Ergebnis von "Abdulrazak Gurnah" in Alle Kategorien

Restless, ambitious Ilyas was stolen from his parents by the Schutzruppe askari, the German colonial troops; after years away, he returns to his village to find his parents gone and his sister, Afiya, given away. Hamza was not stolen but was sold; he has come of age in the army, at the right hand of an officer whose control has ensured his protection but marked him for life. Hamza does not have words for how the war ended for him. Returning to the town of his childhood, all he wants is work, however humble and security - and the beautiful Afiya.

Sansibar in den frühen 1950er-Jahren: Inmitten politischer Umwälzungen und Aufständen gegen die Kolonialherren wachsen die Geschwister Amin, Rashid und Farida auf. Amin, der Mittlere der Brüder, verliebt sich in Jamila, doch beider Leidenschaft zerbricht schon bald am Widerstand seiner Familie und Gerüchten um die Vergangenheit der jungen Frau. Es heißt, ein Fluch liege auf ihrer Verwandtschaft. Im Strudel der Revolution trennen sich die Lebenswege der Geschwister. Rashid beginnt ein Studium in London, das Schicksal von Amin und Jamila lässt ihn aber selbst in der Ferne nicht los.

Born in East Africa, Yusuf has few qualms about the journey he is to make. It never occurs to him to ask why he is accompanying Uncle Aziz or why the trip has been organised so suddenly, and he does not think to ask when he will be returning. But the truth is that his ‘uncle' is a rich and powerful merchant and Yusuf has been pawned to him to pay his father's debts. Paradise is a rich tapestry of myth, dreams and Biblical and Koranic tradition, the story of a young boy's coming of age against the backdrop of an Africa increasingly corrupted by colonialism and violence.

Ein weiteres Werk des Nobelpreisträgers für Literatur 2021 - erstmals zum Hören. Es ist ein später Novembernachmittag, als Saleh Omar auf dem Flughafen Gatwick landet. In einer kleinen Tasche, dem einzigen Gepäck, das der Mann aus Sansibar bei sich trägt, liegt sein wertvollster Besitz: eine Mahagonischachtel mit Weihrauch. Eben noch war Omar Inhaber eines Geschäftes, er besaß ein Haus, war Ehemann und Vater. Jetzt ist er ein Asylbewerber, und Schweigen ist sein einziger Schutz.

Gurnahs bewegender Coming-of-Age-Roman über Verrat und Migration als Hörbuch. Salim ist sieben und ein kleiner Träumer. Sein Leben ruht auf einigen scheinbar unerschütterlichen Säulen: der täglichen Routine von Schule und Koranunterricht, den geliebten Büchern und seinem angebeteten Onkel, der sich ihm – anders als sein Vater – nicht ständig entzieht. Aber es sind die 1970er-Jahre und folglich keine guten Zeiten für Träumer, denn der Geist des Wandels fegt über Sansibar.

It is the 1990s. Growing up in Zanzibar, three very different young people – Karim, Fauzia and Badar – are coming of age, and dreaming of great possibilities in their young nation. But for Badar, an uneducated servant boy who has never known his parents, it seems as if all doors are closed. Brought into a lowly position in a great house in Dar es Salaam, Badar finds the first true home of his life – and the friendship of Karim, the young man of the house. Even when a shattering false accusation sees Badar sent away, Karim and Fauzia refuse to turn away from their friend.

Abdulrazak Gurnah erzählt klug, mit Wärme und Humor aus dem heutigen Leben junger tansanischer Weltbürger – gelesen von Richard Barenberg Tansania, heute. Drei junge Menschen wachsen hier auf: Karim, der nach seinem Studium mit Ehrgeiz und großen Ideen in seine verschlafene Heimatstadt Daressalam zurückkehrt. Fauzia, die in Karim nicht nur ihren geliebten Partner, sondern auch die Chance sieht, einer allzu behüteten Kindheit zu entkommen.

Ilyas ist elf, als er aus Not sein bitterarmes Zuhause an der ostafrikanischen Küste verlässt und von einem Soldaten der deutschen Kolonialtruppen zwangsrekrutiert wird. Jahre später kehrt er in sein Dorf zurück, doch seine Eltern sind tot. Ilyas macht sich auf die Suche nach seiner kleinen Schwester Afiya, die bei Verwandten untergekommen ist, wo sie wie eine Sklavin gehalten wird und niemand ihre Talente sehen will. Auch ein anderer junger Mann kehrt nach Hause zurück.

