen von der Erde einer uralten Zivilisation aus Robotern gegenüber. Auf Dunkelwelten, die sich durch den Leerraum weit außerhalb der Milchstraße bewegen, bauen die sogenannten Posbis an riesigen Maschinen und Raumschiffen. Sie suchen das "wahre Leben" - und vernichten jegliche anderen Geschöpfe.