Ergebnis von "Virginia Woolf" in Alle Kategorien

En Lunes o Martes, Virginia Woolf nos transporta a un mundo introspectivo y fluido, utilizando su distintivo estilo de escritura. El relato sigue el vuelo errático y simbólico de una garza, que sirve como metáfora de la búsqueda de claridad y verdad en medio del caos cotidiano. A través de breves viñetas, la narración capta fugaces momentos de la vida en Londres, explorando la intersección entre la percepción subjetiva y la realidad objetiva.

Virginia Woolf nos revela en esta obra, básicamente, la evolución de su pensamiento feminista en relación con la literatura. El libro empieza planteándonos una pregunta: ¿Qué necesitan las mujeres para escribir buenas novelas? La respuesta la irá plasmando y argumentando a través de la exposición de situaciones diferentes, en ocasiones inventadas o supuestas, donde predominarán las mujeres. La conclusión final es que para que las mujeres escriban buenas novelas necesitan independencia económica y personal, es decir, una habitación propia.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

A Room of One's Own è un saggio della celebre autrice inglese Virginia Woolf. Fu pubblicato nel 1929 e si è basato su due conferenze tenute a ai due college femminili di Newnham e Girton, dell'Università di Cambridge, nel 1928. Il saggio, scorrevole e brillante, ripercorre la storia della scrittura nelle donne, e la storia delle donne, e la storia della scrittura. Pertanto è rivolto, oltre che alle donne, anche a tutti coloro che vogliono scrivere.

The Best of Women's Short Stories, Volume 2 is a celebration of iconic female writers from the 19th and 20th centuries; featuring eight full-length stories relating the many experiences and complexities of womanhood. This collection brings together stories by Katherine Mansfield, Mary Shelley, Elizabeth Gaskell, Kate Chopin and Jane Austen.

"Kew Gardens" is a short story by the English author Virginia Woolf. It was first published privately in 1919, then more widely in 1921 in the collection Monday or Tuesday, and subsequently in the posthumous collection A Haunted House (1944). Originally accompanying illustrations by Vanessa Bell, its visual organisation has been described as analogous to a post-impressionist painting.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

Jacob’s Room was written in 1922 and is Virginia Woolf’s third novel; the first in which she made a radical shift from the established style of prose narrative writing and began experimenting with the modernist "stream of consciousness style" now so firmly associated with her work and that so shook the literary establishment. Jacob’s Room is overwhelmingly centered around feelings of absence and emptiness and is a collection of memories and sensations that chart the life of Jacob Flanders, largely observed through the eyes of others.

In this beautifully evocative essay, Virginia Woolf transforms a simple errand—a trip to buy a pencil—into a mesmerizing exploration of city life, memory, identity, and the quiet drama of everyday existence. As she drifts through the winter streets of London, Woolf captures fleeting moments, passing faces, and the rhythm of urban solitude with her signature lyricism and insight.

Ante la enormidad de la vida, con sus largos años y su final que pareciera que nunca llegará, ¿qué nos motiva a vivirla? Cuando un viaje prometido de una madre a un hijo se ve aplazado en el tiempo, movida desde el futuro cercano a la perpetuidad, ¿Qué se siente saber que el viaje nunca llegará? La residencia Ramsay conocerá la muerte y la pérdida a medida que venga. Son aspectos inseparables de la vida, pero a la vez lo son el amor y la euforia de conocerse a sí mismo en el transcurso de los años.

The selections in this collection include classic short stories "Bartelby the Scrivener" by Herman Melville, "The Truth About Pyecraft" by H. G. Wells, "The Angel Child" by Stephen Crane, "A Journey" by Edith Wharton, "Phyllis and Rosamond" by Vriginia Woolf, and "The Flight of Betsey Lane" by Sarah Orne Jewett.

A party of English people is aboard the Euphrosyne, bound for South America. Among them is Rachel Vinrace, a young girl, innocent and wholly ignorant of the world of politics and society, books, sex, love and marriage. She is a free spirit half-caught, momentarily and passionately, by Terence Hewet, an aspiring writer who she meets in Santa Marina. But their engagement is to end abruptly, and tragically. Virginia Woolf's first novel, published in 1915, is a haunting exploration of a young woman's mind.

Essays on London provide an acute and perceptive insight into early twentieth century city life. Including profound meditations on the rhythm of life on Oxford Street and the consumerism that drives it, vivid descriptions of the epic cathedrals that pave the streets and the place of religion in contemporary society, and an intimate sketch of a charming woman who is a Londoner to her core, these eloquent snapshots of the city are told with Woolf’s trademark intimacy and self-awareness.

At its heart is Rachel Vinrace, a young woman embarking on a sea voyage that becomes a profound exploration of identity, love, and the fragile boundaries between freedom and convention. Through innovative prose and keen psychological insight, Woolf captures both the beauty and unease of the human experience. By turns satirical, poignant and quietly devastating, The Voyage Out is an extraordinary meditation on youth, society and purpose.

Moments of Being was written by Virginia Woolf at various periods of her life and with various personal intentions, which explore Woolf's relationship with her past.

“A Room of One’s Own” is one of Virginia Woolf’s most influential works and a cornerstone of the feminist movement. In this brilliant essay, Woolf explores the limitations faced by women in the early 20th century, using captivating prose and the poetic style characteristic of a novelist. She compellingly argues that the lack of financial independence and a private space are key barriers preventing women from fully developing their literary talents

Conversations happen everywhere. A few words to pass the time or a detailed examination of views. But on trains they seem to be different. Speaking whilst in motion gives the whole discussion a momentum that often takes us into uncharted territory.

To be a woman is to be half the world’s population but, in many countries, unfortunately still now and for most of history, women were decidedly second class, normally no more than chattels and the bearers and nurturers of children. As society involved into a complex and overlapping system where education and equality begin to seek space things began to change. In this volume our authors describe and reveal how life actually felt for almost all women before the recent past.