Ergebnis für "Das war" in Schreiben & Veröffentlichen

It was the biggest leak in history. WikiLeaks infuriated the world's greatest superpower, embarrassed the British royal family and helped cause a revolution in Africa. The man behind it was Julian Assange, one of the strangest figures ever to become a worldwide celebrity. Was he an internet messiah or a cyber-terrorist? Information freedom fighter or sex criminal? The debate would echo around the globe as US politicians called for his assassination.

Including an introduction read by the author, Max Hastings. 'A superb account of journalists, soldiers and the experience of modern battle, written by one of the greatest war reporters of our time' – Robert Harris, author of An Officer and a Spy ‘Gripping and compulsively readable’ –...

This audiobook is compellingly read by the author, Jeremy Bowen. A Spectator and New Statesman Book of the Year 'An illuminating and riveting read’ – Jonathan Dimbleby Jeremy Bowen, the International Editor of the BBC, has been covering the Middle East since 1989 and is uniquely placed to...

In July 1995, San Jose Mercury-News reporter Gary Webb found the Big One - the blockbuster story every journalist secretly dreams about - without even looking for it. A simple phone call concerning an unexceptional pending drug trial turned into a massive conspiracy involving the Nicaraguan Contra rebels, L.A. and Bay Area crack cocaine dealers, and the Central Intelligence Agency.

Celebrating a decade of Columbia Global Reports, the Forerunners series revives groundbreaking works of investigative journalism and incisive analysis published a century before CGR’s founding. These texts, once forgotten or underexplored, reflect CGR’s core mission: fearless reporting, global perspective, and intellectual rigor. Each selection remains strikingly relevant today, offering historical insights that challenge contemporary perspectives and reaffirm the power of journalism to shape the world.

When America entered World War II in 1941, we faced an enemy that had banned and burned over 100 million books and caused fearful citizens to hide or destroy many more. Outraged librarians launched a campaign to send free books to American troops and gathered 20 million hardcover donations. In 1943, the War Department and the publishing industry stepped in with an extraordinary program: 120 million small, lightweight paperbacks for troops to carry in their pockets and their rucksacks in every theater of war.

This is not a book about Iraq's history, nor an inventory of the many Middle Eastern wars that have spun out over the past twenty years, though both wars and history are part of its narrative, from the American invasion to the Arab Spring, ISIS and beyond. This is the story of a people who once lived under the rule of a megalomaniac leader who shaped the state in his own image. Then one day, after yet another war, a foreign army invaded, toppled the leader, destroyed the state, and proceeded to invent a new country.

In 1943 John Steinbeck was on assignment for The New York Herald Tribune, writing from Italy and North Africa, and from England in the midst of the London blitz. In his dispatches he focuses on the human-scale effect of the war, portraying everyone from the guys in a bomber crew to Bob Hope on his USO tour and even fighting alongside soldiers behind enemy lines. Taken together, these writings create an indelible portrait of life in wartime.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners”, and photographers who fought the war on the ground in cities across America.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners,” and photographers who fought the war on the ground in cities across America.

In What Wars Leave Behind, J. Malcolm Garcia reveals the people and pain behind the statistics. He writes about impoverished families scraping by in Cairo’s city of the dead, ordinary Syrians pretending all is well as shells explode around them, and others caught in conflicts that rage long after the cameramen have packed up and gone away.

In Bearing Witness, John Carpenter explores how across the world, those who experienced the war tried to make sense of it both during and in its immediate aftermath. The digestion of a cataclysmic event can take generations. But in this fascinating audiobook, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.

Do you know it, do you remember it, the drives, the attitudes, the terrors and, yes, the joys? Thus Steinbeck introduces his collection of poignant and hard-hitting dispatches for the New York Herald Tribune when the Second World War was at its height. He begins in England, recounting the courage of the bomber crews, the tragic air-raids and the strangeness of the British, before being sent to Africa and joining a special operations unit off the coast of Italy.

How is popular knowledge of war shaped by the stories we consume, what are the boundaries of this knowledge, and how are these boundaries policed or contested by journalists producing knowledge from war zones? Based on years of fieldwork in Iraq, Syria, Lebanon, Afghanistan, and Ukraine, Conflicted challenges normative conceptions of war by revealing how representational authority comes to be.

Sara Daniel, a star European correspondent and one of the few women reporters covering Iraq, dares to venture where few have gone, in this gripping and fascinating memoir. In June of 2002, war looms and Saddam Hussein still has a brutal grip on a nation in disarray. Sara Daniel travels the length and breadth of Iraq, following the fast-evolving events and interviewing people from all walks of life and all religious and political affiliations: from the Kurds in the north to the rising new politicians in Baghdad and beyond....

In February 2002 Max Hastings retired from his position as a 'Fleet Street' Editor. His is an enormously illustrious career which started in 1985, when he was offered the Editorship of a national institution – the Daily Telegraph – in a surprise move by its owners. This memoir tells the story of what happened to him, and to a great newspaper, over the next decade. It is all here: the rows with prime ministers, the coverage of great events including the end of the Cold War, the fall of Thatcher, the rise of New Labour and Tony Blair, the Gulf War, and the tribulations of the Royal Family.

The Studies and Observations Group was a covert American military unit in Vietnam that specialized in clandestine cross-border operations in Laos and Cambodia. In September 1970, sixteen Green Berets and one-hundred-twenty Montagnard mercenaries departed on Operation Tailwind, the largest and deepest raid in SOG history.

When veteran war reporter Benjamin Hall woke up in Kyiv on the morning of March 14, 2022, he had no idea that, within hours, Russian bombs would nearly end his life. As a journalist for Fox News, Hall had worked in dangerous war zones like Syria and Afghanistan, but with three young daughters at home, life on the edge was supposed to be a thing of the past. Yet when Russia viciously attacked Ukraine in February 2022, Hall quickly volunteered to go. A few weeks later, while on assignment, Hall and his crew were blown up in a Russian strike.

'They were not just reporters; they were also pioneers, and Judith Mackrell has done them proud.' Spectator 'This is a book that manages to be thoughtful and edge-of-your-seat thrilling.' Mail on Sunday 'Like the copy filed by her subjects, it is an essential read.' BBC History Magazine On the...

Best-selling author David Shields analyzed over a decade’s worth of front-page war photographs from The New York Times and came to a shocking conclusion: The photo-editing process of the “paper of record”, by way of pretty, heroic, and lavishly aesthetic image selection, pulls the wool over the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.