Der Literaturnobelpreisträger von 2021 erstmals als ungekürzte Lesung. Sansibar, Ende des 19. Jahrhunderts: Der zwölfjährige Yusuf lebt mit seiner Familie im ländlichen Ostafrika. Als der Vater sich verschuldet, wird der Junge an einen Gläubiger verkauft, an "Onkel Aziz". Von einem Tag auf den anderen landet er in der Stadt, zwischen afrikanischen Muslimen, christlichen Missionaren und Indern vom Subkontinent.

For seven-year-old Salim, the pillars upholding his small universe—his indifferent father, his adored uncle, his treasured books, the daily routines of government school and Koran lessons—seem unshakeable. But it is the 1970s, and the winds of change are blowing through Zanzibar: Salim’s father is gone, and the island convulses with violence and corruption the wake of a revolution. It will only be years later, making his way through an alien and hostile London, that Salim will begin to understand the shame and exploitation festering at the heart of his family’s history.

Early one morning in 1899, in a small town along the coast from Mombasa, Hassanali sets out for the mosque. But he never gets there, for out of the desert stumbles an ashen and exhausted Englishman who collapses at his feet. That man is Martin Pearce—writer, traveller and something of an Orientalist. After Pearce has recuperated, he visits Hassanali to thank him for his rescue and meets Hassanali's sister Rehana; he is immediately captivated.

On a late November afternoon Saleh Omar arrives at Gatwick Airport from Zanzibar, a far away island in the Indian Ocean. With him he has a small bag in which lies his most precious possession - a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise; silence his only protection. Meanwhile Latif Mahmud, someone intimately connected with Saleh's past, lives quietly alone in his London flat. When Saleh and Latif meet in an English seaside town, a story is unravelled.

Dear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don’t really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you. Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination.

Poverty and depravity wreak havoc on Hassan Omar’s family. Amid great hardship he decides to escape. The arrival of independence brings new upheavals as well as the betrayal of the promise of freedom. The new government, fearful of an exodus of its most able men, discourages young people from travelling abroad and refuses to release examination results. Deprived of a scholarship, Hassan travels to Nairobi to stay with a wealthy uncle, in the hope that he will release his mother’s rightful share of the family inheritance.

Cuando todavía era un niño, Ilyas les fue arrebatado a sus padres por las tropas coloniales alemanas; tras años de ausencia y de batalla contra su propio pueblo, regresa a la ciudad de su infancia, donde sus padres han desaparecido y su hermana Afiya ha sido dada en adopción. Otro joven regresa al mismo tiempo: a Hamza no lo robaron para que combatiera, sino que lo vendieron. Con tan sólo sus ropas a la espalda, se limita a buscar trabajo y seguridad... y el amor de la hermosa Afiya.

Abbas has never told anyone about his past; about what happened before he was a sailor on the high seas, before he met his wife Maryam outside a Boots in Exeter, before they settled into a quiet life in Norwich with their children, Jamal and Hanna. Now, at the age of sixty-three, he suffers a collapse that renders him bedbound and unable to speak about things he thought he would one day have to.

He thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that. Things do not happen quite as he imagined—the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return, he spins stories of his home and keeps her a secret from his family. Twenty years later, the barriers come down in Zanzibar and he is able and compelled to go back.

Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah’s “breakthrough” work. It is at once the chronicle of an African boy’s coming-of-age, a tragic love story, and a tale of the corruption of African tradition by European colonialism.

At the turn of the twenty-first century, three young people come of age in Tanzania. Karim returns to his sleepy hometown after university with new swagger and ambition. Fauzia glimpses in him a chance at escape from a smothering upbringing. The two of them offer a haven to Badar, a poor boy still unsure if the future holds anything for him at all. As tourism, technology, and unexpected opportunities and perils reach their quiet corner of the world, bringing, each arrives at a different understanding of what it means to take your fate into your own hands.

Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history—or the abuse her ancestors suffered as they made their home in Britain. At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs.