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H.G. Wells, Begründer der modernen Science-Fiction-Literatur, schickt uns in "Das rote Zimmer", das von einem unheimlichen Geist bewohnt wird. Apokalyptische Zustände beschreibt "Das Haus des Wurms", dessen Kult allein durch Willenskraft den Tod über die Menschheit bringen lässt. Das "Telegramm in der Nacht" berichtet über gespenstische Vorgänge aus einer Stadt, die es gar nicht gibt.

This is the story of our quest to understand the most mysterious object in the universe. Today we tend to picture the brain as a computer. Earlier scientists thought about it in their own technological terms: as a telephone switchboard, or a clock, or all manner of fantastic mechanical or hydraulic devices. Could the right metaphor unlock the brain's deepest secrets once and for all? Galloping through centuries of wild speculation and ingenious, sometimes macabre anatomical investigations, scientist and historian Matthew Cobb reveals how we came to our present state of knowledge.

Our sense of smell - or olfaction as it is technically known - is our most enigmatic sense. It can conjure up memories, taking us back to very specific places and emotions, whilst powerful smells can induce strong feelings of hunger or nausea. In the animal kingdom smell can be used to find food, a mate, or a home; to sense danger; and to send and receive complex messages with other members of a species. Yet despite its fundamental importance in our mental life and in the existence of all animals, our scientific understanding of how smell works is limited.

A new gene editing technology, invented just seven years ago, has turned humanity into gods. Enabling us to manipulate the genes in virtually any organism with exquisite precision, CRISPR has given scientists a degree of control that was undreamt of even in science fiction. But CRISPR is just the latest, giant leap in a long journey to master genetics. The Genetic Age shows the astonishing, world-changing potential of the new genetics and the possible threats it poses, sifting between fantasy and the reality when it comes to both benefits and dangers.

In 2018, scientists manipulated the DNA of human babies for the first time. As biologist and historian Matthew Cobb shows in As Gods, this achievement was one many scientists have feared from the start of the genetic age. Four times in the last fifty years, geneticists, frightened by their own technology, have called a temporary halt to their experiments. They ought to be frightened.

Home to all things basketball. We love basketball and talking, so why not talk about basketball?

Recognizing that a historic study of American racism and police violence should become part of today's canon, Jelani Cobb contextualizes it for a new generation.

Francis Crick was a restless, relentless thinker, as fascinated by Beat poetry and psychedelics as the genetic meaning of life and the inner workings of the brain. Yet for all his drive, he was driven by collaboration: with Jim Watson on DNA, with artists in Cambridge and California, and with his wife Odile, who drew the figure of the double helix that illuminated his most famous discovery. It was his debates and conflicts with these collaborators that powered a mind in motion.

What are the moments that make a life? In Francis Crick’s, the decisive moment came in 1951, when he first met James Watson. Their ensuing discovery of the structure of DNA made Crick world-famous. But neither that chance meeting nor that discovery made Crick who he was. As Matthew Cobb shows in Crick, it is another chance encounter, with a line from the writing of Beat poet Michael McClure, that reveals Crick’s character: “THIS IS THE POWERFUL KNOWLEDGE,” it shouted. Crick, having read it, would keep it with him for the rest of his life.