Ergebnis von "Sarah Orne Jewett" in Alle Kategorien

The selections in this collection include classic short stories "Bartelby the Scrivener" by Herman Melville, "The Truth About Pyecraft" by H. G. Wells, "The Angel Child" by Stephen Crane, "A Journey" by Edith Wharton, "Phyllis and Rosamond" by Vriginia Woolf, and "The Flight of Betsey Lane" by Sarah Orne Jewett.

The Country of the Pointed Firs by Sarah Orne Jewett, is an 1896 novella and early example of the regionalism genre with its sketches of the fictional fishing village of Dunnet Landing in Maine. The narrator is a woman from Boston who returns to the small coastal town after a brief earlier visit, in order to finish writing her book. She rents an empty schoolhouse with a panoramic view of Dunnet Landing, which serves as a focus of narrative consciousness. 

American novelist and short-story writer Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was known for her "local color" works set in or near South Berwick, Maine, which in in the 19th century was a New England seaport in decline. This gentle, often comic collection includes: "A White Heron", "The Dulham Ladies", "The Guests of Mrs. Timms", "Miss Peck's Promotion", "Miss Tempy's Watchers", and "The Town Poor".

This superlative work by Sarah Orne Jewett, a late 19th century writer, shows great literary skill, artistry and charm. The Country of the Pointed Firs depicts the close personal and family relationships in a small New England village. In its appreciation of the natural beauty and restorative powers of a small community, it is similar to Thoreau's Walden.

Special effort was made to capture the dialect in these seven gems carefully lifted from the treasures of life in New England at the turn of the century.

A young painter visits a small community off the coast of Maine. Besides a complicated romance, we are privy to a young man's inner growth and uncertainty as a budding artist. The author's gift of giving local color to the various family and neighborhood scenes gives a charming backdrop to a tender love story.

In this collection of four short stories, 19th-century writer Sarah Orne Jewett explores the theme of female friendship. Tana Hicken brings authenticity to the New England towns in which each story is set. The skillful reading and vivid descriptions conjure images of strong country women living simple, inspirational lives. In "Martha's Lady", the listener's own chest nearly fills with pride as Martha is inspired by a visitor's kind words. 

Sarah Orne Jewett is best known for her clean and clear descriptive powers that at once elevate common place daily events to something remarkable, and lend dignity and grace to the most humble and homely human character. In "Deephaven", go with her on vacation to an unforgettable seaside village where time runs slower and small pleasures are intensified. Much space is given to outdoor rambles and sights and events of daily living that draw you into another era.

With humor and compassion we enter the world of a small seacoast village located in northern Maine, where courage and caring are beautifully exemplified.

Published in 1884, Sarah Orne Jewet's first novel, A Country Doctor, is a luminous portrayal of rural Maine and a semiautobiographical look at her world. In it, Nan's struggle to choose between marriage and a career as a doctor, between the confining life of a small town and a self-directed one as a professional, mirrors Jewett's own conflicts as well as eloquently giving voice to the leading women's issues of her time.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Originally published in 1886, the nine stories in this collection encapsulate Sarah Orne Jewett’s love and reverence for nature; her affinity for understanding complex, nuanced, and often strained relationships; and—just as her father encouraged her—her ability to write not about things, but to “write the things themselves just as they are.”