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Unlike other biographies, the Making of America series goes beyond individual narratives, linking influential figures to create an overarching story of America's growth that will deepen understanding of the country we live in today.

Much has been written about the anatomy of revolution from Edmund Burke to Crane Brinton Crane, Franz Fanon, and contemporary theorists of revolution found in the modern academy. Yet what is missing is a dissection of the revolutionary minds that destroyed the old for the creation of a more harmful new. Revolutionary Monsters presents a collective biography of five modern-day revolutionaries who came into power calling for the liberation of the people only to end up killing millions of people in the name of revolution.

As modern-day demonstrations of vintage baseball continue to spread, so do the gentlemanly discussions of how best to present the American pastime from its earliest days, from 1858 to 1869. From tally bells to no sliding, feeder pitching to base stealing, National Association rules to home field rules, there is a lot for today’s player to sort through. We hope this guide will help you understand some of baseball history, so you, too, can enjoy the game as it was played in the 19th century.

In "The Skull", a convict is offered his freedom if he agrees to travel back in time and kill someone. He learns that the assassination target was the founder of a religious sect that grew in strength and influence from its inception in 1960. Carrying his target's skull so he can identify the religious leader, the convict comes to learn a terrible secret about why he was chosen to find its owner.

In "The Crystal Crypt", Earth and Mars are poised on the verge of war. On the last spaceship to leave Mars for Earth, law enforcement officials are looking for three fugitives who somehow made a great Martian city disappear. Unable to find the perpetrators, the officials allow the ship to disembark for Earth. A businessman named Thacher strikes up a conversation with a young woman and two men who reveal a very interesting secret to him about the mysterious case.

In The Defenders, the Soviet and American survivors of a nuclear holocaust have created vast underground tunnels, so as to continue the war on the surface via remote control robots. When a robot from the surface is found not to be radioactive, a team of American scientists returns topside to investigate this anomaly. Expecting to see massive devastation, the scientists are unprepared for the shocking truth that awaits them.

In "The Hanging Stranger", TV salesman Ed Loyce is a practical man who, when he sees something wrong, tries to correct it. Then one day he sees a lifeless body hanging in the town square. What he can't figure out is why nobody seems to care.

In Mr. Spaceship, humans in the distant future are at war with alien life forms known as Yuks. Using outdated mechanical machines to wage war against the life-based weapons of the advanced Yuks, a research team decides to build a spaceship powered by a human brain. Enlisting a dying professor who agrees to donate his brain to the project, the humans believe they have turned the tables on the Yuks. But the spaceship has other plans.

In "Piper in the Woods", an army doctor is asked to treat a soldier from Asteroid Y-3 who claims he is a plant. This wouldn't be a problem, but the soldier is incapable of any physical activity, preferring to stand still and point himself towards the sun. When more soldiers return from Asteroid Y-3 also claiming to be plants, Dr. Harris travels there to investigate. While there, he learns about a mysterious indigenous people living in the woods called "Pipers", who might be able to shed some light on the subject.

In "The Gun", a group of space explorers are shot down above a deserted planet. While some of the crew work on repairing the ship, the remainder set out to investigate the planet. Otherwise unpopulated, they discover the huge gun that shot them down sitting atop a trove of cultural artifacts from a bygone civilization. What harm could come of dismantling the gun and taking a few of the artifacts home with them?

Ten-year old Tony Rossi, an Earthman growing up on Betelgeuse, becomes aware that the natives, known as the "Pas-Udeti", are driving out the Earthmen colonists on nearby Orion. His father, a staunch believer in the superiority of Earthmen, describes Tony's native friends as "Beetles". A trip into town to meet his native friends leads to awkward encounters with a Pas-Udeti cab driver and a fellow bus passenger.

In "Beyond the Door", a man buys a cuckoo clock for his wife who has always wanted one. When he catches her cheating on him, the man throws his wife out of the house with her lover. Though he never really cared for the clock, he keeps winding it because he dislikes the silence. But the cuckoo clock, who preferred the wife's company, begins to plot against its owner.

In "Beyond Lies the Wub", the crew of a spaceship buys a "wub", a large pig-like animal from a native martian to eat on the way home. The Wub turns out to be a sentient being capable of intelligent conversation, empathy, and possibly telepathy and mind control. When a crew member converses with the remarkable Wub, the captain makes a rash and violent decision that could put the return mission in danger.

First published in an 1844 literary annual The Gift: A Christmas and New Year's Present for 1845, "The Purloined Letter" is the third and final story that features Poe's detective, C. Auguste Dupin. In it, Dupin is approached by the prefect of the police to help with a case that involves a stolen letter containing compromising information.

First published in an 1842 literary annual The Gift: A Christmas and New Year's Present for 1843, "The Pit and the Pendulum" takes place during the Spanish Inquisition and follows the plight of a prisoner in a cell that has a pit and a pendulum. Unlike many of Poe's short stories, "The Pit and the Pendulum" does not rely on any supernatural elements to inspire fear but instead uses the narrator's heightened sensory experiences to do so.

First published in an 1843 edition of The Pioneer, "The Tell-Tale Heart" is one of Poe's best-known stories. In it, an unreliable narrator is increasingly troubled by the clouded eye of the old man he lives with. Similar to "The Black Cat", "The Tell-Tale Heart" focuses on the effects of mental instability, crime, and guilt.

First published in an 1849 edition of The Flag of Our Union, "Hop-Frog" is a revenge tale akin to "The Cask of Amontillado". Told from the perspective of a crippled jester who was taken from his homeland and has been abused by the king he serves, the story focuses on the revenge Hop-Frog takes after the king strikes his fellow countrywoman and performer, the dancer Trippetta.

First published in an 1843 edition of the Saturday Evening Post, "The Black Cat" tells the story of a man and his increasingly antagonistic relationship with his cat. Akin to "The Tell-Tale Heart" and "The Cask of Amontillado", "The Black Cat" investigates the psychological effects of guilt as well as the potentially destructive and violent consequences of alcoholism.

Perhaps Poe's most famous work, "The Raven" was first published in 1845 in the New York Evening Mirror. Known for its tight rhymes and rhythm and the repetitive response given by the eponymous raven - "nevermore" - the poem focuses on that raven and a forlorn man who is distraught over his lost lover, Lenore.

First published in an 1841 edition of Graham's Magazine, "The Murders in the Rue Morgue" is often cited as the first modern detective story. The first of three stories to center around C. Auguste Dupin, Poe's fictional detective, "The Murders in the Rue Morgue" involves Dupin's investigation of two women's murders. Establishing many of the tropes that would later become common to detective fiction, the story begins with an explanation of Dupin's theory of ratiocination, a concept that greatly influenced the creation of detective fiction.