Ergebnis für "D.H. Lawrence" in Liebesromane

Constance Chatterley seeks to escape from the confines of a loveless marriage and the upper class surroundings that suffocate her. When she meets the gamekeeper of Chatterley mansion, Oliver Mellors, she is mesmerised and infatuated by his no-nonsense demeanour and passionate touch. The two soon forge a profound bond as a result of their sexual compatibility and sociopolitical views.

Lady Chatterley's Lover is D. H. Lawrence's last novel. First published privately in 1928, Lady Chatterley's Lover was banned from wider publication in the UK until 1960 and was the subject of censorship and book banning in the United States and elsewhere. Its erotic subject material, colorful language, and discussion of interclass relations were deemed obscene.

Constance Chatterley feels trapped in her sexless marriage to the invalid Sir Clifford. Unable to fulfil his wife emotionally or physically, Clifford encourages her to have a liaison with a man of their own class. But Connie is attracted instead to her husband's gamekeeper and embarks on a passionate affair that brings new life to her stifled existence. Can she find a true equality with Mellors, despite the vast gulf between their positions in society?

Sons and Lovers, Lawrence's third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a middle-class woman and a miner) in the tough world of coal mining brought a refreshing realism to literature. It remains a challenging text and is studied widely. It is particularly effective on audiobook in the hands of Nottinghamshire reader Paul Slack.

With her soft brown hair, lithe figure and big, wondering eyes, Constance Chatterley is possessed of a certain vitality. Yet she is deeply unhappy; married to an invalid, she is almost as inwardly paralysed as her husband Clifford is paralysed below the waist. It is not until she finds refuge in the arms of Mellors the game-keeper that she feels regenerated. Together they move from an outer world of chaos towards an inner world of fulfillment.

When Constance Reid's new husband, Sir Clifford Chatterley, returns from war paralyzed and in a wheelchair, she sees her future wither. As their marriage grows loveless, she mourns the desires fated to go unfulfilled. But a stirring fascination with Oliver Mellors, the estate's coarse, taciturn gamekeeper, blooms into feelings she feared had died. Soon the lovers find themselves entangled in scandal, and their taboo affair becomes as pernicious as it is passionate.

Constance Reid marries Sir Clifford Chatterley, Baronet, who comes home from the Great War grievously injured. He is paralyzed from the waist down and must rely on Constance for all his needs. Constance finds living in mining country formidable and depressing until she meets Sir Clifford's gamekeeper, Oliver Mellors. They enter into an affair which makes Constance realize living with the mind alone is only half a life.

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

Sons and Lovers was the first of Lawrence's major works, and is still considered to be one of his best. The 1913 novel, partly autobiographical and set in the coalmining village of Bestwood, is notable for being the first English novel to be genuinely working-class in origin and focus.

In The Rainbow, D. H. Lawrence challenged the customary limitations of language and convention to carry into the structures of his prose the fascination with boundaries and space that characterize the entire novel. A visionary novel, considered to be one of Lawrence's finest, it explores the complex sexual and psychological relationships between men and women in an increasingly industrialized world.

In a claustrophobic household, oppressed by her blind, toad-like grandmother and a cowardly, conventional father, Yvette’s exuberance seems doomed to suppression. But meeting a gypsy awakens unfamiliar emotions in her, making her challenge the family’s accepted morality. As she wavers between conformity and rebellion, a flash flood threatens her home, her world, and her life. This short novel deals with all the major themes of sexuality and identity that made Lawrence one of the most original and influential writers of the 20th century; and it is a satirical, atmospheric, moving and surprising masterpiece.

This carefully curated anthology brings together the most iconic romantic tales of all time—each filled with complex characters, sweeping emotions, and timeless narratives that will captivate your heart. From the fiery romance of Wuthering Heights to the quiet yearning of A Room with a View, these stories are a perfect blend of forbidden love, tragic endings, and tender moments of connection.

In this series we explore the many facets of love through literary talents that span both time and country. Love in its fiery form may last but a moment―or forever. The need and want are obvious to both. Its all-consuming, if feels like it will always endure and never end. But passion and desire can burn bright and then burn themselves out. Our very devoted authors have much to share.

Originally released as vinyl records, these expertly abridged and remastered stories are now available to download for the first time. What was it like to love, live, and rebel in Britain during the 19th and 20th centuries? These beloved British novels offer three dramatically different but universally recognisable experiences. Read by three luminaries of the stage and screen: Dame Judi Dench, Sir Ian McKellen, and Sir John Gielgud.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Women in Love is a novel by British author D. H. Lawrence. It is a sequel to his earlier novel The Rainbow and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist, pursues a destructive relationship with Gerald Crich, an industrialist.

David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’. Wanting to write full-time he now began work on what would become ‘Sons and Lovers'.

In this series we explore the many facets of love through literary talents that span both time and country. When two people meet, when eyes glance and lock. And we often say something ‘clicks’; ‘it feels like I’ve known you forever’. Romance begins to brew and to blossom. In this volume our masterful writers take on the task of describing and revealing the beginnings of a romance, and some may even lead to love.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"A Sick Collier". Lawrence returns in this story to the scenes of his childhood and the colliers he was brought up with. The wife in the story is probably based on his mother, although the husband is unlike the drinking, brutal father portrayed in Sons and Lovers, Lawrence's autobiographical novel. The story is a vivid portrayal of the life of a young couple when an accident strikes the husband down, but does not succeed as a short story, lacking any clear focus or message.