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Oliver Sacks widmet sich in seinem neuen Werk dem Zusammenhang von visueller Wahrnehmung und Bewusstsein. Es gelingt ihm wieder, komplexe Dinge verständlich zu beschreiben. Das Außergewöhnliche: Sacks schildert, wie er selbst 2005 an einem bösartigen Tumor im Auge erkrankte. Er berichtet vom Leben mit dem Krebs und dem Verlust seiner visuellen Fähigkeiten. Doch er entdeckt auch "positive" Phänomene: milde Illusion, Halluzinationen, Veränderungen in der Wahrnehmung von Farben und Umrissen.

Oliver Sacks' The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents.

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

As with his previous best seller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world and how we relate to those around us. Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre - patients for whom disorientation and alienation but also adaptation are inescapable facts of life.

Radiant Minds: The World of Oliver Sacks investigates consciousness, the brain, and the human experience, drawing inspiration from works by the neurologist and beloved author Oliver Sacks. Oliver cared for people with misunderstood neurological conditions at a time when many in the medical community had turned their backs on them.

In this extraordinary audiobook, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognise everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with uncanny artistic or mathematical talents. If inconceivably strange, these brilliant tales illuminate what it means to be human.

Album, Promotion, Tour. Beinahe zwanzig Jahre lang bestimmt die Dynamik des Musikbetriebs Judith Holofernes' Leben. In dieser Zeit wird sie, mit Wir sind Helden und ihrem Soloprojekt, zu einer der bekanntesten und prägendsten Sängerinnen ihrer Generation. In ihren autobiografischen Texten blickt sie jetzt zurück - und zeigt sich als feinsinnige Erzählerin. Mit großer Klarheit und Zartheit und dem ihr eigenen Witz schreibt Holofernes über Fluch und Segen des frühen Erfolgs der Helden; über die Vereinbarkeit von Familie und Frontfrausein.

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does - humans are a musical species.

Have you ever seen something that wasn't really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Dr Oliver Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organisation and structure of our brains, how they have influenced every culture's folklore and art and why the potential for hallucination is present in us all, a vital part of the human condition.

Hailed as a medical classic, and the subject of a major feature film as well as radio and stage plays and various TV documentaries, Awakenings by Oliver Sacks is the extraordinary account of a group of 20 patients. Rendered catatonic by the sleeping-sickness epidemic that swept the world just after the First World War, all 20 had spent 40 years in hospital - motionless and speechless; aware of the world around them but exhibiting no interest in it - until Dr Sacks administered the then-new drug L-DOPA, which caused them, temporarily, to awake from their decades-long slumber.

"El hombre que confundió a su mujer con un sombrero" se convirtió inmediatamente en un clásico y consagró a Oliver Sacks como "uno de los grandes escritores clínicos del siglo" (The New York Times). En este audiolibro, Oliver Sacks narra veinte historiales médicos de pacientes perdidos en el mundo extraño y aparentemente irremediable de las enfermedades neurológicas. Se trata de casos de individuos, aquejados por inauditas aberraciones de la percepción que han perdido la memoria, y con ella, la mayor parte de su pasado.

In several of the compassionate case histories collected here, Sacks considers for the first time the enigmas of depression, psychosis, and schizophrenia, and in others he returns to conditions that have long fascinated him: Tourette’s syndrome, ageing, dementia and hallucinations. In counterpoint to these elegant investigations of what makes us human, this volume also includes pieces that celebrate Sacks’s love of the natural world – and his last meditations on life in the 21st century. Everything in Its Place gives us an intimate portrait of a master writer and thinker at work.

"Ein Hirn zu haben und es auch zu benutzen, ist keine Schande und schadet nicht einmal dem Klima." Wann genau hat sich der Verstand eigentlich in den Urlaub verabschiedet? Und wieso ist unser schönes Gehirn so eine verdammt faule Sau geworden? Wenn man das am rechten Rand immer lauter werdende politische Geschehen verfolgt, sich in sozialen Netzwerken bewegt oder die belanglos bumsbanalen Reality-Formate im TV anschaut, könnte einen die blanke Verzweiflung packen. Es scheint, als hätte die kollektive Blödigkeit endgültig gewonnen und der spießigen Vernunft lachend die Beine weggetreten.

Dr. Oliver Sacks argues the migraine cannot be understood simply as an illness, but must be viewed as a complex condition with a unique role to play in each individual's life.

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the capacity to recognise faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world - and The Mind’s Eye is testament to the myriad ways that we, as humans, are capable of rising to this challenge.

In The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience and the arts and calls upon his great scientific and creative heroes - above all, Darwin, Freud and William James. For Sacks these thinkers were constant companions from an early age; the questions they explored - the meaning of evolution, the roots of creativity and the nature of consciousness - lie at the heart of science and of this audiobook.

To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.

Long before Oliver Sacks became a distinguished neurologist and best-selling writer, he was a small English boy fascinated by metals - also by chemical reactions (the louder and smellier the better), photography, squids and cuttlefish, H.G. Wells, and the periodic table. In this endlessly charming and eloquent memoir, the he chronicles his love affair with science and the magnificently odd and sometimes harrowing childhood in which that love affair unfolded.

Oliver Sacks' compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people. He explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right....

Una serie di casi clinici che ha lo stesso fascino delle Mille e una notte. Con straordinaria empatia e umanità, Sacks racconta le strane storie di pazienti neurologici che hanno perduto un pezzo della loro vita o una parte costitutiva del sé. Come il musicista che carezza distrattamente gli idranti credendo che siano teste di bambini. O il marinaio che è convinto di vivere nel 1945. Il viaggio di un nuotatore "in acque sconosciute, dove può accadere di dover capovolgere le solite considerazioni, dove la malattia può essere benessere e la normalità malattia."