The Standing Chandelier: A Novella

The brilliant new novel from the Orange Prize-winning author of We Need to Talk About Kevin centres on three generations of the Mandible family as a fiscal crisis hits a near-future America. It is 2029. The Mandibles have been counting on a sizable fortune filtering down when their 97-year-old patriarch dies. Yet America's soaring national debt has grown so enormous that it can never be repaid. Under siege from an upstart international currency, the dollar is in meltdown.

Was bleibt von uns, wenn alles, was wir kannten, untergeht? Der große Roman über Verlust und Neuanfang. Die Wolken hängen schwer über der Geest, als Ingwer Feddersen, 49, in sein Heimatdorf zurückkehrt. Er hat hier noch etwas gutzumachen. Großmutter Ella ist dabei, ihren Verstand zu verlieren, Großvater Sönke hält in seinem alten Dorfkrug stur die Stellung. Er hat die besten Zeiten hinter sich, genau wie das ganze Dorf. Wann hat dieser Niedergang begonnen? In den 1970ern, als nach der Flurbereinigung erst die Hecken und dann die Vögel verschwanden?

In 1943, LSD is synthesized in Basel. Two decades later, a coterie of grad students at Harvard are gradually drawn into the inner circle of renowned psychologist and psychedelic drug enthusiast Timothy Leary. Fitzhugh Loney, a psychology PhD student, and his wife, Joanie, become entranced by the drug’s possibilities such that their “research” becomes less a matter of clinical trials and academic papers and instead turns into a freewheeling exploration of mind expansion, group dynamics, and communal living.

A Gentleman in Moscow immerses us in an elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel's doors.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?