Ergebnis gesprochen von "Carolina Hoyos" in Alle Kategorien

Fairy tales have been spun for thousands of years and remain among our most treasured stories. Weaving fresh tales with unexpected reimaginings, At Midnight brings together a diverse group of celebrated YA writers to breathe new life into a storied tradition. 

Our Red Book takes us through stories of first periods, last periods, missing periods, and everything about bleeding that people wish they had been told. Weaving together powerful voices—from teenagers, midwives, Indigenous scholars, Olympic athletes, incarcerated writers, disoriented fathers, elected leaders who fought to make period products free, friends transitioning genders, grandmothers, and lovers—the book invites us on a collective journey of growth and change, with Rachel’s own voice as a guide.

Growing up with a kind but alcoholic father and a suspicious, passive-aggressive mother, the Bernal sisters each developed their own way of coping: Dulcina had her art and drugs and alcohol, Claudia plunged into her studies and fled to Princeton, and Maritza watched one Disney movie after another in between devouring romance novels. Now all grown up, the sisters are reunited at last for Maritza’s dream wedding. With all three Bernal sisters back in their East L.A. home, each begins to take steps to come to terms with each other, their parents, and secrets from their shared past.

For the past five decades Ms. has been the nation’s most influential source of feminist ideas, and it remains at the forefront of feminism today, affecting thought and culture with a younger-than-ever readership (ages 16-20!). Here are essays, profiles, conversations with and features by: Alice Walker, Cynthia Enloe, Pauli Murray, Nancy Pelosi, bell hooks, Eleanor Holmes Norton, Brittney Cooper, and Joy Harjo, as well as fiction and poetry by Toni Morrison, Joyce Carol Oates, Adrienne Rich, Rita Dove, and Sharon Olds, and many others.

In a world with an uncertain future, do you imagine for the best or for the worst case scenario? Twelve writers tackle extreme solarpunk utopias and apocalyptic or political dystopias—and the gray areas in between—in Biketopia, the fourth volume of the Bikes in Space series of feminist science fiction stories about bicycling. Some find love and fierce resistance in the end times; others imagine an ecological future of saving technology, with solarpunk ecotopian visions, at times paired with crushing social control.

Kate Burns grows up wanting attention from her Ma, but her Ma wants only money and Kate learns how to get both. She and her childhood friend, Lacey, run kissing lessons for cash in the janitor’s closet of Fenbrook High, and just like that, they find themselves in the sex work industry. From there, they go on to work at The Purple Panther, a strip club in Auckland. When Ma dies of cancer, Kate discovers that the men her Ma was always inviting over to their home were, in fact, clients. Ma was no stranger to sex work either.

In stories that evoke the haunting beauty of New England beaches and resonate with a bittersweet loneliness, Romero blurs the lines between life and death, reality and fantasy. A deceased woman counsels her son’s fiancée on how to be a good wife to him, with disastrous consequences. A mysterious cat appears in a young woman’s home, as inexplicable as the demise of her years-long relationship with her boyfriend. At turns humorous, sorrowful, and whimsical, this collection spans the familiar setting of a college town supermarket to eerie dystopias that are not just post-pandemic, but post-art.

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land's indigenous past, even as she’s escaping her own. While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown 15 years ago. Though she swore she’d never go back, the past comes calling. When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home.

When you think about the beginning of the American story, what comes to mind? Three ships in 1492, or perhaps buckled hats and shoes stepping off of the Mayflower, ready to start a new country. But the truth is, Christopher Columbus, the Pilgrims, and the Colonists didn't arrive to a vast, empty land ready to be developed. They arrived to find people and communities living in harmony with the land they had inhabited for thousands of years, and they quickly disrupted everything they saw.

Give Canada's Master Warrant Officer Jenny Casey an inch and she'll take a galaxy. That's just the kind of person a world on the brink of destruction needs. The year is 2063, and Earth has been brutalized. An asteroid flung at Toronto by the PanChinese government has killed tens of millions and left the equivalent of a nuclear explosion in its wake. Humanity must find another option . . .