
The Spellshop
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Gesprochen von:
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Caitlin Davies
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Von:
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Sarah Beth Durst
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Perfect for fans of Travis Baldree and TJ Klune, The Spellshop by Sarah Beth Durst is a cosy fantasy tale full of stolen spellbooks, unexpected friendships, sweet jams and even sweeter romance.
‘This book was like sitting in the sun . . . A warm, peaceful delight of a novel’ – Katherine Arden, author of The Bear and the Nightingale
Every home needs a little magic . . .
Kiela has always had trouble dealing with people, and as librarian at the Great Library of Alyssium, she hasn’t had to.
She and her assistant Caz, a sentient spider plant, have spent most of the last eleven years sequestered among the empire’s precious spellbooks, protecting the magic for the city’s elite. But a revolution is brewing, and when the library goes up in flames Kiela and Caz steal whatever books they can and flee to the faraway island where she grew up. But to her dismay, in addition to a nosy – and very handsome – neighbour, she finds the town in disarray.
The empire has slowly been draining power from the island, and now Kiela is determined to make things right. But opening up her own spellshop comes with its own risks – the consequence of sharing magic with commoners is death. And as Kiela starts to make a place for herself among the townspeople, she realizes she must break down the walls she has kept so high . . .
From award-winning author Sarah Beth Durst, The Spellshop is a cottagecore cosy fantasy following a woman’s unexpected journey through the low-stakes market of illegal spell-selling and the high-risk business of starting over.
All potential, barely any fulfillment. Meh writing. I was shocked to find out this wasn’t a leaked work-in-progress, not yet meant for public consumption…
Instead of allowing a plot to unfold, we spend pages upon pages being told backstories or various (even minor) characters. I don’t know why it’s called The Spellshop when she only sells a spell once or twice. The librarian angle also fell short for me.
To make matters worse, whenever anything started to happen, the next sentence immediately assuaged the reader—sometimes literally spelling it out (no pun intended)—that it would be fine. I came for low stakes, but there still needs to be some tension, something to engage with. Not just people telling backstory! It made me furious. Especially because there was no subtlety to anything.
The female protagonist’s attitude of “meeee? He couldn’t possibly like silly little ol’ me, I’m such a klutz, a wallflower librarian and he’s BIG and STRONG” drove me up the wall. It’s not 2005. Please. There are plenty of ways to convey the same thing. (Also her jealousy of the rescued person? 🤬🤬🤬)
Lastly, I felt like the divide between animal/creature and human poorly defined, which made several scenes feel very icky as humans would be in charge of certain non-humans. The power dynamic felt gross.
OH, and then there’s vivid backstory of abuse, murder and suicide??? WTF?
Overall, I’m extremely bummed out.
Letdown
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