Zeigt Titel in Dramatisierungen

After a Frontier village's monitoring station fails, deadly vampire Nobles return to life, swearing vengeance on the descendants of the family that defeated them three hundred years ago. The mayor of the village, hoping to save his life and that of his family, hires five vampire hunters, but as the mayor's daughter returns from the Capital, he finds that she has been targeted by five revenge driven Nobles!

Captured and sold to the Kurian-allied Maynes Conglomerate to work as a slave in the coal mines of Appalachia, Ahn-Kha is angered and appalled by the dangerous working conditions and the brutal treatment inflicted upon his fellow miners. When a protest against shortages is deliberately and bloodily suppressed, Ahn-Kha sets himself against the ruling Maynes family and sets out on a trail of vengeance through the Coal Country.

Charlaine Harris, the #1 New York Times bestselling author of the Sookie Stackhouse novels and the Harper Connelly Mysteries, and New York Times bestselling author Christopher Golden present The Cemetery Girl trilogy. She calls herself Calexa Rose Dunhill—names taken from the grim surroundings where she awoke, bruised and bloody, with no memory of who she is, how she got there, or who left her for dead. She has made the cemetery her home, living in a crypt and avoiding human contact. But Calexa can’t hide from the dead—and because she can see spirits, they can’t hide from her.

In this chilling adventure, Vampire Hunter D has been dispatched to vanquish the ancient vampiric Noble Count Braujou, guardian of an ancient buried treasure. But when a mysterious object crashes into the earth, destroying half of the northern Frontier, D faces an even more terrifying opponent—the renegade vampire Valcua, the Ultimate Noble! Having been exiled to outer space, Valcua took his entire kingdom of strange and deadly creatures with him, and swore that when the time was right they would return to have their revenge.

Après le succès fulgurant à l’audio que connaît la saga "The Sandman", considérée comme « la plus grande épopée de l'histoire des comics » par le Los Angeles Times Magazine, retrouvez l'univers fantastique et sombre des romans graphiques DC écrits par Neil Geiman dans "The Sandman : Acte III".

The death of a nameless traveller on a flight to the volcanic Hedistic islands would seem to have been natural. But when his young friend starts her own murder investigation, she uncovers a plot which threatens the safety of the entire planet....

In a village on the edge of the Frontier, D is among the warriors and mercenaries hired to defend the village from the Black Death, a notorious bandit gang. But the bandits don't arrive, and the village mayor dismisses the mercenaries. As D leaves the scene, he’s struck by "sunlight syndrome"—the deadly ailment unique to dhampirs!

Commissioned by a vampire ancient to recover the coffin containing the body of the demonic Gilzen, hated even by his own kind, D travels to a frightening mountain landscape perennially shrouded in snow. Within a castle piercing the mountainside, D discovers a group of knights tasked to protect Gilzen at any cost. It’s time for D to use all the forces and powers at his command to prevent Gilzen’s resurrection!

The Leath are fighting for their Gods, but Bethany Anne is fighting for freedom. Then, the Leath make a very fatal mistake. On another planet, the Leath dishonor the Etheric Empire's warriors and Bethany Anne unleashes her new avatar and there will be hell to pay.

After successfully opposing slavery in the pocket-universe of Ecto-Space, K9 and his Mistress are treated to a life of luxury as the revered guests of Emperor Lukor. However, a life of decadence soon pales for the travellers and after making a hurried departure, they discover a society of diseased cave dwellers who are dominated by their unseen masters who they worship as gods. Experience tells the Mistress and K9 that things are not all that they seem, and in a bid to unearth the truth, they place themselves in deadly peril.

Bleakwood, Oregon—once a sleepy, forgotten town—has become ground zero for an unspeakable horror. When Danielle Pryer’s long-lost brother, Bruce, returns from the Vietnam War carrying a monstrous mutation, reality itself begins to unravel. Vines turn to veins, brick to bone, and the laws of physics become mere suggestions. But Bleakwood’s nightmare is just beginning.

When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. My final salvage, and this time I must rescue the entire world. Orion has fooled the entire human population with his lies, and they follow him like mindless zombies. They are the lost ones now.  

My name is Rylee and I am a Tracker. When children go missing, and the humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. One last salvage and the final battle with Orion and the demon hordes will be upon me. I don't know the name of the person I'm Tracking, or what she looks like so finding her is going to be...impossible. But she is the key to defeating the demons.  

The complete series of off-beat thrillers about psychic detective Thomas Soutar, who uses his skills in police investigations. Set in Glasgow and featuring fantastic full casts, these unique police dramas star Robin Laing as Thomas Soutar.

When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. The clock is ticking, and I can feel the weight of the final battle with the demon hordes looming over my head. The puzzle pieces are becoming clearer, but the casualty list is growing. And with each name that is added to those we've lost, my confidence cracks a little more. Yet there is hope...

War is coming, and she must decide how badly she wants the vampires on her side. Or as a thorn in her side. When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. Bringing my allies together as war approaches is my number one concern. But that means I have to play nice with a vampire who is blackmailing me. If I don’t, I’m screwed and my family is dead. But I don't play nice. And I have a backup plan. Kinda.

When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. Crossing into Ogre country is dangerous when you're a polite, respectful gal. Which means we all know I'm in for a wild ride, despite the new backup I've brought along. Even when things start to go sideways, and enemies close on us from every side, I still believe we have the upper hand. How very blind can one person be when it comes to a salvage for a missing child? I'm about to find out.

Era: Human historical (later period). Technology: Military (self-contained), non-time-active. By the end of the fifth millennium AD, the homunculi created by the human species - clones, cross-breeds, fighting-machines and artificial intelligences of all descriptions - outnumbered humanity by more than thirteen to one: But even so, there were no creations like those of Peking. Heading a 1,000-strong army of individually-crafted automata, the 12 commanders were self-aware embodiments of the oriental zodiac, forged to a strict astrological design, and said to incorporate history itself in their operating program.

PRIMEra: Last thirteen million years. Technology: Military (blatant), limited time-awareness. It’s perhaps unwise to think of the Sontarans as a species, as such. A homunculus breed hatched by the million and engineered for full-engagement warfare, the Sontaran military machine is regarded by many time-active cultures as an “occupational hazard”: a force of nature rather than a race, compelled by duty and genetics to acquire new technologies for its endless war effort. It should be remembered, however, that with the backing of a higher power even the crudest of breeds can become something quite different.

London, 1999. As New Year’s Eve approaches, some believe it will herald the end of the world, and when Dorian encounters renowned artist Natalie Isaacs in a bar, they embark on an intimate journey...but one with terrible consequences. Once the clock strikes midnight on New Year’s Eve, it isn’t long before the Mayfair Monster manifests. Note: The Confessions of Dorian Gray contains adult material and is not suitable for younger listeners.