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Miranda Fenster was known as the Fairy Tale Miss during the one disastrous London season that convinced her she would never have a happily-ever-after. But when her brother's love match is thwarted by the impossibly proper Duke of Kerstone, Miranda sets off to convince the duke to champion her brother's cause for love. Unfortunately, he is too proper to consider love a suitable reason for marriage, and too proper not to marry Miranda when they find themselves compromised.

Elizabeth and Richard want nothing more than a quiet, romantic honeymoon - with a touch of literary charm. So they have chosen the Shakespeare Festival in Ashland, Oregon. Perfection. Until they find that Desdemona's brilliantly acted death scene wasn't acted and Elizabeth's costume designer sister and her actress roommate are terrified that they are slated to be the next victims.

The Shadow of Reality was based on a murder weekend my husband and I attended at Mohonk Mountain House high in the Hudson River Valley in New York and uses my love of the work of Dorothy L. Sayers as a background. When the play-acting embroils Elizabeth in a real murder the lines between reality and fantasy blur dangerously.

The boy-king Arthor has beaten back the berserker wolf warriors of the Saxon god, uniting his island kingdom - but at a terrible cost. For the Grail, the chalice of the Last Supper and the magical shield of Britain, has been stolen. Without the Grail's protection, Britain lies parched and barren, a demon-haunted landscape where sulfurous vapors taint the air. To find the Grail, Arthor's mother, Ygrane, must strike a dark bargain with Bright Night, elf-prince of the "pale people", in the hollow hills.

It's too late for Emily to back out of her wedding, even though she's pretty sure she'll regret it if she says "I do." The groom is just as reluctant - and their respective fathers seem to be the only ones who think the wedding is a good idea. Will Harry and Emily make it to the altar?