Ergebnis Anbieter "Bolinda Publishing Pty Ltd" in Science Fiction & Fantasy

On the far northwest coast of Tasmania at Cape Grimm lies the isolated and idiosyncratic community of Skye, which practices a religion that reveres the imagination. One clear evening all the inhabitants enter the church hall, where they are locked in and burned alive. They have been persuaded to do this by a young man called Caleb Mean, also known as El Nino, the Christ Child.

Cal and Ricky both stare at the one-eyed seagull. "You wanted food," Ricky whispers. "There it is." "A seagull? You'd eat a seagull?" "I'd eat anythng," says Ricky. "Anything." When Ricky and Cal wag school they bite off more than they can chew.

He draws her close, envelops her as if with wings. She does not resist him or the kisses over her face when he tilts her chin up; she lets him, exposing the flesh of her throat. When she goes home that day she will wear the marks of the devil, the clinging smell of oil, the bruising of her neck.

Gretel has never had any time for sorcerers, considering them nothing more than show-offs with questionable fashion sense. It is with some reluctance and a deal of grumpiness, then, that she agrees to look into the matter of a murdered magician. All that is left of him is a grisly remnant, which the police quack confirms is the murdered man’s appendix. What has become of the rest of him is baffling the local constabulary, the Sorcerers’ Society, and, not least, the hapless trickster’s widow. 

A fast-paced thriller set on the streets of a London rife with undercover magic. Abras, as they are known, can harness these illegal powers, but for con artist Amanda Coleman - whose father was a powerful and abusive practitioner - magic is anathema. When her criminal crew decide to hire an Abra to help with their heists, they don’t expect to raise a demon, or to quickly lose control of it. Now Coleman and her crew must travel across Siberia to a remote stone circle in order to kill this murderous creature, who has destroyed everything they hold dear.

The adventure of a lifetime...or two, or three. When Sara is gifted a beautiful antique chair as a wedding present, she is completely unaware that it is one of a unique pair. On the other side of the world, the chair's twin is presented to a reclusive artist, Jon, as a birthday gift. The two new owners are thrust into a mind-expanding adventure through the ages - medieval East Anglia, Scotland, France and India. In each instance they experience significant junctions in their lives past, to remember and redress ripples of karma they set in motion and thwart an evil entity that still threatens their present-day lives. 

During a brush with the Sons of the Long Knives, Gwion earns the trust of Keridwen and is offered employment at her Castell in Gwynedd. There the goddess is brewing a potion of prophetic insight and secret wisdom, destined for her monstrous, shape-shifting son, Morvran. But an ill-timed accident on the final day of his task sees Gwion inherit all the potion's supernatural abilities. In a shapeshifting battle, Gwion is swallowed by Keridwen, and upon her return to human form the Goddess discovers that she is pregnant. A punishment imposed on her by Gwyn ap Nudd, Lord of the Otherworld, dooms the goddess to carry the babe in her womb for decades. 

Jeff is dying. Haunted by memories and grappling with the shame of his desires, he runs away to remote Scotland with a piece of experimental tech that allows him to enter the mind of someone in the past. Instructed to use it only three times, Jeff - self-indulgent, isolated and deteriorating - ignores this advice.   

The latest trilogy by a best-selling author.... Mia Montrose is a 21st-century Australian woman with a doctorate in ancient languages who has just scored the most promising job of her career. When Mia experiences mysterious happenings and forces beyond her control, she begins to understand that history does not always stay in the past.

As Cara approached the exit of Harpley Historical Village, she came upon a bright object in the grass by the side of the cobbled street. It looks like a radio, but instead of producing music, the object transports Cara Gillespie and her mother back over a century to the time of bushrangers, gold-miners, convicts and rough justice.