Ergebnis für "Le film" in Medienwissenschaften

Alles, was uns als "Wirklichkeit" verkauft wird, ist nur eine hübsch bemalte Fassade aus Pappmaschee. Politik ist eine Art Puppentheater, die Figuren auf der öffentlichen Bühne sind lediglich gut bezahlte Marionetten. Die Fäden, an denen sie zappeln, ziehen mächtige Puppenspieler hinter den Kulissen. Sie entscheiden über Krieg und Frieden, Leben und Tod. Wahre Macht wirkt im Verborgenen - so wie bei Illuminaten, Neuptemplern und Bilderbergern. Wer die Strukturen der Macht erkennen will, muss sich auf gefährliche Pfade begeben.

Wissenschaftlich geprüfter Stoff für alle Serienjunkies: Wie reagiert man nach neusten wissenschaftlichen Erkenntnissen am besten auf eine Zombie-Epidemie à la Walking Dead? Könnte jeder Chemielehrer einfach so Crystal Meth produzieren wie Walter White in Breaking Bad? Wann ermöglicht die Wissenschaft das Teleportieren wie in Star Trek? Und was für eigentümliche klimatische Bedingungen herrschen eigentlich in Game of Thrones?

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

In this book, author and independent researcher Isaac Weishaupt presents conspiracy theories and analysis from Stanley Kubrick's most popular films - 2001: A Space Odyssey, A Clockwork Orange, The Shining, and Eyes Wide Shut. Learn all about the conspiracy theory of the secret message Kubrick tried to convey about the occult and the Illuminati before his untimely passing.

In a house designed for manipulation, paranoia, and power plays, sixteen strangers are cut off from the outside world—watched every second by cameras, judged by millions. Welcome to Big Brother. A show ahead of its time, it was once dismissed as fluff television. Now this voyeuristic reality show has quietly become a cultural juggernaut. But what are the costs of turning human lives into entertainment? What kind of psychological toll does it take to be put in isolation, under constant surveillance, in a perpetual state of suspicion?

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Instead of focusing on one service, like HBO, Pandora’s Box asks, “What did HBO do, besides give us The Sopranos?” The answer: It gave us a revolution. Biskind bites off a big chunk of entertainment history, following HBO from its birth into maturity, moving on to the basic cablers like FX and AMC, and ending up with the streamers and their wars, pitting Netflix against Amazon Prime Video, Max, and the killer pluses—Disney, Apple TV, and Paramount.

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

Alles über Doctor Who: Kann man durch die Zeit reisen? Die Gesetze der Zeit. Die Physiologie des Doktors. 10 Dinge, die man über Doctor Who wissen sollte.

In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.

In Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood’s corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.

The Missing JFK Assassination Film is not the typical JFK assassination book. This book does not attempt to answer the question of who killed John F. Kennedy; instead it addresses why we should question the actions of those involved and why the truth was withheld from the people. Though copies of Orville Nix's film exist, the original film is missing. Why? The FBI confiscated Orville's camera for several months, then returned it in pieces. Were these actions sinister, or were they just examples of governmental incompetence?

Alles über Fringe: Wie viele Paralleluniversen gibt es? Telepathie, Telekinese und andere merkwürdige Phänomene. 10 Dinge, die man über Fringe wissen sollte.

Alles über Akte X: Werden wir jemals Außerirdischen begegnen? Der Roswell-Zwischenfall - ist die Wahrheit irgendwo da draußen? 10 Dinge, die man über Akte X wissen sollte.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.

Alles über True Blood: Kann man synthetisches Blut herstellen? Gibt es echte Vampire? 10 Dinge, die man über True Blood wissen sollte.

Alle über Star Trek: Wie schnell ist die Warp-Geschwindigkeit? Wann erfinden wir endlich die Teleportation? Wie funktioniert ein Traktorstrahl? 10 Dinge, die man über Star Trek wissen sollte.

Movies do more than tell a good story. They are expressions of raw emotion, naked vulnerability, and unbridled rage. They often function in the same way as prayers, communicating our deepest longings and joys to a God who hears each and every one. In this captivating book, Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies function as expressions to God of lament, praise, joy, confession, and more.